https://www.instagram.com/5beer.plan/
@aanvil

ANVIL - BETA [XXX01] *FREE DOWNLOAD*

A la base ça devait durer 45 minutes! chépasskejéfai méyapal compte

Sysmo-Goules

Natistyle Okay!

Lollipop Masterclass .wav.

@splintered x @kilbourne  - BURNING FLAG is the 5th extract from INUTILE DE FUIR, a gabber-inspired compilation from the parisian crew Casual Gabberz (Release date : February, 17 - Casual Gabberz Records).

Mastered at La Villa www.villamastering.com

https://i-d.vice.com/fr/article/creme-du-gabber-et-du-hardcore-rassemblee-dans-une-compilation

INUTILE DE FUIR

ESTOC x KILBOURNE - Burning Flag // I-D PREMIERE

ADRENALINA DEMONICA_wav_5db+mix [digital ep]

Julien Andreas - Sex on the beach

Taken from SBKT029: Gabber Modus Operandi - HOXXXYA
Release date: 16th August 2019

For the 29th release on SVBKVLT we are excited to present ‘HOXXXYA’, a new album from Indonesia’s Gabber Modus Operandi. Artwork by Asian Dope Boys’ Chen Tianzhuo, mastered by Raphael Valensi

‘For this album, we owe a lot to the metal/noise scene and to the small rapidly growing rave crew in Denpasar, while at the same time a ton of influence strongly came from all the sounds blasting out from our banjar (neighborhood) community, the loudest spirits of Dangdut Koplo and Indonesian happy hardcore, to gamelan sounds and everything in between.’
– Gabber Modus Operandi

HOXXXYA

Gabber Modus Operandi - Tekyan

Neoreactionary

out on @saldefete
From the Ep La Chambre Éclatante
saldefete.bandcamp.com/album/la-chambre-eclatante

artwork et mastering : www.instagram.com/gaspard_hers/

X - Tense

Gabber Modus Operandi - PUXXXIMAXXX (2021 Reissue) 
Cat. Nr: DN018
Format: LP (splatter)/ DL
Remastered & incl. 3 exclusive bonus tracks - first time on vinyl! 
Release Date: 19 March 2021
Buy / stream: dansenoire.ffm.to/PUXXXIMAXXX

You could call Gabber Modus Operandi’s PUXXXIMAXXX LP a ‘scene-defining’ record. That’s except there’s no real ‘scene’ to speak of where the DIY electronic duo come from, deep in the belly of the neo-colonial beast of Bali—an island province of Indonesia where tourism is its biggest industry, mainstream house and techno its musical staple. “Bali is like an Australian backyard for some people,” jokes Ican Harem about the capital of Denpasar where they both live, just a four-hour flight from Perth. “It’s basically like when you go to Ibiza. Those are the sounds, that’s the kind of the people, that’s how they dress up, that’s how they dance.”

Otherwise known by the project’s GMO initialism, Harem and DJ Kasimyn (aka Aditya Surya Taruna) first released PUXXXIMAXXX on influential Yogyakarta label Yes No Wave in 2018, before performing the Javan capital’s Nusasonic festival that same year. It takes its title from their original name that is a play on an unmentionable curse word, and it’s the result of a clusterfuck of influences that blew up with access to the internet in Indonesia, enabled by cheap Chinese smartphones in the mid-2010s. “Now, all the content that we posted in social media basically came from this layer,” says Kas about this new medium for cultural expression across the country’s diverse and disconnected archipelago—a girl in a remote village dances on Tik Tok, construction workers play act while on the job. “This is like the amazing channel where they make their own content. They make these absurd jokes—like, local jokes. They just celebrate it. I don’t think they think about making content. They just want to record shit, but it’s kind of an explosion of this amazing and beautiful thing; of people crossing the Island and then showing them, ‘Oh, basically behind my house, there is a traditional party where people get possessed by a tiger’.”
From the derivative metal, punk and rock influences of the country’s first ‘indie explosion’ to the ‘lowbrow’ pop and local dance music hybrids of funkot and dangdut koplo, PUXXXIMAXXX is a brilliantly chaotic pastiche. It references breakcore and gabber while framed by traditional gamelan pentatonic scales. There’s the high-pitched trumpet opener of Sangkakala I and the ritualistic beat and looped vocal samples of Hey Nafsu, along with a fascinating montage of the Javanese jathilan possession dance for their wildly popular Dosa Besar music video. “If you think we’re doing ritualistic stuff, or playing gamelan, we’re not,” adds Kas. “We are around that area but at the same time, we also listen to Prodigy.”

GMO’s speculative Indonesian rave is infectious. It’s been dubbed ‘post-alay’ by the duo in tribute to the cheesy cultural phenomenon of the suburban teenager and has since caught on worldwide. Follow-up EP HOXXXYA was released on Shanghai label SVBKVLT in 2019, earning the band slots at CTM Berlin, Kampala’s Nyege Nyege Festival and performances in China with Asian Dope Boys. This is a level of recognition that’s well-deserved for a sound that snubs the western canon in favour of a hybrid post-colonial sound that’s pure imagination. “We just kind of like suck that energy that, actually people kind of enjoy their identity,” says Kas. “Especially the people not from the big city, because people from big cities, they always want to have confirmation from the West. Like, ‘I would love to play techno, and then play in Berghain in Berlin and LA’, that kind of stuff. But there is a layer that people don’t give a shit about that, they just want to have fun.”

Remastered by Beau Thomas 
Design by Teknovoid & Niels Wehrspann
PUXXXIMAXX was originally released by Yes No Wave

@gabbermodusoperandi