Coming back with the same collaborative and intercultural spirit, the third release of Behua Icára is an EP - VA of reworks from the album “Non Axebo” by Withner FaGo, an activist and rapper from the Shipibo Konibo Xetebo community. Singing in his native language, FaGo narrates myths and legends, as well as stories of cultural and environmental resistance from his community in the central Peruvian Amazon.

Some of these stories emerge from the collective’s imagination and worldview of his community, such as “Chaikonibo,” which refers to enchanted men who protect the jungle; “Non Nete” - Our World - which describes the four indigenous worldviews of the community: Jakon Nete (The Upper World), Non Nete (The Earthly World), Pashin Nete (The Underworld), and Jene Nete (The Water World); and “Mai Yoshin” - Land of Demons - a generational tale from Pucallpa.

“Chaikonibo” has been reimagined by the polyrhythmic talent Crisa, who recreates the mystique of the story with an ensemble of organic Afro-Peruvian percussion. “Non Nete,” originally produced by Toma Kami for the label’s second compilation, now remixed by E-Unity, elevates the narrative, taking us to the rhythmic-astral plane with ascending syncopations. In the case of “Mai Yoshin,” by Argentine producer Mlee, it transports us to Pashin Nete (the underworld) with the calamitous possibilities of drum and bass.

Other stories tackle the daily struggle of the community against the threat of extractive and polluting industries. “Non Mai” - Our Land - a protest song against oil companies and deforestation, has been reinterpreted by Eomac, with a harsh and frantic percussive syntax, making it the perfect soundtrack for frontline defense.

“Koiramenon Ikanwe” - Let’s Take Care of Ourselves - denounces the threat of drug trafficking and the usurpation of the community’s agricultural land for illegal coca leaf cultivation. Produced by Reptile & Supersadfish, a duo from Guadalajara, deconstructs the protest into beautiful fractals between IDM and Jungle.

Finally, “Ea Ninkakanwe” - Listen to Me - narrates the experience of FaGo’s grandfather and his encounter with the depredation of his people’s habitat. Jasmín take, injects the perfect dose of 4/4 in a subversive measure.

BUY on BANDCAMP

PREMIERE : Jasmín Fr. Whitner FaGo - Ea Ninkkanwe

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

LNS & DJ Sotofett - Gearbox

Some Trax to Work It EP [KENOTRAX003]

🗣️I've been actively involved in electronic music since 2020, the year I launched my project Snarexx. That sound blends the energy of ghetto, funk, electro, and jit. At that time, I was inspired by the Detroit scene artists like Detroit In Effect, DJ Nasty, Mr. De', DJ Assault, and others. Most of my tracks were made in Ableton 10. In 2023, I released the final EP under the Snarexx name, titled “Lock Em In Da Funk”, which also came out on vinyl. Since then, the project has been on hold.

By 2023, I had started collecting some hardware: a Tascam mixer, MPC 1000, JV1080, TB-03, and a Lexicon MPX550. I dived into Chicago dance scene as well as 90s Southern rap — Memphis and Houston especially. I was inspired by the records of DJ Screw, Fat Pat, Lil Keke, 8Ball & MJG, DJ Paul, DJ Squeeky, DJ Zirk, DJ Sound, DJ Spanish Fly, MC Mack, Tommy Wright III, Mack DLE, Dance Mania, TRAX and others.✨

2023 was a turning point. I finally found myself in music. I stripped my process down to the essentials and focused on concept and impact. The idea was simple: to create tracks that make your ass move on the dancefloor. The music itself is raw and heavy, but intentionally minimal and ironic — primitive in structure, but elaborate in sound. It’s meant to create a kind of mental dissonance: “What is this weird music?… Damn, but it slaps!”🔥

That’s how the project DJ Satyrias was born. ⚡️⚡️

DJ Satyrias 
https://soundcloud.com/djsatyrias
https://www.instagram.com/djsatyrias?igshid=YTQwZjQ0NmI0OA%3D%3D

KENOTRAX
https://soundcloud.com/kenotrax
https://www.instagram.com/kenotrax/


PREMIERE: DJ Satyrias - Freaks & Hoes [KENOTRAX]

Reset

Internal Pace

The wormhole goes deep, doesn’t it? Gaze in a little too long, stand by a little too close, and you might just fall in. Better, instead, to listen.

