Submersive Podcast 116 - LIDVALL (Hard Tools, Edit Select, Devotion)

Dj/ Sound designer in progress
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More music in Mixcloud ...

Psychonaut - Audiophile - Anarchist - Translator - Techno - Geek

Hello to everyone, I'm just a music listener since I was born "1974"!!! Without music the world is wishy-washy.
I've done voice in a punk band called "Breakdown Brain" here on my land, but since invented Techno,
I follow the style with nails and teeths, thanks to Speedy J, Oscar Mulero, Chris Liebing, Plastikman, Ken Ishii, Emmanuel Top, Anthony Child, Fumiya Tanaka, Richard D. James, Autechre, OrbitalJeff Mills, Chris Knowles and all the Liberators, Guy McAffer, CJ Bolland, Green Velvet, UR, Laurent Hô, Miss Djax, N-Son-X, Daz Saund, A.Paul, DJPepo, D.A.V.E. The Drummer, FSOL, Hardfloor, Acid Junkies, Mário Roque, Jesus del Campo...
and many more...! You know what I'm talkin about!
I don't know why I never got into production and DJing, maybe one day (it's a project) ...
Thank you all for your work and good luck to everyone! Good job SoundCloud!
"LET THE MUSIC TAKE CONTROL!!!"
Thank you guys for the TECHNO I've been hearing here at SoundCloud and around the world with you ALL!!!

Techno for underwater raves.

Founded in 2017 by @bevelgear, Submersive is a statement against the pulsating, hectic trend of hyperactive beats, carving out a space for a progressive, organic yet dancefloor Techno sets to the rhythm, inertia and power of nature herself.

Like a deep dive in the sea, Submersive’s music is enigmatic, dark at times, yet teeming with life. Through its label, podcast and events, it embraces the mystical, creating waves of ambient sounds, syncopated rhythms, and transcendent melodies that merge into a coherent, mesmerizing narrative. 

Submersive is not just a label; it is a call to immersion. It's an invitation to dive beneath the surface, to become lost in a dreamscape of sound that's as enigmatic as it is enchanting, and live those precious moments where every beat becomes a deeply personal echo in your heart.

I love Java, Spring Boot, coffee, Cambodia, EVE Online and quality techno.

I listen to everything I share before I share it.

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).

Hypnotic/RAW techno listener. Some hard/industrial too.

Submersive Podcast 116 - LIDVALL (Hard Tools, Edit Select, Devotion)

Submersive Records