Mixes

To listen 2025

check.list:2510

subglow/Live Recordings

Bimonthly excursions through memories, geographies and nostalgia from NYC-based livwutang. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/livwutang/episodes/livwutang-5th-august-2024

Furniture without Memories w/ livwutang & Compliments 050824

An incredibly special recording from Hewan Aman @hewanaman live from pe:rsona festival last year. 

From Hewan:
"The set is all playful, dubby, tecky, with some psy vibes and also a bit of deep and introspective bits. I played on a hot, sweaty afternoon during day 2—just as the sun was starting to cool down and the music heads that made up this special crowd were starting to get in all their feels. LOIF took over after me with his live set, carrying us into the darker hours of the night with his sexy psy vibes. It was such a magical moment, and I’m so glad to have it captured in this recording!"

Beautiful photograph by Romain Guede.

subglow/Live 3: Hewan Aman @ pe:rsona '24

who would win in a 🏁 race 🏁, a self driving car or a dogie driving car? if you you agree with k means that the only answer is D O G then you'll surely get along and may enjoy the first episode of her Outsiders show.

🌐 "Outsiders" is our daily pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: k means @ Kiosk Radio 18.02.2025

Welcome to the first volume of Sharing Plates—a new club-focused mix series from myself.

For the inaugural mix, I’ve recreated my set from last October’s day-to-night edition of Bleached Club at The Glove That Fits. I played downstairs from 7 til 8 PM with a loose brief of “hard and fast”. I immediately knew I wanted to move from 150 through 174 BPM—initially resetting the dance floor before steadily climbing up to modern 2-step drum & bass. Big tempo jumps are a tricky thing to balance without sacrificing flow, but I was feeling insanely inspired to try after a mad experience at Bang Face the weekend before.

Though I’d spun on radio and in record stores a couple of times, this was the first time I’d ever played in a club. Years before I even knew what DJs actually did, I’d always fantasised about playing to a proper dance floor. This was a real bucket list moment. 

In classic me fashion, I prepared by spending too many hours feverishly mixing at home with a rotating carousel of potential tracks, slowly arriving at a folder of music I felt confident in. Even if I don’t end up playing exactly the same tunes in exactly the same order as I do at home, something about knowing my exits allays the shaky pre-show jitters. 

For whatever reason that day, everything just sort of clicked. I got over my nerves really fast and locked in. It was the most fun I’d ever had playing and, bizarrely, as a fervent bedroom DJ, it was to a room full of people. 

Stupidly, I decided not to record the set that night. At the time, it was just another thing to worry about. Since then, though, I’ve found myself returning to that night with fondness. I decided to go back through my Rekordbox history and recreate the set I played that night, mixing as close to how the show actually flowed as possible.

Shouts out Karpo, FETCH* and the rest of the Bleached Club crew for inviting me to play. Having my debut club set be at such a wicked party will be a memory I’ll treasure forever.

Track list:  
Skee Mask — Cerroverb {Ilian Tape}
Untold — Test Signal {Hessle Audio}
Air Max ’97 — Ice Bridge {Timedance}
???
PARA — Infinite Jank Zone {Incurzion Audio}
Samurai Breaks — Oshee {Worst Behaviour Recs}
Fonzo — Ring Ring ft. Capo Lee {ec2a}
MJK & Impey — High Konga {Obligated Records}
Ziyiz — Asemia {early reflex}
Sinistarr — Turn Up (w/ Hyroglifics) {Hooversound Recordings}
Addison Groove — 160 Cowbells {Worst Behaviour Recs}
Chunky Strapz X Slinki — Watch My Feet {Self-Released}
Jensen Interceptor — Break Fluid {International Chrome}
Nectax — Twin Turbo {play:musik}
Nectax — Voychek {Over/Shadow}
Samurai Breaks & Napes — Frog Mob {Time Is Now}
Koherent — Bleep Test {Overview}
PARA — VVITCH {Incurzion Audio}
Kasra & Gardna — Spaceman (QZB Remix) {Critical Music}
Skeptical — Frozen {Commercial Suicide Records}
Digital & Spirit — Phantom Force (Fracture’s Astrophonica Edit) {Phantom Audio}

***Recorded on a pair of CDJ2000-Nexus 1’s and my trusty Xone:92 at home in South London.***

Sharing Plates Vol.1

A beautifuls set from @djwiggles. ~~~ 

"This set is a recording from my closing set on NYE at London’s Venue MOT. As someone who is probably just as in love with curating as I am with DJing, I get really excited when I connect with a line up & understand what role I might have to play in the unfolding of the night. This one had a bit of everything, Djrum / mama snake / priori / jon k / jossy mitsu & I really wanted to bring something special together to reflect the array of sounds across the night whilst also keeping it quite fun and nostalgic. A nod to that special energy that we all feel on New Years Eve where everyone wants to hug their friends and tell them they love them. The set starts with a fun peak time energy before melting away into some slower sludgy sounds. By the end of the night there were only a few people left floating around the dance floor, everyone with their heads down and eyes closed, just swaying their bodies. My favourite time of night."

