Analog Jungs was born out of a love for rhythm, groove and melody. Taking inspiration from the likes of Cid Inc, Guy J and Henry Saiz, the Cordoba residents first emerged in 2015 with ‘Anubis’, a track co-produced with fellow countryman and progressive music star Antrim. Well received by fans and contemporaries alike, it set Analog Jungs on a course for aural enlightenment. World class DJs Hernan Cattaneo and Nick Warren quickly became the duo’s biggest supporters, showcasing their music at the world’s largest electronic festivals, such as Burning Man, Tomorrowland and Woodstock 69. Not only recognized within the progressive scene, electronic music maven John Digweed also took a liking to the duo’s work, featuring it on his hugely popular Transitions Radioshow alongside the likes of global stars Eelke Kleijn, Sasha and Yotto. The duo’s colourful, club friendly sound was further recognized by Nick Warren in 2019, when the much-loved DJ invited
the duo to work on a remix for his revered The Soundgarden imprint. A bond with Antrim was nurtured further as well, as the Argentine’s fast rising Or Two Strangers imprint became a comfortable home for the duo’s enigmatic work.
2021 proved to be a breakout year for Analog Jungs. On the strength of a remix for Israeli duo Golan Zocher & Choopie, Analog Jungs vaulted into the top ten progressive house artists on Beatport, a spot generally reserved for the genres most prolific artists such as Alex O’Rion, Cristoph, Kamilo Sanclemente and Stan Kolev. Impressive company to be in, and a true indication that the Cordoba duo has matured into sophisticated artists with depth and consistency.
Also beloved as DJs, Analog Jungs have long been recognized for their impeccable taste and exquisite programming skills. The duo continues to mesmerise club goers across their homeland, performing at sold out showcases at the countries premiere venues, while sharing the booth alongside top talents such as Guy J, Patrice Baumel, Blancah, Darin Epsilon, Khen, Marc Marzenit, Mariano Mellino and Mike Griego. The culmination of years of hard work and a keen dance floor vision
have taken Analog Jungs to new heights with each successive year, and now as the world continues to open back up the duo sit as one of those rare acts whose music caters to the mind, body and soul.

Words by Mitch Alexander

RECORD LABELS
THE SOUNDGARDEN (Uk), MANGO ALLEY (JP), HOPE RECORDINGS (Uk), OR TWO STRANGERS (Argentina), BEAT BOUTIQUE RECORDS (Israel), BONZAIPROGRESSIVE (Belgium), BALKAN CONNECTION (Serbia), CLINIQUE RECORDING (Russia), DOPAMINE MUSIC (Greece), PHW ELEMENTS (Sweden), STELLAR FOUNTAIN (Hungary), ICONYC NOIR (USA) and SOUND AVENUE (Belgium).

BOOKINGS 
info@fpbeats.com

PROMOS AND REMIX REQUEST 
analog.jungs@gmail.com

Cesar Merveille has been a defining presence in electronic music since his debut on Circus Company in 2003. His versatile sound has graced labels like Cadenza and Visionquest, earning him global recognition.

As the founder of Roche Madame, Cesar channels his deep, textured approach into a label that reflects his roots and creative vision. With a passion for hardware-driven production, he continues to push sonic boundaries, crafting timeless electronic music that resonates beyond trends.

https://rochemadame.bandcamp.com/

Bookings
Worldwide - andy.raeside@defected.com
The Americas - angel@sleepinggiantmusic.com

Management & Press - ralph@acetatemanagement.com

"I'm the guy pushing to change my sound from record to record..."

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

From early breakout hit "Phat Dope Shit" in 2002 to "Heavy Heart", a new collaboration with Skrillex and Fireboy DML, Dice has always been in the headlines. After his debut album "7 Dunham Place" on his own now long-running and well-regarded Desolat in 2008, came the major label follow-up "Underground Sound Suicide" on Ultra Music with guests like Giggs, Just Blaze, and Neneh Cherry, then the agenda-setting and club-focussed house and techno showcase that was "Love Letters" in 2018. 

Add in tens of EPs on Ovum, Minus, Cocoon, to name a few, and his remixes from everyone from Kevin Saunderson to Moby, Black Coffee to Disclosure, Warren G to Basement Jaxx, Loco Dice has always been at the beating heart of the electronic scene. 

His DJ sets, too, always brim with personality, whether in a small underground basement or on an iconic main stage at some of the world's top festivals like EDC Ultra, Tomorrowland and Coachella to name a few, playing to thousands. He has had era-defining residencies at iconic Ibiza super clubs like Circoloco at DC-10 and on the Amnesia Terrace as well at Space Miami. 

His lockdown move has been to unveil En Coleur, a label reserved exclusively for his own music produced at that time. SB Recordings followed. A new label open to all styles of dance music.

Since day one Loco Dice constantly pushes the boundaries of techno and house music production, from his appearance in 2004 PlayStation2 game "Decks & FX" to cooking up his own ideal fusions of hip hop and electronic music with his FKD side project or writing critically acclaimed runway soundtracks for Italian fashion designer Marcelo Burlon during Men’s Fashion Week in Milan for both FW20 and SS20.

Dice's distinctive fashion sense and strong visual aesthetic manifest in his collaborations with Amsterdam fashion label Daily Paper, pro sports hat purveyors New Era and in his own clothing brand Seran Bendecidos. 

All of this and his longevity prove that Loco Dice is undoubtedly an insatiable creative force most interested in the uncharted territory between genres and styles, the elements that link everything together.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

SIMAO
-Contato: mateussimaomateusc@gmail.com

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