@ttristanafkap6r6r6k @riedelchristoff
Written + produced : TTristana & Christoff Riedel
Lyrics + vocals : TTristana

EXTRASENSITIVE EP out Feb25

cover by Camille Soulat
https://www.instagram.com/sltcamille/
mixed by @allpass1
mastered by @djgapdjgap

EXTRASENSITIVE

Download

TTristana - Through The Screen (feat. Christoff Riedel)

"A Better Tomorrow" conveys a very special feeling, full of confidence, optimism and hope. Heady, pounding bass, chopped breaks and captivating melodies come together and create little moments of tension and release. The titles loosely allude to themes of self-fulfillment and ambition, amplifying the message behind the album. This unique mix-and-match of genres is definitely a fresh take on experimental bass music - it can ramp up your excitement or put you in a blissful zone out.

✨✨✨♟️🧩🗝️✨✨✨✨✨🔎❇️🛣️✨✨✨✨✨✨✨✨✨ ✨✨✨✨✨✨✨✨🔌🔋🏆✨✨✨✨✨✨✨✨✨👁️🖼️🏗️

k:i:o:s:k - DJ, Producer, Promoter, Collaborator of all sorts. Driven by collective energy, the 00effort co-founder contributes to the growth of the local scene by organising club nights, releasing compilations, designing posters and album covers. Their productions and dj sets balance danceable with experimental, with an intent to capture fleeting, subtle emotions.

instagram.com/k.i.o.s.k
soundcloud.com/kioskk

A Better Tomorrow

Buy all>>

k:i:o:s:k - Open Access, Locked Doors

Andrew Thomas Huang - Solipsist Soundtrack [YGK020]

1. Intro
2. Limits
3. Stone Meets Stone
4. The Knowing
5. Galaxies In A Straight Line
6. Light Alight And More Light

Format: Digital/EP
Release Date: 28 April, 2023
Mixed by Andrew Thomas Huang
Cover by Andrew Thomas Huang
Mastered by Soda Plains

Andrew Thomas Huang - Stone Meets Stone [YGK020]

https://soundcloud.com/ryongg

https://www.retreatradio.net/as-the-night-goes-on

As the night goes on... #10 w/ Ryong (12/10/23)

from CLAM016 | SARC

squirming reconnections of sea land creaturing from the grotto to the sky — fossil ferments — … restored forces .. a long forgotten sound . unidentified. power that crashes and crumbles.
the black shoreZ__
Mettle detectors amplified amphibian antagonistic allies **** antidotal audio artillery ** AAAAAA***** -reverse sarcasm- AS SARC CASM - fossil fermented fact annihilation / sceptic-future dissections dwarfed cordiality, contagion reclaimed

Contra-practicality Pro-reactive production

sounds collected and assembled by the 3 headed collaborative project SARC coming both from live sessions & studio recordings captured from DAZE OF VIRUS to NOW. 3 years in the making —

A freeform depiction of primal advanced sonics... Screams and Noises for the brave!!!

SARC = CARS = O. Torr - E. Brandhi - Hexen

FULL ALBUM OUT 18/12/23

clam-pressure.bandcamp.com/album/sarc

@hexenwitch
@elvin-brandi-1
@user-221041418

SARC - WESTGERM1

LAVURN is the debut self-titled album from Lavurn Lee, a singer, songwriter, producer, performer and DJ from the inner suburbs of Toronto. He has also lived and worked in Sydney, Hong Kong and Berlin. His music is an emotionally complex assemblage of processed vocals, filtered pads, surgically programmed drums, haunting melodic fragments and hazy textures. This 13 track album of sparse, emotive and experimental R&B is his second for SUMAC and his first under his own name, following a previous record under the name Fake in 2018. Lavurn was made over three years between Toronto, Berlin and Hong Kong in close dialogue with SUMAC founders DJ Plead and T.Morimoto.

Previously, as Cassius Select, he has established himself as a unique voice in dance music, releasing on cult labels such as Unknown to the Unknown, Accidental Jnr, Hypercolour, Banoffee Pies, Raw Basics and Bruk Records. His side projects include collaborations with vocalists such as VV Pete and Daemon, his previous experimental R&B aliases Guerre and Fake, and BV (alongside Marcus Whale and DJ Plead).


THOUGHTS & REFLECTIONS ON THE MAKING OF LAVURN

“I’m trying to make pop music. Not in the industry sense, but in the way that everyone is making their own type of pop music. It wants to be listenable, so it can create emotions. I come from bedroom song writing in the age of the internet. The lyrical content and sounds reflect my demeanor. Big ego with low sense of self-worth. Constantly posturing. At once both strong and weak. I don’t always trust my abilities. I don’t have the voice to produce contemporary radio R&B. I don’t do traditional harmonies, mine are all over the place.

It's the first time I'm writing about my own life in a literal sense. I spent years writing love songs having never been in a relationship. Whereas this feels very raw as a reflection of my experiences. To me the album sounds insular because it was made that way, in isolation. The vocals are used in a sampled way. A chorus for one track might be chopped and turned into another hook. A verse for one song is half timed and used for the chorus of another. Auto-Tune is used heavily. Some tracks are ‘written’ by pulling different beats, textures and vocals from different tracks and seeing what fits together. I tried to take self-sampling further and further. I was thinking of ways to world-build.

Most of the lyrical content on the album is about dealing with a breakup. But the album doesn’t reflect a break-up because it’s completely one sided. It doesn’t reflect the reality that I was an awful person during the relationship. Really it's an inward study of a reaction to rejection. It’s ambivalent. The attitude is “hey imma do me and improve myself”, while also desperately wanting someone back (for all the wrong reasons). There’s a veneer of self-improvement and healing. But it’s all performance. I used to think all the songs had a kind of toxic intent because of this. Trying to impress someone in a way that would make them want to return to you. In retrospect I understand the songs differently. They’re not perfect. A bit confused in their vulnerability. Maybe quite sweet in a way. I think it’s healthy for me to see the lyrics on the album as directed at myself. It’s an album about self-love. I learnt that making music can be a kind of self-care.” 
credits
released February 16, 2024

Written, recorded, produced and mixed by Lavurn Lee
Mastered by T.Morimoto
Photography by DJ Plead

LAVURN - WICKED

'Why do people vomit?' is an exasperated 2-tracker posing a series of questions to the listener. Made during a scrapism course with Sam Lavigne at the School For Poetic Computation. The music was generated from a python script which gathers search engine suggestions from the phrase ‘why do people’, and spoken by Bas Bleau.

Why Do People Vomit

eye measure - Why do people vomit?

A love that lingers where the living can’t follow.
“Graveyard” is for those who meet their ghosts in quiet places, still hoping for a touch that won’t return.

Graveyard

Too Late_5 (2).mp3

Summer Walker - 1-800 Heartbreak FAST

no ice can be found

water snake feat. mathilde

LABEL

by DJ Plead (@1djplead), T.Morimoto (@tmorimoto) and Jon Watts (@jonwattss)

sumactrac @ gmail.com