subglow/Live 4: Dj wiggles @ MOT

Accidental Meetings resident and Bristol-based i-sha plays on Kiosk with styles grounded in the dubwise principles of negative space, physical pressure and adventurous sonics. Playing music from labels such as AM, Somewhere Press, ANA & A Colourful Storm.

i-sha @ Kiosk Radio 16.05.2025

Texas native Gi Gi deals in head-down propulsive music. He’s released on a cast of labels including Good Morning Tapes (AUS), Quiet Time (USA), and INDEX:Records (UK/DE). Utilizing a collage-based approach that takes in a wide swath of source material, the result is a peculiar strain of ambient dance music equally at home in headphones or the back rooms of a club. 

As a DJ, the introspection that characterizes his music echoes throughout, but the net is cast wider. The energy inches upwards, and styles that trace contours in his productions present themselves more directly. Gi Gi brings nuance and warmth to his DJing, nudging dancers towards reflection and loungers towards movement.

來自德州的 Gi Gi 擅長製作深邃且具推進感的音樂。他曾於多個廠牌發行作品，包括 Good Morning Tapes (澳洲)、Quiet Time (美國) 和 INDEX:Records (英國/德國)。他的創作運用拼貼式手法，採納大量不同來源的素材，產生出一種獨特的氛圍舞曲，無論是透過耳機聆聽或在俱樂部的後場空間，都能自在呈現。

作為 DJ，他的音樂特有的內省特質依然存在，但風格更為廣泛，能量逐步升溫。那些在他製作作品中較為隱晦的風格線條，在他的 DJ 演出中則更加鮮明直接。Gi Gi 的 DJ 風格細膩且充滿溫度，能引導舞者進入思考，也促使靜坐的聽眾隨之起舞。

Gi Gi @TOHA Radio 06.05.2025

Highly Important w/ Compliments - 13.06.25

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

The recording is from a night at Ohm back in March put on by Kontinuum and New World Dysorder. I remember feeling so comfortable with the space and the crowd who were up for good sound system pushing fun going freely through everything from d&b and elektro to freetek and jungle. Also shoutout to Ohm for always providing a solid vinyl setup!
---- @abnama

subglow/Live 5: Abnama @ Ohm

Woozy with Compliments (J:Kenzo In Focus) - 13 August 2025

Earlier this year, we had the pleasure of attending the fourth edition of Mostra, one of the most beautiful, safe, and welcoming gatherings we've ever experienced. It was an intimate, four-day festival in the city of Barcelona dedicated to exploring experimental electronic music and the avant-garde — expertly curated and surrounded by a beautiful community of like-minded souls who treated us like family.

On the second day of the festival at Fabra i Coats — inside one of the most respectful and attentive listening rooms, with an audience whose silence drew you even deeper into the sound — Detroit legend and Mostra resident Patrick Russell took his place in the booth, seated this year, and delivered a deeply moving and powerful sonic trip — one we’re honored to share with you today.

A big thank you to Patrick and Mostra for giving us the opportunity to share one of our favourite performances of the festival.
~~
https://soundcloud.com/ptrckrssll
https://www.instagram.com/ptrckrssll/

https://www.mostra.barcelona/en
https://soundcloud.com/mostrabcn
https://www.instagram.com/mostrabcn/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

Mostra x The Observatory - Patrick Russell

“A recording from pe:rsona in France, one of the most memorable sets of the summer for me!! 

I felt a connection to this crowd in particular and that’s not something that happens often. A lot of this is down to the people behind this festival, the pe:rsona/Positive Education crew are very intentional with what they do, they champion and support a lot of artists who aren’t necessarily ‘big names’. I think this cultivates a crowd that trusts in their curation, they’ve fostered this really special energy. 

I played on Friday night between two live sets, Christian Coiffure and Renslink. They are two incredible acts to be sandwiched in-between which inspired the set to evolve the way it did. 

Big big love to the crew and to everyone who danced with me ❤️”
- @emma-jane-g

Photo: Raphael Chene & Carla Lubrano Di Sbaraglione
Mastering: Devoye Folkes

subglow/Live 6: EMA @ pe:rsona '25

Tbilisi stalwart BMI brings his esoteric sound to Zenaari’s Podcast series for this next instalment. The Georgian DJ is a heavy-hitting talent on home turf, frequently stalking the capital’s venues and actively involved in several cutting-edge collectives and projects like Substract, Octachoron, Fear Pollution, 3 Suli, and Soulvent. His fluid, ever-mutating sound is smart and expansive techno that’s plugged into a wide scope of references from the outer fringes of experimental music, tying them neatly together and offering a reflective take on contemporary electronics that challenges and rewards its listeners. Clocking in at 62 minutes, this episode offers a glimpse of the inner workings of BMI’s mind: sounds that click, shift and refract, not a one out of place and coming together in a fuzzy, echoing whole. Forward-looking, resourceful and teeming with Tbilisi energy, Zenaari Mix 019 is a taste of BMI’s innovative sound, a fresh and stirring addition to the Zenaari Podcast roster.

