Remix for the mighty Grave Index in Toronto, they the north.

Grave Index - Underdome (Nobody Likes The Remix That Nahash Plays)

New label @imgonebaby kicks off with a four track EP by @rizu-x. 'Myokymia' follows up her split EP on Cómeme, with Katerina.

More: https://ins-rt.net/audio/rizu-x-new-fluids

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Premiere: Rizu X - New Fluids

Taken from SBKT041: NET GALA - 신파 SHINPA
Release Date: 25th June 2021

Written, Produced by NET GALA
Mixed by Kim Kate
Mastered by Raphael Valensi
Cover by Kynan Puru-Watt
Photo by Bakya

A regular at Seoul’s ‘Cakeshop’ and member of LGBTQ collective Shade Seoul, NET GALA’s SVBKVLT debut is named after Shinpageuk (신파극), a form of theatre from 20th century Korea. In contemporary context, Shinpa is a synonym for ‘tears and overwhelming emotions,’ but when it was first introduced to Korea, Shinpa was used to express progressive political views, cover social issues, and later the melodramatic domestic tragedies. There is a vast gap between the past and current context of Shinpa, and as such there has been a lot of mistranslation or misconception between the two.

After their first EP [re:FLEX*ion] (NBDKNW – 2019), NET GALA spent time researching Shinpa, finding parallels between the work they were making and the traditional theater style. The emotional, dramatic nature of Shinpa echoed the exaggerated affection of ‘pop’ – in which NET GALA searches for the impact on one’s own narrative and emotion. The ‘mistranslation’ applied to the terms history is reflected in the changing course between the two EPs – how one can reinterpret or warp one ‘lost’ cultural concept into another.

From the stretched-out ‘The Ha Dance’ sample combined with traditional Korean percussion and 808s on ‘Shpiral’, to the sample of a Korean lesbian protester struggling to claim her existence through the blasting drums on Dodomzit, ‘신파 SHINPA’ is NET GALA’s interpretation of the Shinpageuk. The EP is packaged with remixes from Amazondotcom, ZULI and Menzi further reinterpreting the original work.

신파 SHINPA

NET GALA - Shpiral (Amazondotcom Remix)

JEROME Mixfile #756 - HANAH

https://soundcloud.com/hanahmusic
https://www.facebook.com/hanahdj/
https://hanah.bandcamp.com/album/hd01

JEROME Mixfile #756 - HANAH

Full stream of Aeondelit's "Primary Sensation," taken from his EP Anima Minima on Sadan Records, out March 17.

More: www.orbmag.com/music/

@sadan_rec
@aeondelit

Anima Minima

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Premiere:  Aeondelit - Primary Sensation

Embrace The Edge

De Moma

Dive deep into the dreamworld of Shepariioh. Keith Meldrum's has just dropped his first full length LP he has been crafting the sounds and visions for around seven years and contemplating the sounds and textures that would soon follow this release. The story begins when he was getting clean for the first time. A wave of clarity hit over him during the time and led him into spiritual grace leading to freely expressing himself without the hindrance of intoxication. So during this time his dreams were sprawling in his subconscious, waiting to be manifested on the surface. After his music making sessions, he would go on a long walk during the fall with his dog to relieve some of the stress from the withdrawals of his early past, and then proceed he to make music until he reached the end theme for that chapter. 

Video Game Dream World

Harvest Sky (wlkthruwalls ETHEREAL remix)

On ACEN 017 London producer hmurd joins the All Centre ranks following releases on TT & Cherche Encore.

Title track ‘Low Grade Plastics’ continues with the sparse landscapes and dizzying atmospheres explored in hmurds productions so far. Opening with spartan drum choices, heavy kicks and cantering hi-hats sit at the tracks core whilst heavily processed percussion and FX make fleeting appearances. With eight on beat snare drum repetitions the track descends into it’s main theme. An austere four note melody, with frenetic kicks firing off around it as a loosely anchored snare provides a woozy half time rhythm. As the track progresses further FX heighten the sense of tension building around the tracks core, with a single oscillating bass note providing a nod to the tracks dubstep influences.

B side ‘Beighton Champ’ takes a different slant to its counterpart. Rapid hi-hats and percussion signal the tracks beginning and create a rhythmic sense of security, before being dispelled as the track collapses into a series of erratic de-quantised percussion breaks. Suddenly the confusion is broken, melting away into familiar percussion patterns accompanied by an angular melody courtesy of hmurd collaborator Emile Frankel. The melody is suddenly broken by a rising granular sound which signals an abrupt switch to a straighter beat, with kicks, claps and breath sounds carrying the groove.

‘Low Grade Plastics’ is available across all platforms from the 5th of June.

Low Grade Plastics

hmurd - Beighton Champ

8ULENTINA - Break The Cycle

'Stretch Out Flexi Material' is a prime example of the cryptic @ziyiz world Lawrence Nash has created. Forthcoming on @failed-units.

More: https://ins-rt.net/audio/ziyiz-stretch-out-flexi-material