Carrier, straye's debut release, is a trance-inducing trip through high-octane techno and half-time bass music. It sounds like the future, but it’s built for right now—where lines between are dissolving steadily, where hybridization is the crucial marker of potency. It opens with a heady half-time trek through deepest space, moves into fractalized downtempo territory, and then picks up the pace with uptempo arpeggiated bassline burners. DJ KMS's remix closes the record with deep house flair.

Written and Produced by @sstraye / Remix Produced by @kms1999
Artwork: instagram.com/rorylawsondigital/
Mastering: instagram.com/priorself/
Words: Chris Zaldua instagram.com/c__z__/

Shapeshift (DJ KMS Tribal Tool)

“It's not possible to constantly hold onto crisis. You have to have the love, and you have to have the magic. That's also life." - Toni Morrison

On 23rd of September, Jamaican artist Dion McKenzie aka TYGAPAW will join with Tresor Records to release IMMIGRANT, a two-track digital EP that marks a new chapter in their artistic journey.

With emotions to the fore on both cuts, TYGAPAW uses their music to detail two journeys they have undertaken over recent years: 

M32 riddim is a sonic representation of the pulse that races when survival mode kicks in; a pulse that is ever present as an immigrant in the United States of America. As such, the music is alert, verging on oppressive: fast-paced and constructed of waves of synths that feel like alarms and sirens heralding drums that could represent the heavy footfall of escape.

In stark contrast, second track Black Trans Masculine Experience is a vulnerable, intimate, melodic piece composed of loop-based overdubs and speech that gives profound insight into the isolation and erasure that comes while transitioning. Through a recorded conversation that took place in TYGAPAW’s living room in the fall of 2024, Kings-Lee Rose describes the process of becoming invisible as he transitions from being perceived as a Black woman to a Black man, and the drastic social shift that takes place during that process.

The message of Black Trans Masculine Experience is further enhanced by the self-directed and produced video which illustrates the emotional content and the feelings of solitude whilst also making space for the love and magic.

Together, the two pieces demonstrate the broad palette of an artist who takes their struggles and transmutes them into a powerful statement, or as McKenzie states, into “the sound of resilience”.

BANDCAMP

TYGAPAW - Black Trans Masculine Experience feat. Kings-Lee Rose

ET01: V/A — ‘Ethereal Sounds vol.1’

It’s a collaboration, it’s a reflection and result of us being foreigners, looking and exploring thru all different scenes in Europe but not with the need to fit in somewhere, just thru the curiosity of how music works in each different person we have met along the way since we started as crew; an answer to move away from the eurocentric idea of electronic music by mixing it with people from all over the world, mostly latinoamerica.

19 tracks with a very diverse sound spectrum, coming together with a wide ethereal energy and groove variations from 0 to 100km/h in a blink.

*We’re making this V/A to democratize electronic music in all its senses through the love for the scene; not fighting against it but working together.*
credits
releases October 10, 2025

Mastering__ Qant
Cover/Back art __ Sobstory
Additional design__ Maurine Cornillon Bourgeois

Ethereal Sounds Vol.1

Minimalismo

buy on bandcamp

Cia Rebeck - Minimalismo

Artist name : Donija
Track name: x001SVE
Album name: PAX LUNA
Album catalog number: PT006
Album format: Digital

Label name:
PEACE TOMORROW

Mastered by:
RETHE

Official release date: November 3, 2025

Shapeshift (DJ KMS Tribal Tool)

Submorph