This is superb song, man! Love the vocals, melody and all the guitars arrangement. Thank for sharing the acoustic version of it. Pure pleasure!

Enjoyed listening to this track. You got a good sound on the acoustic guitar there.

wow, I don't know where to start.....great lyrics, beautiful vocals, melodies, harmonies, greatly played guitar,

Lovely smooth melody and very fine vocal, beautiful guitar tones in this track-matched by that of the vocal, great work!

It does feel like home listening you great singers, songwriters, lyricist, musician friends! Most are the newer songs, reflective or mood-setting, with intermissions of nicely played instrumentals. Hope you guys enjoy the collection :)   

Musically yours!
Sam.

(I'm sorry that I've locked my reposts for a week and was not able to actually repost some songs, but don't want to wait on this fantastic set, so please share it for me, ok?) 



Feels Like Home (Repost Art)

The Misfits

Under Stone

This is my first collab and it's with Anne Lee. I love her voice.

I wrote this song to describe the catharsis that comes from the sense of total loss in this world, during a time that I would consider a very low point in my life. The strong negative feelings I once felt, the mantra needed to get through the hours when nothing was distracting enough to cope. "The person that broke me can't possibly fix me it's more than we both can afford".

Waltz Of Regret - Crisp Bellemono f. Anne Lee

Simply too beautiful a song not to cover ... 

Lyrics :

Rows and flows of angel hair 
And ice cream castles in the air
And feather canyons everywhere, 
I've looked at clouds that way.

But now they only block the sun, 
They rain and they snow on everyone
So many things I would have done, 
But clouds got in my way.

I've looked at clouds from both sides now
From up and down and still somehow
It's cloud illusions I recall
I really don't know clouds at all

Moons and Junes and Ferris wheels, 
The dizzy dancing way that you feel
As every fairy tale comes real, 
I've looked at love that way.

But now it's just another show, 
You leave 'em laughing when you go
And if you care, don't let them know, 
Don't give yourself away.

I've looked at love from both sides now 
From give and take but still somehow
It's love's illusions I recall
I really don't know love at all

Tears and fears and feeling proud, 
To say "I love you" right out loud
Dreams and schemes and circus crowds, 
I've looked at life that way.

But now old friends are acting strange, 
They shake their heads, they say I've changed
Well something's lost, but something's gained 
In living every day.

I've looked at life from both sides now
From win and lose and still somehow
It's life's illusions I recall
I really don't know life at all

I've looked at life from both sides now 
From up and down, and still somehow 
It's life's illusions I recall 
I really don't know life at all

It's life's illusions I recall
I really don't know life
I really don't know life at all

Both sides now - Joni Mitchell cover

Don't Let Them Go Away

With Florence Lee of keroacsaq - https://soundcloud.com/kerouacsaq
Synth Engineer - Brett Bixby - https://soundcloud.com/brettbixby

Drama In The Making - w Florence Lee

Acoustic guitar by @Guiville
Vocals, lyrics by Roses​Are​Blue♥ @bluecherrykiss

(Sat 23 Jan) Thanks for all of the listens & comments everyone!!! Big thanks from me and Rose! Gui x

Included on https://soundcloud.com/guiville/sets/interlude-guiville-nov-2016

guiville.com

Thin Line feat. Roses​Are​Blue♥

Run Away With Me

Want to license this track for a video? Get it here: http://mirrormirrormusic.com/artist/andre-lund/

Sunny Kicks

VosFM

VosfM

Ex Post

Electric City (Single)

Electric City

On The Way

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

"If music be the food of love, play on ... and on" - William Shakespeare (Sam PROCK Remix)

SoundCloud Premier Partner. Published at Silent Zen label with Ditto. Making art with the sound is what I'm after. Curving genre boundaries is a must.

"It is something between discovering and witnessing" - Robert Moog

Hardware: Moog Subsequent 37CV, MiniMoog Model D '22, Buchla Easel 208C, APR 2600m, Córdoba Koa edition nylon guitar, Fender Stratocaster, Yamaha Bass, Teenage Engineering OP-Z, UAD Apollo Twin X, Presonus 1824C, Line6 PodXT, B-52 LS100 & B-52 4x12, Arturia Keystep, XKeys Air, iPad Pro 12.9-inch, iPhone. 

Software: Ableton Live 11, Moog, Arturia, UAD, FabFilter, IK, NI, Omnisphere. Mobile music fan: Korg Gadget, Cubasis, ZenBeats, Arturia, Moog, FabFilters.

"Depeche Mode is the soundtrack of my life" - rephrasing Dave Gahan said alike of David Bowie. 

Influences: Depeche Mode, Kraftwerk, Art Of Noise, Daft Punk, Telex, Trans-X, Yello, a-ha, Arcade Fire, Panic! At the Disco, She Wants Revenge, Red Hot Chili Peppers, Nirvana, The Offspring, Madness, Che Sudaka, Ultravox, Sex Pistols, Rancid, Strangles, Elastica, PJ Harvey, The Cars, Foreigner, Therapy?, Muse, Duran Duran, Pet Shop Boys, Erasure, New Order, Telex, Zodiak, INXS, Hey Rosetta!, Cause and Effect, And One, Banco De Gaia, B-Tribe, Air, S.P.O.C.K.

Personas: Ottmar Liebert, Dave Gahan, Martin L. Gore, Jean-Michel Jarre, Georgio Moroder, SuperMax, Boris Blank, Leonard Cohen, Curt Cobain, John Frusciante, Flea, Tim Artstrong, Johny Lydon, Dexter Holland, Falco, Midge Ure, M. Harket, Regina Spektor, D. Marouani, Nick Cave, V. Clarke, A. Wilder, Robert Moog,  Don Buchla, Moby, Beethoven, Tchaikovsky, Vysotsky, G. Nannini, R. Fogli, Hank Marvin, Aeoliah, A. Vollenweider, M. Knopfler, A. Parsons.

"I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations." - "Daniil Kharms.

Styles: Funtronica (invented), Electronic, Deep, Alternative, Disco, Deep House, New Wave, Synthpop, Synthwave, Ska, Punk, Reggae, Cumbia, Indie, New Age, Chillout, GOA, Downtempo, Instrumental, Ethnic, Neo Classic, Psytrance, Psybient.

My mobile uploads account is @prockjet. More remixes @art-of-nonsense. Silent Zen is a support group I conduct @silent-zen.

Under Stone

Ricky Layne

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