Name: [THE WAY WE FALL] FT. TEXAS MATT by Sundown Sam in ALSO YES
Duration: 6 min 52 s
Description: sermon written and performed by Matthew Bearden. music written and executed by benji lais. engineered, recorded, mixed + mastered by benji lais @ the Murder House (duluth MN).

sermon CONJURED SPONTANEOUSLY and CHANNELED THRU ol' matt, s'a more accurate way to put it. freestyle raps, yo. masterful improvisation.

ALSO YES

Lava expert [disquiet0488]
Disquiet Junto Project 0488: Reverse Delay
Assignment: Do something you’ve been putting off.
Since switching to bitwig a few months ago I have been enjoying  being creative within its environment but I haven’t managed to finish anything and post it on line until now.
This track uses several shift register sequences in Bitwig’s grid. It also chops in non verbal speech sounds using HY euclidian sequencer gate.

More on this 488th weekly Disquiet Junto project – Reverse Delay (Assignment: Do something you’ve been putting off) – at: https://disquiet.com/0488/
More on the Disquiet Junto at: https://disquiet.com/junto/ 1
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

Lava Expert [disquiet0488]

dirty.girl.instrumental

Taken from the <i>A Place To Stand</i> EP out 9/23/14 on Dais Records

Youth Code "Consuming Guilt"

sermon written and performed by Matthew Bearden. music written and executed by benji lais. engineered, recorded, mixed + mastered by benji lais @ the Murder House (duluth MN).

[THE WAY WE FALL] feat. TEXAS MATT

[THE WAY WE FALL] FT. TEXAS MATT

electronic sounds, various influences, experimenting with the rhythm section and 5/4 time

isolation blessing

Smooth JuJu Nu-iNtel

ND ALPHA ELECTRO DRUMS - 5 EXOTIQUE (ORIGINAL/UNMASTERED)

Excerpt from the fifth album of The Library Music Institute, "Modular Drawings" (Snow in Water Records, release date : 8 january 2020).

Modular Drawings - excerpt 02

Step up, Step in

According to art historian Lawrence Alloway, Agnes Martin was one of the principal pioneers of the “Hard-Edge” 1950's painting movement. “Even where forms are not purely represented,” he wrote, “[Hard-Edge] abstract artists have tended toward a compilation of separable elements, treated as discrete entities. Forms are few and the surface immaculate … the whole picture becomes the unit. The result of this sparseness is that the spatial effect of figures on a field is avoided.”

Martin’s work evokes not only austere minimalism but also a cerebral airiness, perhaps gained from when Martin lived in New Mexico while attending university. Her work appears to vibrate off the canvas, the rigor of her craft subtly transformed into a sort of trembly dissonance. Even a simple line appears to breathe; a series of seemingly identical shapes reveal hidden nuances on close inspection.

For this piece written for fake violins, Suss Müsik interpreted Martin’s lovely 1961 work entitled Words (ink and graphic on paper, mounted on canvas) as a graphical score. The parallel lines are represented by sustained, repetitious phrases playing a single note. The triangles are conveyed through a simple 3-note counterpoint performed in consecutive sets of four, four, six, six, six, six, four and four. 

The piece is titled Words and was recorded live with one overdub for piano embellishment.

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Words [Disquiet0456]

Disquiet Junto Project 0461 - Goldilocks Zone: Navigate a sonic space between the hospitable and the inhospitable.

Follow me on Bandcamp: https://krakenkraft.bandcamp.com/

Gliese 1061 is supposed to have 3 planets a, b and c, orbiting around he star itself, partly in the circumstellar habitable zone. The track uses mainly three sounds, which try to meander beetween habitable and inhabitable, more in terms of rhythm then of noise and dissonance. It maybe could have been more inhabitable, but for me it really feels perfectly inconvenient. ;-)

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More on this 461st weekly Disquiet Junto project, Goldilocks Zone (The Assignment: Navigate a sonic space between the hospitable and the inhospitable), at:
https://disquiet.com/0461/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/

Gliese 1061 [disquiet0461]

Bass synth, stompboxes, hard panned left.

The Sand Gets Everywhere (disquiet0472)

[PINK MIST]

Remix of Noodle Twisters’s  Fuzzy Chime , Viola And Flute (disquiet0474) With MDH & The Land 
https://soundcloud.com/user-130801280/fuzzy-chime-viola-and-flute-disquiet0474-with-mdh-the-land

Dirty Needle / remix of Fuzzy Chime , Viola And Flute With MDH & The Land(disquiet0475)

Disquiet Junto Project 0476. The Assignment: Here’s your next single’s cover. Now record it.

The photo gave me instantly some kind of Blade Runner feeling and I wanted to avoid this. I decided to make something with LFOs that give the cars driving by a sound. I created a generative patch on my AE Modular with a recently added Wonkystuff rbbs adressing the FMOS oscillator, a lots of LFOs and filters. I wanted to add some Houston radio talk, but I only found a WebSDR source in Texas (w5cqu.homeip.net:8100/) from which the voices are taken (some harmless talk about MS Windows). The result is my feeling of having a flat in this building, listening to local radio with open balcony. Will be a #1 hit single…

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The photo was shot in Houston, Texas, by Robert Boyd and is used with his permission.

More on this 476th weekly Disquiet Junto project:
https://disquiet.com/0476/

Project discussion:
https://llllllll.co/t/disquiet-junto-project-0476-iah-forecast/

Distant Passings [disquiet0476]

La Fiestera, El Fantasmita,
La Princesita.

ORIGINAL BEATS, PERCUSSION STEMS, 
and INSTRUMENTALS
HANDCRAFTED with LOVE! (and Rx)

HUSTLE FLEXXX! for use by EMCEES, DJ's and DEVAS
in a VARIETY of genres
INCLUDING (but by NO means LIMITED TO):

HIP HOP
trip-hop
RAP
r&b
CLUB
glitch
EDM
lounge
POP

TRAP (BOOBYTRAP / FINGERTRAP / SPEEDTRAP / TRIP-TRAP)
and MANY MORE!

MESSAGE NOW to make ARRANGEMENTS!

[THE WAY WE FALL] FT. TEXAS MATT

Sundown Sam

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