Remix for the mighty Grave Index in Toronto, they the north.

Grave Index - Underdome (Nobody Likes The Remix That Nahash Plays)

Taken from SBKT041: NET GALA - 신파 SHINPA
Release Date: 25th June 2021

Written, Produced by NET GALA
Mixed by Kim Kate
Mastered by Raphael Valensi
Cover by Kynan Puru-Watt
Photo by Bakya

A regular at Seoul’s ‘Cakeshop’ and member of LGBTQ collective Shade Seoul, NET GALA’s SVBKVLT debut is named after Shinpageuk (신파극), a form of theatre from 20th century Korea. In contemporary context, Shinpa is a synonym for ‘tears and overwhelming emotions,’ but when it was first introduced to Korea, Shinpa was used to express progressive political views, cover social issues, and later the melodramatic domestic tragedies. There is a vast gap between the past and current context of Shinpa, and as such there has been a lot of mistranslation or misconception between the two.

After their first EP [re:FLEX*ion] (NBDKNW – 2019), NET GALA spent time researching Shinpa, finding parallels between the work they were making and the traditional theater style. The emotional, dramatic nature of Shinpa echoed the exaggerated affection of ‘pop’ – in which NET GALA searches for the impact on one’s own narrative and emotion. The ‘mistranslation’ applied to the terms history is reflected in the changing course between the two EPs – how one can reinterpret or warp one ‘lost’ cultural concept into another.

From the stretched-out ‘The Ha Dance’ sample combined with traditional Korean percussion and 808s on ‘Shpiral’, to the sample of a Korean lesbian protester struggling to claim her existence through the blasting drums on Dodomzit, ‘신파 SHINPA’ is NET GALA’s interpretation of the Shinpageuk. The EP is packaged with remixes from Amazondotcom, ZULI and Menzi further reinterpreting the original work.

신파 SHINPA

NET GALA - Shpiral (Amazondotcom Remix)

JEROME Mixfile #756 - HANAH

https://soundcloud.com/hanahmusic
https://www.facebook.com/hanahdj/
https://hanah.bandcamp.com/album/hd01

JEROME Mixfile #756 - HANAH

Big Tings a Gwarn

Electro flip of Mind Body and Soul by DJ Bigga G

Mind Body & Synth

instrumental chillen bedeutet am Ende ein fraggle killen! sniper vibe freestyle screwed 80%

“â €tm” by @l_o_r_e_m is the first track from @earlyreflex 's debut compilation named "FLEX001" out on the 30th of April

Pre-order: https://earlyreflex.bandcamp.com/album/flex001
Read more: https://soulfeederweb.com/premiere-lorem-etm/

[Premiere] Lorem - â €tm

'Stretch Out Flexi Material' is a prime example of the cryptic @ziyiz world Lawrence Nash has created. Forthcoming on @failed-units.

More: https://ins-rt.net/audio/ziyiz-stretch-out-flexi-material

Rescue & Research Pt. 3

Article

Premiere: Ziyiz - Stretch Out Flexi Material

@SHALT's 'Lung Squeeze' evokes similarities to the hard drum sound, born from a granulated lead and overdriven hand percussion. Forthcoming on his own imprint @re-made.

More: https://ins-rt.net/audio/shalt-lung-squeeze

Body Mirage

Premiere: SHALT - Lung Squeeze

memories which were never yours, laser-etched across a crystal plane

from 'Holy Endings', out March 26th on Doom Trip
https://lighghtmusic.bandcamp.com/album/holy-endings

Pre-Order Holy Endings

Lighght - care2kno

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier