ZEIT

Processing and mix by Mesmo

Sound sources used in “Serresule Masseen”:
Air Escaping Balloon
Bicycle Air Pump
Blowing Through Tube
Crumple Aluminum Foil
Crumple Copper Foil
Crumple Newspaper
Crush Kiln Brick
Crush Thin Foam Board
Dripping Water
Drips From Watering Can
Glass Bottle on Ceramic
Marbles Dropped in Glass Vase
Resonant Wood Tap
Sawing Styrofoam Cup (fine-toothed)
Sloshing - Big Plastic Container
Sloshing - Glass Vase

Source sounds courtesy of the Sound Events Database (http://www.auditorylab.org/)  Copyright 2008, Laurie M. Heller. Funding provided by NSF award 0446955.
 
Copyright 2008, Laurie Heller, Ph.D. Permission to use, copy, modify, and distribute this material for any purpose other than its incorporation into a commercial product or transfer for compensation is hereby granted without fee, provided that the above copyright notice appears in all copies, that Dr. Laurie Heller of Carnegie Mellon University and the support of NSF grant 0446955 are acknowledged in all publications and documents as the source of the material, and that the name of Dr. Laurie Heller not be used in endorsing any product resulting from the use of the material without specific, written prior permission.

Serresule Masseen

Une Fantaisie Opus 1

Untitled improvised ii

Well, sometimes the chords end up beeing like "pop", I guess it is a strange kind of muscle memory from back then...I do really, seriously NEVER sing, so I invested in an AI-software. I am fond of lyrics, but find it hard to write in English, so I ended up finding rhymes as best as I could. If someone/-body DO SING, and would like to add vocal and other lyrics, send me a mail or SC message. (Considering raising the tempo a bit...?)

Beneath (Illustrative Vocal Version)

Deeper

Our route bores deeper and deeper into the vertical, yellowish loess walls, the Szarvas-szurdik is one of the most spectacular examples of the deep roads typical of the Szekszárd hills. The loosened, sandy soil of the paths, which have been developed over the centuries and regularly used by horses and carriages, has been eroded by rainfall, causing them to become deeper and deeper, and to become veritable loess gullies as a result of increasing erosion. Locals call them "szurdik", and in recent times many of these deep roads have been concreted over, thus stopping the erosion, but fortunately the Szarvas szurdik have survived in their original form.

Wrong Genre - Szurdik

Symphonic orchestra. Made a.o. with Divisimate, Audiomodelling, TEC breath controller and Altiverb.

Februari (composer/performer Ad van Nederpelt)

That Kiss

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features music made by Naviar's community inspired by Nakamura Teijo's poem "Come outside!, we can almost touch, the spring moon".

To have your music featured on the show, participate in the Haiku music challenge.


Tracklist

Night Note - Come Outside!
windspace - We Can Almost Touch
zenbytes - touch the spring moon
Stan Magendanz - we can almost touch the spring moon
ray_cobley - Lunar Illusion
Halcyon Hum - Munbotoru

Wrong Genre - Szurdik

Palatinus

Related tracks