@claudiasin
With a penchant for off-kilter drum and bass, bass, dub and dubstep, sina meticulously curates sets that mix and match elements of atmospheric trip hop, murky post-DnB and the mischievous 2-step sounds of the 90/00s. Witnessing sina grace the decks at Inward Goods festival was a nostalgic luxury - I felt like I’d stepped into some form of magical Y2k swamp party, where only the best of early 2000s drum and bass were being thrown down. Sina’s contributions to the community extend beyond the decks and into the realm of party planning and label curation (Secret World) whilst also forming ⅓ of the band dregs. Sina’s bass-centric Framework parties create a much needed bro-free zone, an inclusive space for us lovers of the high energy sounds that sina is becoming so well known for. sina joined me to celebrate for episode 156 and 3 years of Passing Notes with a deep, dubby guest mix and written interview here -> https://passingnotes.radio

sina - PN 156 (3 Years of PN)

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

A beautifuls set from @djwiggles. ~~~ 

"This set is a recording from my closing set on NYE at London’s Venue MOT. As someone who is probably just as in love with curating as I am with DJing, I get really excited when I connect with a line up & understand what role I might have to play in the unfolding of the night. This one had a bit of everything, Djrum / mama snake / priori / jon k / jossy mitsu & I really wanted to bring something special together to reflect the array of sounds across the night whilst also keeping it quite fun and nostalgic. A nod to that special energy that we all feel on New Years Eve where everyone wants to hug their friends and tell them they love them. The set starts with a fun peak time energy before melting away into some slower sludgy sounds. By the end of the night there were only a few people left floating around the dance floor, everyone with their heads down and eyes closed, just swaying their bodies. My favourite time of night."

subglow/Live 4: Dj wiggles @ MOT

Our 60th podcast comes from Mike Midnight.

Over the past decade, Mike has established himself as a versatile DJ, with standout downtempo EPs like Angel Hours and the collaborative trickpony with Roza Terenzi and Gem K. His productions channel early 2000s nostalgia through lush textures, emotional pulls, and playful sampling.

Recent mixes for NTS’s Braden Wells, Rinse.fm’s Baraka, and pipipi showcase his deep knowledge of club music, trip hop, and downtempo. With a delicate grip on energy and flow, Mike delivers a hazy morning-after remedy of hopeful synth pads, angelic vocal washes, and bleepy melodies.

Left Bank 060 - Mike Midnight

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/objekttt

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Objekt | Kiosk Radio x The Lot Radio at Horst Festival 2025

The Berlin-based party starter wafts her energy our way for an hour a month. Colourful house & techno, vintage breaks, decontextualised bargain-bin club tracks & more in the mix... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dj-fart-in-the-club/episodes/dj-fart-in-the-club-23rd-may-2025

DJ FART IN THE CLUB - LIVE FROM NOWADAYS NYC 230525

Presenting the ever-lovely and ever-inspiring @mikemidnight for #175 in the series. The Boorloo/ Perth based artist initially garnered attention through his output of insanely dreamy trip-hop productions... the perfect combination of emotional & uplifting, and immaculately produced. Mike plays live as a solo artist and now makes up 1/3 of the exciting new band Trickpony, made up of Roza Terenzi, Emkay & Mike himself. 

Beyond his knack for weaving tear-jerkingly beautiful trip hop infused songs - Mike is also a great DJ. Here, with a more club-oriented mix, he showcases his taste & talent, a BTS look into the genres & moods that make up the mind of the talented artist.

Very happy to have you in the series Mike! Thanks for the mix <3

Downloads enabled

Animix One Hundred & Seventy Five: Mike Midnight

Pacing the Platform 28 w/ upsammy on NTS (12.06.25)

airloc's latest project - 'Habitats' - features a mixture of Jungle, Intelligent D&B, Breakbeat, and Triphop / Downtempo tracks; a collective effort from Maxumus and Legal Tender.

The 6-track runtime voyages through different natural environments, from the oceanic soundscapes of 'Blue-Tailed Giant Larvacean' and 'Quark (Splashdown Mix)', to the dense, vibrant rainforests of 'Totem' and 'Leafcutter Trek', as well as into the vast reaches of outer space, with 'Funk Star' and 'Quark (Trip Mix)'.

Quark (Legal Tender's Splashdown Mix) [AIR003]

AVAILABLE ON STREAMINGS FULL RELEASE 19/09/2025

Who do you choose to let define you?

STREAM

Define You

lexe - Destroyah (FREE DL)

a party, label and platform by @ccl-url ◆

music that makes subs glow. 

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𝔰𝔲𝔟𝔤𝔩𝔬𝔴 personifies our desires for meaning outside a singular form, angles outside regimented pulses, breaking apart to put back together. 

Crashing through the ceiling into the sky, nestled between softness and roughness, where you start and where the world ends, flickered beyond the hegemonic download... a resistance against incessant categorization, beyond genres, finding meaning in the inbetweens. 

Bliss-textual paradigms bring us closer, unique velocities taking us deeper, tapping into our unfiltered potential in a fresh reality; objects at rest waiting for a chemical reaction, coming to life for an infinite moment.