My name is Maron Khoury. I am 2nd flutist with the Metropolitan Opera Orchestra. I have held that position since age 20. I started my music education in Israel, and later was admitted to the Curtis Institute of music in Philadelphia, where I continued my music education and lived for five years. My major flute teachers include Jeffrey Khaner, principal flutist of the Philadelphia Orchestra and Eyal Ein Habar flutist of the Israel philharmonic. I have played under major conductors including James Levine, Simon Rattle, Daniel Baremboim, Riccardo Mutti among many others.

Director of New Age of Reason Studios and the intellimagine creation lab, STYVYN is a versatile creator and producer of a vast array of music for film, television, theater, bands and solo artists. He is composer, lyricist and producer of opera/pop star Markella Hatziano's recordings (markella.com), including the 2012 video/song release of ELLADA (GREECE), 2012 CELEBRATION with electric violinist Alexandra Larson, the 2011 EP RELEASE of THE TWO OF US AGAINST THE WORLD, the iconoclastic OpeRADical and the November 2012 video release of THE MAGIC OF REALITY. On stage or in the studio, STYVYN is equally at home as virtuoso concert pianist (Classical Masterworks label). Adult Contemporary pianist (Pianonymity Label) or creator and producer of music within a wide range of genres, including urban, hip-hop, rap, electronica, dance, pop, alternative, new age, ambient, experimental and crossover.

“...the performance of the Greek mezzo-soprano Markella Hatziano, who stepped in on short notice to take Ms. Norman’s place for the concert performance of the second act of “Samson et Dalila.” Her performance was a careerist’s dream: a last-minute  cast change ending with the audience leaping to its feet with cheers. But Ms. Hatziano also succeeded in a more subtle fashion, focusing attention on Dalila rather than on herself...she husbanded her strength for the character’s explosions of anger, and cultivated long, languid phrases that were marked by intelligence and taste.” New York Times

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