We don't have to cry

You can purchase the track here: www.korima.net


Lyrics
Are you a fixed star 
of unknown location?
Strumming a particle guitar
Celestial creation.

Are you the beat of a solar storm
Travelling Earthbound
Of elemental form
Worshipping sundog.


To the sound of the whistling sun

Strumming a particle guitar

Are you a shooting star
in an absent moon sky
Dancing past
Jupiter and Mars
Through a billion and one stars?



Steve Pumphrey's inventiveness, musicality and virtuosic guitar playing have infused Particle Guitar with celestial splendour.
Privileged to have had this track mixed by Damian Chennells https://soundcloud.com/damianchennells
Mastered by Ciarán Cullen
https://suzanneledwith.bandcamp.com/releases
Art concept by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

Particle Guitar

NEW MIX.


More songs at www.korima.net

Cast of players:
SuZanne: David Copperfield
The Candies: James Steerforth, Markham, Grainger & Mrs Crupps.


Lofty Castle
A lofty castle of my own
Like Crusoe pulls up the ladder to be alone
Steerforth, he is our guiding star
Inns of molten blue; that’s our repertoire
“Fill full your cups”

I hear the squawk of corkscrew sound
Long before it’s needed for the next maroon round
I’ve laughed at my own jokes all night
How town sharpens an appetite

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Vast truths that mortals seldom” found

I heard someone fall down the stairs
False reports the tumbler was in fact truly yours
Perhaps there’s foundation after all
I’m on my back on the passage floor

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“But still we held as time flew by”

Who’s that smoking right by the fireplace? It was me!
Who’s that leaning out of the window? It was me!
Contemplate one self in the mirror? That was me too!

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Drink to me only with your eyes”

Lofty Castle

Original track by Holy Shitshow : https://soundcloud.com/user-649412648/kool-aid

Kool-aid (Open collab with Holy Shitshow)

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Hardware Synth Instrumental through an amp right off of my studio floor

Part of an upcoming soon to be released Electronica album from moi :)

A track about a medieval like gathering to celebrate-discuss the couple's introductories, their arranged Royal Affair! The setting in my head, a high society pre-official-celebration event that takes place in the grand castle hall where the noble guests of honour attend the glamorous occasion fit for the chosen King and Queen yet to be!  They can say no if they wish so keep your fingers crossed for good luck as the families & related ties meet & greet highlighting the desirable qualities of each! The serious tone discussions linger about until progress is made, a final decision awaiting. So let us now politely curtsey, bow, fan, smile, hold the stance-stare-glare fixated! More trumpets now please! We so need the hype-vibe pumped up to make this vital connection go green! 

Keeping up with the obligatory motions is the name of this game...mode of course, diamonds and pearls, ornate embroidered design style...divine perfection creatures of the flirting-fine kind...good looks adorned in eye catching draping ruffling-puffing satins and velvety masculine jacket-suit-tail attire, embellished with piercing heavy metallics...to go on to say that all of this razzle-dazzle extraviganza to be accompanied with rustic wine goblets & rich colourful dine, circular dance activity, snotty chit-chat whispers and back stabbing schemes, the music picture mood of an ancient world what I'm trying to convey in a modern poppy way...not sure if I did exactly that or not...using just an Arturia Micro Brute Synth to sound something like an Indian Wooden Acoustic Harmonium or a Bag-Pipe was the challenge fun for me...to rather use, soley the synth and not my harmonium or *Bag-Pipe which I don't even play or own...to try and get the essence medieval feel somehow to shine through...Hmn, maybe yes? Maybe no? Not sure? Ponder over that notion...Hope you will enjoy this perhaps exciting number, REKHA XOXOXO

Cover Art Design - Photo and Graphics by REKHA - IYERN [Fe]

A Royal Affair Composed and Produced, Recorded and Performed, Mixed and Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Trailokya

A Royal Affair

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Synth Improv JAM | Electro Medieval Dance Pop

