Emptyset rescued me from despair a few years ago, and again, this is epic. (First!)

this is truly amazing. Could you please add any info to your profile, where I can buy this? Thanks

Woah ! This is my last order ! Subtext rules :)

yui onodera / sinkai
ARCTIC TONE (Japan) 2015
http://www.arctictone.com/at02-yui-onodera-sinkai/

Recorded & composed in Tokyo, 2013-14.
All sounds sourced from Piano, Electric Guitars, Field Recordings, Found Objects, Analog Electronics, Synthesizers and Processing.

James Ginzburg & Yair Elazar Glotman - Nimbes (clip)

All instruments and production - Len Cargill

Odessius mix 1

Mirages

live stereo capture. Oct. 11, 2015.

from Arguments for Trivialism: shastacults.bandcamp.com

CMOS

from 'Evighetsblomma': https://purl.bandcamp.com/album/evighetsblomma

'uncovered some 
glimmering remnants of a past life 
in a long forgotten part of 
my garden of sounds 
didn't want to bury them and 
forget them forever 
so dusted them off 
to let them tell their fragmented tales 
of dreams long gone 
indefinable longing 
and wonder'

Music by Ludvig Cimbrelius 

Art by Magda Kozuba ∣ www.instagram.com/magda_kozuba/

Evighetsblomma

Like it never was {cut}

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Sallaw

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Rêbendan

Track taken from the upcoming album 'Still Life', forthcoming on Fluid Audio...

Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.

www.fluidaudio.bigcartel.com/mailing-list

Still Life

Edu Comelles - Lament

"Drone Works Vol. 3 - A Compilation Of Contemporary Drone And Ambient Sounds" celebrates the third year of DRONE WORKS INTERNATIONAL with 15 amazing artists from all across the world, combining about hundred minutes of complex sound experience.

DWI likes to thank all artists involved. More information about each artist at each track. Please support them and check out their music.

Tracklist:
01. Vinny Vortex - Off The Radar
02. Velo Di Nebbia – Luminoso (Rework)
03. Lofield - Another Tomorrow
04. Logic Moon – Dolor
05. Deep Tremolo Sustain - Off Shore
06. 9VoltDisaster - Footprint
07. Phalioo - On A Dirt Road Guided By A Flashlight
08. Kraut Sounds - In Transition
09. Whalt Thisney - Nothing Alone Is Greater Than Itself
10. Jörgen Kjellgren - Warm Luminous 1
11. Mila Drone - North Beach
12. Polaroid Notes - Dissolve (Drone Rework)
13. Carbonates On Mars - Propranolol Nights
14. Tom Cadillac - Gully Ghosts
15. D.Y.H.M? - Rabbit In The Headlights

Download @ https://droneworksinternational.bandcamp.com/album/v-a-drone-works-vol-3

Release Date: 26th December 2019
Drone Works International DWI 21

Bandcamp

V.A. - Snippets Of Drone Works Vol. 3 (DWI 21)

Dutch composer Rutger Hoedemaekers makes his debut solo release with a stunning album that marks the culmination of a decade spent in the hyper-creative studio environment he co-founded in Berlin, including four years working closely alongside Jóhann Jóhannsson. Sonically rich, emotionally deep, and immaculately handled, 'The Age Of Oddities’ showcases a brilliant new talent, its cinematic eloquence bearing witness to Rutger’s experiences composing for film alongside Oscar-winner Hildur Guðnadóttir and Jóhannsson, for whom the album is partly a eulogy.

Whilst paying homage to Jóhannsson, ‘The Age Of Oddities’ sees Hoedemaekers forging his own sound and vision. It’s a bold and forward-thinking record, with a rich, hybrid sound seeing vocals processed and blurred alongside brass parts and a wall of strings shadowed by Rutger’s understated, textural electronics. Beautifully scored, immaculately performed and recorded, the album utilises the power of Budapest Art Orchestra’s 23-piece string ensemble conducted and co-orchestrated by Viktor Orri Árnason, alongside vocals (Kira Kira, Theatre of Voices’ Else Torp and Laura Jansen), horn (Morris Kliphuis), trombone (Hilary Jeffery) and violin (Una Sveinbjarnardóttir and Viktor Orri Árnason), with Hoedemaekers contributing trumpet, piano, keyboard and electronics.

Born out of a shared creative environment during a time of personal as well as social change, ‘The Age Of Oddities’ is a powerful and emotive work that closes a deeply productive yet also dark and heavy period for its creator.  It sees Hoedemaekers finally stepping out into the spotlight after many years working behind the scenes, revealing a hugely talented new composer who is surely one to watch in coming years.

The Age Of Oddities

pre-order

Rutger Hoedemaekers - Not For That Hour, Nor For That Place

A longingly beautiful mini-album Out of Time by London-based composer Mike Lazarev...Constructed as a soundtrack to an imaginary film, it is his first for the label and a standout work in his own high grade canon.

Opening with swells of strings and plaintive piano chords, lead single “Out of Time” sets a profoundly expressive tone. Each reverberating note is carefully, gently placed on a canvas awash with purity and stillness, finally building into a rushing river of breathtaking prettiness that culminates in a hanging, dead-stop ending. Later on the record, “Time Becomes” progresses like a Harold Budd piece or a Ryuichi Sakamoto soundtrack work, melting away the ice with dulcet chord changes as single string notes float on a rarefied air. “Outerlude” changes the mood again, its subtly Eastern European melodies and natural piano noises - the chatter of keys and shuffle of pedals - transport us to a haunted, deserted ballroom where a lone ghost pianist laments the weight of a tremendous grief.

“The protagonists of this imaginary film are constantly fighting against the fleeting moments on this plane. But it is less about death than it is about living. And most of all, it is all about time,” Lazarev writes. He is right: Out of Time is elegiac - heartbreakingly sad, even - but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.

Out Of Time

Subtext Recordings is a Bristol founded / Berlin based label curated by james ginzburg.

James Ginzburg & Yair Elazar Glotman - Nimbes (clip)

Subtext Recordings

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