Name: empty spaces by Palatinus in HK_Calm-&-Steady_tracks_225
Duration: 6 min 29 s
Description: This one is about the alarming yet amazing emptiness that Covid-19 brought about in so many places where humans supposed to be.

[UNDER CONSTRUCTION]

Calm and Steady tracks series no. 225

created: 2022/02/21

Picture CREDIT:
(c) guo tamara – all rights reserved

HK_Calm-&-Steady_tracks_225

2019'da çöpe attığım albümden , İdille yaptığımız bu parçalara kıyamadım .

gemileri annelerinden çok seven çocuklar  /w İdil Tavşanlı 2019

Julian Huxley's "words of wisdom": 

The lowest strata are reproducing too fast. Therefore... they must not have too easy access to relief or hospital treatment lest the removal of the last check on natural selection should make it too easy for children to be produced or to survive; long unemployment should be a ground for sterilisation.


The implications of the transfer of full sovereignty from separate nations to a World Organization. Political unification in some sort of World Government will be required. Even though any radical eugenic policy will be for many years politically and psychologically impossible, with the greatest care, and that the public mind is informed of the issues at stake so that much that now is unthinkable may at least become thinkable.

The human race will be the cancer of the planet.

All quotes by a filthy nwo scum, eugenicist Julian Huxley (related to famous writer, Aldous, who was a scum, too) who still inspires the sick minds of the globalists and their agenda of mass sterilization and creation of transhumanoid entities in the future by means of "boosters" injected to prevent a disease they themselves probably created in a lab. So take your 4th shot, bow down to your master, slaves shall fuckin' serve! If anyone still thinks these are some crazy conspiracy theories, they should go and test their IQ asap.

Choose Your Poison Carefully

Unlocked Sequence V.A.01 [US01VA]
You can purchase the V.A. directly from:
https://unlockedsequence.bandcamp.com/album/unlocked-sequence-v-a-01

Imperfect - SN 1987A

Album réalisé de janvier 2021 à décembre 2021 et partagé avec le label Anglais Naviar Records. Chaque morceau de cet album illustre un poème Haiku proposé par Naviar Records (https://www.naviarrecords.com/).
Artwork : Raphaël JARRY (calligraphie par Masaaki Hatsumi)
Musique : Raphaël JARRY sur l'ensemble de l'album Haiku et le groupe "Hypoglycémie" (Grégory DAVID et Raphaël JARRY) sur les titres The ocean in june / Nameless mountain / A cool breeze.

Album produced from January 2021 to December 2021 and shared with the English label Naviar Records. Each track on this album illustrates a Haiku poem offered by Naviar Records (https://www.naviarrecords.com/).
Artwork : Raphaël JARRY (calligraphy by Masaaki Hatsumi)
Music: Raphaël JARRY on the whole album Haiku and the group "Hypoglycémie" (Grégory DAVID and Raphaël JARRY) on the titles The ocean in june / Nameless mountain / A cool breeze.

The Beginning Of All Art

Chill

My Turn

disguised (change your mind)

daisybank2

Lilac in the Desert

[Verse 1]
This age has melted me down
but left my breath behind—
youth did not kill me
yet its death stayed inside

Lilac I drifted far
shadow on a page of sky—
if love had its time
why did it wait to arrive

[Pre-Chorus]
I carried sparks in the soil
cried to the heavens above—
Every wound in my palm
was a prayer was a love

[Chorus]
Lilac in the desert
calling out my name—
restless urge of rivers
pulling through the flames

I was young unbroken
yet broken just the same
Lilac in the desert
you led me where I came

[Verse 2]
I would not speak too soon
my tongue rusted with grief—
the chance of mistakes
the inheritance of belief
Adam's fate was in me
trembling body set alight
thousands of sparks
plunged deep into the night

[Pre-Chorus]
I drank the cloud's essence
without breaking its skin—
Sweat and questions poured
where has it carried man in

[Chorus]
Lilac in the desert
calling out my name—
restless urge of rivers
pulling through the flames

I was young unbroken
yet broken just the same
Lilac in the desert
you led me where I came

[Bridge]
There is a fountain soiled and scarred
my reflection in my hand
I said 'it doesn't matter'
yet I was searching for a stand

The city's fire still burning
its wound still speaks in me
I walked on face bent forward
toward a summer I can't see

[Final Chorus]
Lilac in the desert
calling out my name—
restless urge of rivers
pulling through the flames

I was young unbroken
yet broken just the same
Lilac in the desert
I walk and still I came

[Outro]
Lilac oh lilac
I walk on

Lilac in the Desert

Vamos a Volar muy Alto                                                                                                                             
Lyrics by Antonio Skármeta
Tenor: Ricardo Tamura
Piano: Lucy Arner
Music by Pamela Illanes-Tatsuoka

Vamos a Volar muy Alto

Vamos a volar muy alto
 o vamos a caer abajo 
hoy vamos a ver
qué puede suceder
si das tu corazón sin pensarlo

Vamos a vivir la ventura
vamos a querer sin dudas
vamos a apostar
que vamos a ganar
aunque el corazón quede a oscuras

Hace mucho tiempo que yo pierdo el tiempo
 con mis tontas aprehensiones
tengo tanto miedo de ese sufrimiento
de otras tantas ocasiones

Hoy cambia mi suerte
el pasado olvido
acepto el desafío de quererte de quererte
Vamos a volar muy alto......

Vamos a Volar muy Alto

Back

Void Miasma

I fully expect some people to get creeped out and unfollow but when I used to go to church, I’d get creeped out, so this is that, and fair is fair. I'd probably get arrested in the former Unites States. FYI, I'm not really a witch.

Lyrics:

They say kneel, they say pray, then rub my shoulders and look away.
Bitter tales and the air is stale, and every song scrapes like nails.

Fingers grip far too long and voices wail and they call it song.
Speaking in tongues I can’t translate, and threats of fire if I escape.

Eyes are closed when questions burn.  
God is needy, I have learned.  
Every sermon strokes a fear and every smile masks a sneer.

If I stumble I must pay the vengeance dressed in holy gray.
I hear whispers through the walls judging me with ancient laws.

Close your eyes, eyes that pry, I was born in truth but raised in lies.
Try to mould me, I defy, I’m your fear and I will fly.

No one’s born to kneel or pray, they teach us fear to make us pay.
Books are closed when questions burn but we are here, you never learn.

Hands on eyes, eyes that pry, born in truth but raised in lies.
Try to mould me, I defy, I’m your fear and I will fly

Who I love terrifies you
A coven hidden in your pews
Your God’s a myth and you’re a fake
We live beside you, wide awake

We Live

maybe a bad start start to today, but in the end i saw a heron, 20 fishes, had a 5 mile hike with a friend, and saw my first ever juvenile possum.  also i am beyond 72 hours free of nicotine, so that is good. made with stylophone and zoom h1 and nch.

oct 4

A song for my wife- glimpses of our story, from Hull (the town where we met) to the back of the moon (and back). 
With the recording, I tried to answer the most important and useful question in music "What would Paul McCartney do?"

Hull to the Back of the Moon

This one is about the alarming yet amazing emptiness that Covid-19 brought about in so many places where humans supposed to be.

I'm with you on that

Empty Spaces

empty spaces

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

empty spaces

Palatinus

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