always good to hear you suZanne ..happy new and creative year regards jim x

Lovely voice and a wonderful track! 🎤🎶✌️

Beautiful SuZanne! You lift me up every-time XOXOXO

Excellent sound arrangement, sophisticated and stylish piece.

Candyside Arcade

NEW MIX for 2025

Listen to more tracks at www.korima.net


Copperfield has all-too-vivid recollection of the terrifying storm at Yarmouth and the tragic end to a near-to-shore rescue attempt.

Have a listen to the wonderful creations of https://soundcloud.com/candyside-arcade


As clearly as I see
As clearly as I see, what happened then
Before me now, it happens again

Greet the faces, scenes and figures in the fire
The howl and the roar, ratttling windows, pews and doors
Streets of lead ripped clean from the high church spire
The dark invests the storm, with terror in new forms

Repeat As clearly as I see...

Fearful of falling stacks, (the) showered salt rains down
Streets strewn with sand dunes; trees torn from the ground
The tremeduous sea in grip of blinding crown
High watery walls whip and engulf this shattered town

Repeat As clearly as I see
Cue: wild sea electrifying guitar solo, bass undercurrents, piano sea spray and percussive turbulence

The ship's bell wrung its neck; she rose with two men gone
He made toward the wreck, striving valiantly and strong
They drew him to the shore and tried by all means and skills
So shaken to the core, a generous and meek heart stilled

As clearly as I see

As Clearly As I See

NEW MIX.


More songs at www.korima.net


A song for those low moments!


Please don't despair there are darker things in this
world that could take you there
When daylight breaks across the lawn
And you breathe the pristine, scented dawn
You'll know we care
Reach out your hand and we'll be there

Please don't be low
There are better places in this world you know that you can go
Then the moon lights up the path ahead
And the jamine blossoms fill your head
You'll feel we know
Raise your eys to the afterglow

You hitched a ride and that's our gift

Please don't lose hope
There are bigger fools in this world to supply sufficient rope
IN the midday heat you'll rest a while
Brush the noble camomile and smile
Your spirits lift
You hitched our ride and that's our gift

You hitched our ride and that's our gift

The Gift

Have a listen to the new mix for 2024.


Check out www.korima.net for more tracks that are not on SC.


Another great song by @candyside-arcade that I have had the privilege to interpret and sing. 

Do listen to @candyside-arcade's fun, energetic and life-affirming songs.
https://soundcloud.com/candyside-arcade/hiding-in-plain-sight   One of my many favourites.
P-line:
℗ @ Candyside Arcade & SuZanne Ledwith
I, think much more today
About it is I stand to lose
More than what I could gain
When I kneel down to pray
About what it is that I must to choose
To keep the pain at bay

Open my mouth to say
About what seems the most confused
When it could be so plain
I think much more today
About what I stand to lose

What I stand to lose

When I kneel down to pray
About what it is I stand to lose
More than what I can gain
Open my mouth to say
About what it is that I must choose
To keep the pain at bay

I think much more today
About what seems the most confused 
When it could be so plain
And when I find a vein
I know what I stand to lose

What I stand to lose

What I Stand To Lose

Have a listen to the new mix for 2024.

Check out our website for more tracks that are not on SC
www.korima.net



Another fab U lous genre bending song by @candyside-arcade.

A pick me up -  https://soundcloud.com/candyside-arcade/institutionalised F U nside

Too clever to seize
You'll never believe
Forever you'll freeze
Broken Bridges

Don't try to stake 
Wise guy, you take 
goodbye, forsake 
BB

You may point to fractured beams
Disjointed manufactured schemes
Those that belong declare their plans
Can anyone repair the span of BB

Just don't police
they'll break the peace
You, won't release
BB

Broken Bridges

NEW MIX.


More songs at www.korima.net

Cast of players:
SuZanne: David Copperfield
The Candies: James Steerforth, Markham, Grainger & Mrs Crupps.


