list:apr:18

Last flight to paranoia   (WIP)

Yes guys!

Welcome to my first ever EP. I’ve been quietly working on my production over the last three years, and I’m buzzing to finally share it with you.

You can grab the tracks on Bandcamp at https://lazco.bandcamp.com/album/what-if-ep and check out my Instagram lazco_music for breakdowns of how I made them.. drop a message if there’s anything you want to hear more about!

Big love 🙏

What if

Lazco - In Motion (Preview)

FACE MY FEARS

The ride was long through the mountains of the Kampala Boda Boda. The road was steep, treacherous and difficult. However, the car kept rolling and the wheels were alive. The heat beamed down from the heavens above, little lived up here apart from dirt and rock. No grass grew, no life outside. The mountains had evolved with time. They hoped to survive this. 
Aunti Flo features on the latest edition of the Mushroom House series. He delivers a track with true worldly sensibilities which reflect his recent output.

PREMIERE: Auntie Flo Feat. Samuel Nalangirla - Kampala Boda Boda Ride [Toy Tonics}

Lovebirds - Dove Sei - Sirs Cut

A new remix for our friends @venicebeachofficial on @elevatemelodies! 

Get files here: https://fanlink.to/EMR008 or https://elevatemelodies.bandcamp.com/album/beyond-the-clouds

As the evocative title suggests on this Elevate Melodies release, Beyond The Clouds is the noise you’d hear if you stuck your head into a house and techno paradise and rose above the clouds to where intense arp lines soar, bulging bass lines bruise and bustle and sounds transcend to a higher level. A truly original work of art, fans of Lone’s wonky, melody-rich house will instantly fall for the original cut.

Superprince strips back the funk and adds a heady 90s piano line, creating a streamlined deep house number perfect for main rooms, while label head Jay Airiness dials up some Rhodes goodness for his take that stays true to the original.

Beyond the Clouds

Venice Beach - Beyond the Clouds (Superprince Remix)

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

He's done it first => https://atupelen.bandcamp.com

https://www.youtube.com/channel/UCASrwIe4a8YMdirfsiU4OQA/featured

Unreleased Vol. 4

Silly Games [αtμ Cover]

Track for Luke Eargoggles Stilleben Records VA series, also featuring hits from Obergman, Hiltipop and T-Error.

Sof Cell

sold out on bandcamp, check your fav shop or discogs - https://www.discogs.com/Birdbone-Unlimited-Freaky-Things-We-Do-All-The-Freaks-Out-Tonight/release/11304635

SC7021

discogs

SC7021A - Birdbone Unlimited - The Freaky Things We Do

Bandcamp

Tonbe - Unreal

2nd release of Partyfine’s sub label.
French producer Yuksek gets deeper and experimental under his new secret side project. 
Out from electronic live improvisations , the first Ep of Destino starts with a Clusterish ambient track (Orion)…
So DJ friendly , 911’s siren and bleeps redefines the archetypical disco flavor of a 101 floor filler track .
Ceremony and it’s balearic feeling will strongly warm up your electronic summer nights.
Finally Loopo up delivers a dark electronic disco groove for cosmic dancers.

PREVIEW // DESTINO- LOOPO UP

L.O.W

L.O.W (Renato Cohen Remix)

Pitto is not one to flood the scene with new music considering he’s only released two ep’s in the last three years. He takes the time to let ideas evolve and it’s clearly noticeable on last year’s EP on ‘Something Happening Somewhere’ sublabel ‘Ooshaa’, where his feel for an almost poppy hook is perfectly combined with his love for darker electronics. On the ‘Baila Baila EP’ –his return to Heist after his last ep in 2018- he explores this path further. The EP is filled with live percussion, a dark and rolling acid line, chopped beats and catchy piano riffs. The three originals are accompanied by a remix courtesy of Pete Herbert that has ‘summer’ written all over it. 

Opening track ‘Sammie’ has a beautiful sense of melancholy to it, where an emotional piano riff is combined with some 80’s tinged vocals and loads of live percussive elements for a smile inducing experience.

‘Discko’ takes a darker approach with a deep and ‘dubby’ low end and a guitar riff that wouldn’t be out of place on a Caribou track. The horn section and synth lead give it a real crossover appeal and it’s the kind of track you imagine working just as well on a summer festival as in a dark basement. 

