1st track taken from @norialilt 's debut EP 'The Insiders of the In-Between'.
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Swiss DJ and producer Noria Lilt completes the label’s catalogue for @strecke 's 14th issue. Heavily influenced by dance music and rave culture, Noria Lilt’s production process nevertheless tends towards acousmatic, experimental music and sound design. This EP presents the different corners of her artistic universe, in a 12’’ format as suitable for DJs as for home listening.
The duo @atricemiras and the producer & DJ @jockey_jay are also delivering two massive dubstep and stepper-influenced remixes!

The Insiders of the In-Between

vinyl order

Noria Lilt - TRC [STR014]

Release 29.10.2021 via bandcamp - digital & limited tape version
https://soundcloud.com/najibmusic
Cover art by Yung Poltergeist 2
Mastering by Tinkah

HUMAN 007 - NAJIB - The Voluntary Prisoners [PREVIEW]

A2. WRITINGS OV TOMATO

Catch Zone rouge every Friday from 20h to 21h [CET] on rinse.fr

Rinse France Podcast

Zone Rouge avec Tina Tornade b2b Islyz - 20 Janvier 2023

miam b2b pano$$e - BN 7 live version

Bandcamp

actual.fields

Taken from SBKT027: Gooooose - Rusted Silicon

Rusted Silicon is a new album from Gooooose. 7 original tracks with remixes from Samuel Kerridge and Nahash, plus an electro-acoustic rework by Sote featuring traditional Persian instrumentalists Arash Bolouri (Santour) and Pouya Damadi (Tar)

Artwork by Fang Yang
Mastered by Raphael Valensi

Rusted Silicon

Gooooose - Integer / Along the Synthetic River I (Samuel Kerridge Remix)

All sounds were recorded in the field on Kombumerri Country (Gold Coast, 'Australia'), 2019

Conservationix (Nerang Rhythm)

Clemency presents References - her debut EP for Finn’s 2 B REAL. Three deceptively simple percussive pieces, both awkward and elegant.

Each track on the EP feels almost living and breathing; sparse, dissonant synths meet intricate drums and juddering basslines, effortlessly creating momentum and motion across the record.

‘References’ is Bethany Clements Patrick’s first EP under the Clemency alias. She’s a regular behind the decks at Partisan, Soup Kitchen & The White Hotel, and co-runs Manchester’s Mutualism club night, label & NTS show.

Using causality and repetition as a conceptual framework, the release comes with a selection of Clemency’s own references for the record, which includes poetry, literature, geographic coordinates, music and cosmetics - presented at clemencyreferenc.es

References

Mimic Animals That Are Easy To Love

Machinery Of Night

Machinery of night

Ayln  - They Don't Touch

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Gooooose - Integer / Along the Synthetic River I (Samuel Kerridge Remix)

SVBKVLT

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