@bmi_ghostnote

1.  The Beneficiaries - Metallic Stars
2.  Kirk Degiorgio - The Stars, Your Makers
3.  Hanker - Ringing Waves
4.  Dold - Unidentified Frequency Oscillator
5.  FU-5 - Izar
6.  Allen - Empty Space
7.  Translate - Magnetic Emissions
8.  Dopplereffekt - Dimension 11
9.  Monolake - Error
10.  30drop - Fading Whispers
11.   Error Channel - Vemion Pulsa
12.  Jamie Bissmire - Subteranium
13.  Ear to Ear - Live Recordings D
14.  Hugo Rolan - Entorno Hostil
15.  Jeff Mills -  Arriving [The Crystal Universe]
16.  Oisel - Entropia
17.  ASC - Dying Star
18.  Pianeti Sintetici - Matrice
19.  Evod, Vincenzo Saetta, Ernesto Bolognini - Tre San
20.  Aleksi Perälä - FI3AC2410009
21.  SØS Gunver Ryberg - We tumble on the edges
22.  Ø - Loihdittu
23.  Drexciya - Habitat 'O' Negative
24.  Franck Vigroux - Styx
25.  Ryoji Ikeda - ultratronics 05
26.  Echelon - Signals Reaching Earth
27.  Marcelo Antonio - Ultimo en la fila

Zenaari Mix 019 - BMI

Upon announcement of the next Bait release, Tighe, Pianeti Sintetici & Yogg have all 3 recorded a 20 mins mix each showcasing their own output.

Bait présente Tighe, Pianeti Sintetici & Yogg (100% production mixes) - 1er Octobre 2025

Parc de Forets, 06h00. Playing towards sunrise.
Thanks Lefto for the invitation <3

No Radio, No Lefto w/ Ridoe @ Kiosk Radio 28.09.2025

Today we celebrate the 50th chapter of our podcast and for the occasion there's a special one served for you. 10 years ago when we were still trance heads and started to discover the world of technoid sounds some albums gave an important impact on us. We got to hear this tribalistic and beautiful track called "Trance State" in a mixtape and when finding the whole album with its concept, artwork and hearing the rest of the music, it touched our souls. Something new but still familiar. After some years we were fortunate to be able to work with the author of that masterpiece for remix work and we're proud to have his contribution on Navigare Audio. 

" Dino Sabatini is a Rome-based electronic music producer, DJ and live performer known for his deep, hypnotic and ritual approach to techno. Founder of Outis Music and its cinematic offshoot Outis Opera Series, he has released acclaimed works such as Shaman’s Paths, Omonimo, Tiryns and the recent Chiron EP. His music blends immersive atmospheres with a strong sense of storytelling, making him a unique voice in contemporary electronic music. "

https://soundcloud.com/dino-sabatini

Navigare 050 - Dino Sabatini

We welcome Andy Martin for Episode 488 who delivers a 70 minute workout flexing his capabilities both as a master selector and blender of the techno genre.

A riveting and energetic journey awaits direct from Mexico.

Follow :

https://soundcloud.com/andy-martin
https://www.instagram.com/4ndym4rtin/


MNMT 488 : Andy Martin

We're ecstatic to present a sensational recording from a deep head, Compliments.

"Here's my two (and a bit) hour set from Field Maneuvers back in August, my favourite festival in the world.

This was by far the most time I've ever spent preparing for a single set or mix—I probably went through 10-15 crates of tracks, obsessing over flow, texture and tempo. Eventually, I landed here: an expression of love for dance music at 174/140 BPM.

After learning the recorder malfunctioned on the night, I quickly re-recorded it to ensure I reflected the flow of the night as closely as possible.


The set represents exactly what I personally wanna hear on massive sound systems right now and is a love letter to the hours danced in that field with my best friends.
Thanks for listening, I'm insanely proud of it." -- @djcompliments

subglow/Live 7: Compliments @ Field Maneuvers '25

a party, label and platform by @ccl-url ◆

music that makes subs glow. 

🔊 𝔱𝔥𝔢 𝔮𝔲𝔢𝔢𝔯 𝔣𝔯𝔢𝔞𝔨𝔶 𝔰𝔬𝔲𝔫𝔡 𝔰𝔶𝔰𝔱𝔢𝔪 🔊



𝔰𝔲𝔟𝔤𝔩𝔬𝔴 personifies our desires for meaning outside a singular form, angles outside regimented pulses, breaking apart to put back together. 

Crashing through the ceiling into the sky, nestled between softness and roughness, where you start and where the world ends, flickered beyond the hegemonic download... a resistance against incessant categorization, beyond genres, finding meaning in the inbetweens. 

Bliss-textual paradigms bring us closer, unique velocities taking us deeper, tapping into our unfiltered potential in a fresh reality; objects at rest waiting for a chemical reaction, coming to life for an infinite moment.