After a considerable amount of time, my old friend Simone (Mome) and I had the chance to record a piece of music together: a short unplugged ballad, a cover of a great classic by CS&N that we tried to render as finely as we could, adding a bit of an unconventional Middle-Eastern flavor. Heartfelt thanks to Mome for adding his awesome acoustic bass part on a couple of guitar tracks I'd recorded before leaving Tunisia. Only recently I had the chance to complete the song with vocals and a few bağlama licks, so... That's it, in hope it won't break anyone's ears. I should add that in fact Stephen Stills wrote this tune, but since the other two guys crucially contributed to its composition with their superb vocal harmonies, I thought it was right to mention the three of them as co-authors. Since we started playing together, about 36 years ago, we'd never covered anything by CSN, so I guess it was about time.
I warn you: despite of its partially exotic vibe, this one definitely sounds way more "traditional" than usual, and I must confess that it was in first place a way to try out my new mic and home studio setup, and a nice chance to jam with one of my best friends ever.
I went through quite a lot of changes these last months... I apologize to everyone because I haven't been around for a while, and I sincerely thank every friend who found the time to drop a line or listen to the stuff I put here. I'll try to reply to your comments and messages as soon as possible, and hopefully I'll have the chance to be more active in future, with new releases and reposts. I still have plenty of strange sounds hanging inside my brain, that's for sure.

Mome :  acoustic bass guitar
Teth Sin : acoustic guitars, bağlama, vocals, tambourine, sampled drums

Original composition & lyrics by Stephen Stills
Arrangement, mix, mastering & cover artwork design by Teth Sin

You Don't Have To Cry

You Don't Have To Cry (Crosby, Stills & Nash cover) | Feat. Mome

Ruhiger Beginn mit Piano und einem finalem Ende der Strings.

Piano and Strings

We know, what we know, until we know more. We see what we see, until we see more. Life a cycle of continual growth and learning of understanding.

Wisdom Calls

This is an experimental composition about the evolution of the most brutal and ruthless carnivore (man) in four historical eras: Stone Age, Middle Ages, Industrial Age and Modern Age.

I wanted to explore and push my artistic boundaries as a composer and worked a lot with sound recordings, vocals and cello.
Check out my full-length "behind the scenes" video on YouTube to see more of the process: https://youtu.be/YuCrwUpMZxA

Many thanks to everyone who supported this crazy journey:
Daniela Fugger (italian area vocals, "feed me meat" choir)
Anne Courbier (stone-age vocals, "feed me meat" choir)

Alexander Dürlich, Alexander Weck, Amelie Courbier, Annika Fugger, Carina Miletic, Daniel Heinrichs, Dirk Steinert, Felix Kistler, Julie Courbier, Marcel Gruhn, Mauricio Berg, Sebastian Meusel, Thomas Müller, Tina Lillicotch ("feed me meat" choir)

Carnivores

ambient early foray in atmospheric cinematic soundscapes from 1987's album Resonance. 8-bit samples courtesy of IReverend Brainskan XIII, Rest in Peace.

of dreams (1987)

Hands, So beautiful, We can do so much good with our hands, reaching out to other person as a sign of Peace and love, to play an Instrument, to paint a picture or just to hold someone else's hand when they need someone. But we can also do so much harm with our hands, we can hit, break, hold a gun to kill someone wave a fist in Anger. My hands are used to Love and play my Guitar. What are your hands used for ? 

Written, Performed . Produced by Johnny Mc Farlane

These Hands

Image created by me.
https://www.deviantart.com/leehon/art/A-Wish-That-Survived-The-Apocalypse-Of-The-Heart-1018378391

Eating Dreamcatchers

Ils trouvaient que le monde n'était pas assez fou comme ça : alors pour faire bon poids ils ont choisi... Trump!!! Ben moi, quant les Musk et les réseaux sont au pouvoir, face à la déconne générale, je dis  : "déconnexion"! (manière pacifique et un tantinet désespérée, j'en conviens, de faire "sécession")

déconnexion

Dust

Montage et photographies :
© 2025, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/CifO9a47woM

Musique :
© 2025, musique d'ambiance, titre : "La pluie et le beau temps", par Chartrand Saint-Louis; Arrangement (orchestration) par Albert, 2:20 min.

Mixage, révision et sonorisation par Albert

La pluie et le beau temps

"La pluie et le beau temps", par Chartrand Saint-Louis; Arrangement par Albert [lien vidéo]

Overdub instrument at Home Recording - 8/18/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

What I'm trying to say  -  Vocal n Reggae Drums.wav

I Like To Dance.WAV

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

Lofty Castle

SuZanne Ledwith

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