Lofty Castle
A lofty castle of my own
Like Crusoe pulls up the ladder to be alone
Steerforth, he is our guiding star
Inns of molten blue; that’s our repertoire
“Fill full your cups”

I hear the squawk of corkscrew sound
Long before it’s needed for the next maroon round
I’ve laughed at my own jokes all night
How town sharpens an appetite

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Vast truths that mortals seldom” found

I heard someone fall down the stairs
False reports the tumbler was in fact truly yours
Perhaps there’s foundation after all
I’m on my back on the passage floor

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“But still we held as time flew by”

Who’s that smoking right by the fireplace? It was me!
Who’s that leaning out of the window? It was me!
Contemplate one self in the mirror? That was me too!

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Drink to me only with your eyes”

Lofty Castle

My last old synth analogic played composed.. enjoy and eared..🎧

Impossible Quantum 2

Corvi

Delta Corvi

Check out my music here: https:\\konrad-spittelberg.carrd.co

This track has been baptized by my 10 year old daughter “Not in this world”. I like it, it suits its special atmosphere. 

Compositionwise, the track follows an AABAB structure. It starts in part A with monophonic lines in the left and the right hand (the first chord of the track is used @0:29) and the track does not shift to polypohony until 0:45. The left hand has a rigid rhythmic pattern of a half followed by two quarters (occasionally another half) that is broken the first time by an eight at 0:41, increasing the tension just before the switch to polyphony (part B). 

Left and right hand in part A are interwoven in that they only rarely have notes played simultaneously. Rather they mostly complement each other in that when one hand plays a note, the other rests. This is done by shifting the left and the right hand by an eight note – the basic 4/4 rhythm is maintained by the left hand while the right hand dances around this pattern with a shift of 1/8. Notationwise this requires tons of ligature bows to depict the notes that lie across the bars (see youtube video for scores). The shifting by 1/8 allows the two hands to complement each other and creates a melodic carpet by intertwining the two melodic threads.

With the start of part Bs polyphony around 0:45, the track falls into a melancholic downward melody interrupted by brief glimpses of hope. While the right hand underlines now the melody with chords, the left hand is now deviating from the strict rhythm to more playful accompaignment with eights. 

The track then repeats the initially monophonic melody of part A, yet now with a bit more chord texture in the right hand and an arpeggio-like quarter pattern in the left hand. Afterwards a more intense variation of the melancholic part B fades finally out into the oblivion of the universe. 

Some explanatory videos to underline this:
Youtube with Scores: https://youtu.be/73IXNheVlDw
The intro: https://youtube.com/shorts/i0oeK5_pct0?feature=share

The track has been recorded via a pianoTeq Steinway. However, I used four mikes in the virtual setup, two of which I put very close together. I guess, each sound recorder who understands something of his affairs would condemn me for that, but to me, the resonances give a very peculiar feel to the piano tone which suits nicely the mood that I wanted to express.

Not In This World (Piano Miniature)

Another track I published by Rocky Bee Inc. which I dissolved years ago.  Can upload this track because I play all the instruments.  Getting a feel for my new label.  

I am going to do a super distorted master for my other site.  Might interest you if you get into that sort of a thing.

If I remember correctly, a radio was keen on playing but said they though Talking sounded like Fucking. Real nice lady but she asked me about that many many times!

ANGEL

Forensic

Recording sessions from 23/10/2024 - 26/11/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

32 Strands - Digital Braids

Quand je regarde intensément mon chat pendant qu'il dort, je vois bien qu'il reve... qu'il reve, oui, mais à quoi? est ce que les chats revent comme nous? et si c'était le cas, quel reve aurai je aimé (aurait il aimé) mettre en musique? et je me suis pris d'imaginer son aventure spatiale, dans un univers psychedelique ou rien ne peut etre sérieux puisque reve... et que vive le burlesque! Pour toi mon Pouky.

Pouky's fabulous journey

Stay Strong

Soft rock Cover song with Stephen Coyle 🇮🇪

Everything I Own

I need you here

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

The Gift

SuZanne Ledwith

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