On the flip, there’s the title track ‘Baila’, a proto inspired acid stomper with a nice wink to early 90’s dance music vocals. An acid line gives the track its backbone, but it’s the combination of Pitto’s chords and instrumentation that give this track it’s unique edge. 

The EP finishes off with Pete Herbert’s remix of ‘Sammie’. Pete’s version has that full-on summer appeal with his recognizable style of modern day island disco. He adds a bit of drama to the track with some big breakdowns, changeovers in the piano riff and turns the Balearic vibe up a notch with an added dreamy solo.

We’re happy to have Pitto back on Heist and this unique and diverse EP is one we hope will create a lot of smiles on the dance floor in the coming months.

 Yours Sincerely,  

Maarten & Lars

Exclusive pre-sale

Pitto - Discko | preview

https://soulclap.bandcamp.com/album/jussa-come

When the NYC Club Classic “I’m In Love” by Sha-Lor hit the streets in 1988, singer Lori Lava (the ‘Lor’ of Sha-Lor) was only 16 years old. That record was produced by Newcleus/Dream 2 Science mastermind Ben Cenac aka Cozmo D and his connections landed Sha-Lor the opportunity to perform live at Tony Humphries' legendary club night at Zanzibar in New Jersey. It was a hit, but for a variety of reasons the group’s house music story seemed to end…. UNTIL NOW

Thanks to a friendly bridge built between Cozmo D and Soul Clap and his suggestion to continue Sha-Lor! Today in 2020, Sha-Lor is singer/songwriter Lori Lava and daughter Ashanti Maynard who fills the role as ‘Sha’. These two vocalists bring some serious energy to the collaboration’s debut record, “Jussa Come.” The true house heads know, “I’m In Love,” but few know of Sha-Lor’s Caribbean roots.

Soul Clap wanted to capture and mix the flavors to create “Jussa Come”; part house, part soca/dancehall and definitely HOT FIYAAH. Sha-Lor’s chatting vocal style is right up front and center over an infectious, uptempo and anthemic beat. Sha-Lor states “It feels good to be back in a genre that I love, bringing my Caribbean Roots to you. Like my Tune says “Uno Tink say mi dun but mi Jussa come” meaning I’m Not Done Yet ..... I’m Just Getting Started!!”

More exclusive music

Soul Clap feat Sha-Lor 'Jussa Come' (House Mix)

Andy Ash - Freak

Superprince is http://soundcloud.com/jeffreylevifry &amp http://soundcloud.com/shawnryan. Known for their sharp productions and eclectic edits &amp; remixes, they are constantly exploring new sounds. They have also been collecting records for over 15 years and strive to transport listeners through time and space with their mixtapes. Superprince is influenced by Rolands, classical composition, the thrill of the vinyl hunt, Supermax, and, of course, The Purple One. Checked out their 12"s on @razor-n-tape and @universalcave, as well as their productions on Rock It Science Labratories, Young Robots, Moulton Music &amp; Hotbox Music.

>>>>>>>

Every one thousand years in the K. Hauenstein star system, on the planet Rogersnelson, a wormhole opens.  It leads directly from the planet's capital city of Bohannon to it's galactic sister city, Philadelphia on the planet Earth.  In the K. Hauenstein star system, music is a valuable currency and many wars are fought over it. It is said "He who controls the music, controls the universe". Almost two decades ago, the disco freighter HMS Sylvester was successfully destroyed by a marauding squadron of Imperial RIAA fighters.  Before the freighter exploded, two families loaded their only sons into escape pods and launched them into space. The pods drifted for days and the fate of the two young men was looking grim. On the fifth day, however, their luck shifted dramatically. The god of cosmic energy, Moroder, noticed their plight and set them forth on solar winds through the closing wormhole. After crashing in Philadelphia, the children emerged from their pods, looked at each other and said, "We are Superprince."  The collection of songs on this page are the efforts of Superprince to communicate in a new world, whilst paying homage to their alien homeland. Please enjoy the music, and if something seems off, cut them some slack - they are fucking alien orphans from the K. Hauenstein starsystem.

Venice Beach - Beyond the Clouds (Superprince Remix)

Superprince

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Venice Beach (Official)

Elevate Melodies Records

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