Advanced Club Music

アドバンストクラブミュージック

Tzusing - 孝忍狠 (Filial Endure Ruthless)
Label: PAN
Cat.No.: PAN 123S
Release Date: 02 February 2023
Purchase: pan.lnk.to/FilialEndureRuthless

Tzusing shares '孝忍狠 (Filial Endure Ruthless)', the first single from the upcoming full-length album '绿帽 Green Hat' out via PAN on March 31st.

Mastered by Enyang Urbiks
Cover photography by Xiaopeng
Artwork by Virgile Flores

Tzusing - 孝忍狠 (Filial Endure Ruthless) (PAN 123S)

Tzusing - 偶像包袱 (Idol Baggage)
Label: PAN
Cat.No.: PAN 123S2
Release Date: 13 March 2023
Purchase: https://pan.lnk.to/IdolBaggage

Tzusing shares '偶像包袱 (Idol Baggage)', the second single from the upcoming full-length album '绿帽 Green Hat' out via PAN on March 31st.

Mastered by Enyang Urbiks
Cover photography by Xiaopeng
Artwork by Virgile Flores

Tzusing - 偶像包袱 (Idol Baggage) (PAN 123S2)

Tzusing - 绿帽 Green Hat
Label: PAN
Cat.No.: PAN 123
Release Date: 31 March 2023
Purchase: PAN.lnk.to/GreenHat

Mastered by Enyang Urbiks
Mixed by Jondu
Cover photography by Xiaopeng
Artwork by Virgile Flores

绿帽 Green Hat

Tzusing - Balkanize (PAN 123)

Tzusing - Muscular Theology (PAN 123)

Tzusing - 趁人之危(Take Advantage) (PAN 123)

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Avnue / Dialogue (Yen Tech Remix)

Taken from SBKT069: Nahash - Fleurs Mortes
Vinyl + Digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave, hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp.

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet.

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form.

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

Fleurs Mortes

Preorder

Nahash - Dwindling

Zozobra

Presenting a portfolio of twitchy techno tectonics with a sharp line in corporate acumen, LDS returns to the market with a double-dose of limber futurism for PM+.
 
Stuttgart shock broker Luca Daniel Schwarz has been firing and perspiring on all cylinders since he went public around 2016. Past form for the likes of Subwax BCN and Blue Hour have all shown a deadly instinct for modern variations on the techno tradition, and he keeps pushing at the form with a fine balance between playful disruption and poker-face propulsion.
 
'Business Influencer Theme' is a jagged bolt of hi-tech soul littered with crafty edits, luminescent synth strokes and a mid-section pep talk to get you match fit for the midnight power lunch. 'Portal Merge (Peak Mix)' leans towards the growling, subtly emotive brand of electro pioneered by the Weatherall-Tenniswood dream team, bolstered with modernist sound design flex and another canny helping of sliced-up word salad.
 
Forecasting at the intersection of social commentary and cutting-edge club clout with devastating clarity, LDS packs a lot into his wry, laser-focused motivational workouts. The outlook is weightier than a hedge fund manager's bloated bar tab.

Mastering by: Isle Audio
Artwork by: Håkan Ullberg

LDS - Portal Merge (Peak Mix)

CHAMA

Early Reflex continues its Eyes series with a powerful return from Brooklyn-based producer
Sobolik, whose distinctive and emotionally resonant club music first landed on the imprint with
Opening track “Sandbox” is a hypnotic roller driven by a constant mantric bass and led by
ethereal, airy synths. The piece flows with emotional clarity, balancing softness and propulsion in
equal measure—an entrancing meditation through rhythm and texture.
On the flip, “Turning Back” explores a darker, more angular energy. Grime-inflected and
basslines. The track moves with restrained intensity, echoing internal shifts and the slow
untangling of anxious loops.
With Eyes III, Sobolik expands on their singular voice within experimental club music, continuing
Early Reflex’s commitment to foregrounding emotionally charged, forward-thinking sonic work.

‘Eyes III’ is available on all platforms starting from Friday 1st August 2025.

Eyes III

OUT NOW!

Sobolik - Turning Back

We are very excited to welcome scud to All Centre for his debut solo release. The Essex-born, London-based DJ, producer and co-head-honcho of 3 Swords Republic makes his mark with two tracks of tripped-out dancefloor chaos.

The title track brings us into a heady atmosphere with a spaced-out drone, machinic fx and clipped percussion. Crashing breaks give way to heavy subweight, a glitched vocal hook and a modulating bassline - straddling the line between DnB energy and a heads-down low tempo feel.

On the flip, etos_atos adopts a dancehall-inspired groove which furiously swings with driving subs and nimble percussion. A siren-pitched, stuttering vocal warps over heavy, propulsive percussion, conjuring a chaotic sonic atmosphere anchored firmly to the floor by bass-heavy kicks.

Hip flesk is available across all digital platforms from June 20th.

scud - Hip flesk [ACEN069]

Tooth Rust delivers a bracing blend of grime, breaks and off-kilter techno on her All Centre debut

‘Jump Discontinuity’ is available on all digital platforms from 18th July – have an exclusive first listen to ‘Gullet Glue’

More info: https://djmag.com/listen/premiere-tooth-rust-gullet-glue

Premiere: Tooth Rust ‘Gullet Glue’

untitled 1

Same Thing (Ghost Phone & DJ Persuasion Remix)

Yung Lean - Metallic Intuition (Jungle Edit)

VORTEX 150 
From the forthcoming album Vortex
Released May 31st on Houndstooth
https://hndsth.lnk.to/vortex

Vortex

SPECIAL REQUEST - VORTEX 150

TIGER BLOOD

TIGER*BLOOD

BURNING CHROME

ZONE RIPPER

RIFT One is the first instalment in a series of releases curated by YEAR0001, featuring contributions and commissions by a variety of highly innovative and influential artists.

By releasing this compilation ahead of schedule and donating all proceeds from purchases directly to community bail funds, mutual aid funds, and racial justice organisers we hope to make a small contribution towards awareness and change, and encourage our community to act against injustice and stand together in solidarity. 

Racial injustice, white supremacy and all forms of discrimination simply has no place in the culture we represent; we will continue to educate ourselves, listen, learn and find more ways to support both in a short and long term perspective.

All future entries of the RIFT compilation series will also donate to humanitarian organisations and funds.

Please also consider to donate further & educate yourself through the link below

https://blacklivesmatters.carrd.co

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