在FINAL有你從來沒有聽過的音樂，也有你耳熟能詳的音樂，充滿實驗性但又不失趣味。 

At Final, there is the familiar and the unexpected; the entertaining and the experimental. 

這裡是每一個躁動不安靈魂的歸屬。 

At Final, there is a home for all the restless. 

在音樂上我們嘗試不同的可能性，試著打破類型限制與規則，很多時候我們會搞砸，但每當我們完美抓到平衡的時候，是世上最美的事情之一。 

At Final, we strive to create new possibilities. While we screw up sometimes, when we get it right, it's pure magic. 

它帶給了我們希望與絕望，賦予痛苦與喜樂，但能因此碰到很多志同道合的朋友，人生本不就如此？ 

This pursuit brings us a lot of hope, pain, and joy. But in this struggle, we are able to meet many like-minded friends and build a community. 

張合輯收錄了五位跟我們有著緊密關係的音樂人，代表FINAL的聲音，獻給台北。 

This compilation is dedicated to Taipei. Inside is the work of five artists who are very dear to us, and who represent the sound of Final. 

「這裡是我們的故鄉，活得沒法不自在，祖祖輩輩根就扎在這片土地上，用不著你遠道再來尋找」—高行健。 

"This is our hometown, it's impossible to live uncomfortably here. Our ancestors have been rooted in this land for generations, you don't need to come all the way to find home." - Gao Xingjian.

Mastering: Enyang Urbiks 
Cover: Tea Strazicic 
Rebels of the Neon God mixed by jondu

04 Meuko! Meuko! - Rebels Of The Neon God

st.grimes - SOLO CON TE (p0brediabla Remix)

Stream & Download ||
https://snd.click/mvxr
https://mindwaves-music.bandcamp.com/album/liquid-crystal-state-g-dubs03

Winchester (formerly known as Wedge) returns with Liquid Crystal State, a striking 4-track EP that fuses the heavyweight pressure of his Bristol dubstep roots with the intricate sound design of his experimental solo work.

Inspired by the microscopic grids and labyrinthine circuits of LCD screens, the EP explores technological decay and perceptual distortion. Each track channels these hidden architectures—fragments of data, voltage, and interference—into raw, rhythmic forms. The results are physical, break driven, and industrial, yet laced with nuance and sculptural precision.

With a legacy of genre-defying collaborations (Dot Product with Raiden, Wrecked Lightship with Appleblim), Winchester continues to blur the lines between club energy and avant-garde abstraction. On Liquid Crystal State, jungle, footwork, dark dubstep, and UK bass influences collide in a sound that’s built for both movement and disorientation - inviting the listener to lose themselves inside the maze.

Music by || Adam Winchester
Mastered by || Lukas Turza @ Snapmastering
Artwork by || Zeke Clough

Format || 12“ EP, Digital
Catalog Number || G.DUBS03
Barcode || 8718723294034

Tracklist ||
A1 Labyrinth
A2 Nematic Twist
B2 Vertical Horizontal
B2 Holographic Decay

More Info ||
https://mindwaves-music.com
https://www.instagram.com/adam_winchester_music

Liquid Crystal State (G.DUBS03)

Nematic Twist

Winchester - Nematic Twist

eags_b3

For  the  final  release  of  2019,  SVBKVLT  are  excited  to  present  ‘Scissor’,an  EP  byMun  Sing,the  juddering  solo  project  of  Giant  Swan‘s  Harry  Wright.

Premiere: Mun Sing 'Balloon'

DIGITAL FAST AND FURIOUS TRIBAL CEREMONIES SPAWNED FROM THE MUD.

Produced and Mastered by KROLIK @voronhil
Design by Gianluca Lonigro 
www.gianlucalonigro.net 
#00FF00 © 2019 HEEL.ZONE RECORDS 
www.heel.zone | heel.records@gmail.com

KROLIK - HIGHER RITUAL

download: 
https://lilatirandoavioleta.bandcamp.com/track/mala-abssys-re-take

MALA

@abssys remix based on Malo collaboration cut from Sentient originally made by :

@PRJCTN x @NICKLEON x @LIGHGHTMUSIC x @LILATIRANDOAVIOLETA 

& INCOGNITO UN(KNOWN) RAPPER

MALA - (ABSSYS RE-TAKE)

Bougainville

Bougainville - Green Mamba (BLADEBLANC Remix)

Copenhagen-based DJ and producer Ingrate is ready with his debut EP ‘With A System In Mind’ out 14th of February via Copenhagen label Anyines.

Buy here: https://anyines.bandcamp.com/album/with-a-system-in-mind

Having previously roamed the club scene as Kid Antoine, this EP kicks off the moniker Ingrate, presenting a more mysterious and playful world of sonics; radcool speaker stack music, designed “with a system in mind”. The four tracks of the EP continue in the path of the only Ingrate release so far - 2018’s “Crypto Poser/The Enigma" out via Oli XL’s W-I (now Bloom) label. But it’s as if Ingrate is bringing an even quirkier funk to the club this time. Like a 2020 version of Mr. Oizo, if only a little sexier.

The connection to friend and collaborator Oli XL is clear in the sonics of the EP. Both of them masters of teasing the club - making you smile on the dancefloor. Touching on the the banalities and clichés of club music while still seeking new sound territories, the record is a slight tongue-in-cheek, but optimistic take on the dance music scene of the coming decade. Play it in the club, if you dare.

‘Imp’ takes point with it’s babbling percussion, hammering it’s beliefs firmly in steel against a backdrop of falling, redemptive pads. The jealous, hollow sounding cymbal voices of ‘Deceived’ counterpoint their own thoughts of despair. ‘Hoax’ is a sleight of hand spectacle; a svengali trick deck is conjured up and away again, as at the hand of a deception artist in the middle of a thick smoke screen. In the midst of it all, the listener’s only trustworthy companion becomes a mischievous “catch me if you can" synth; teasing, but still leading them, on their way through this world of mirages. 
The EP’s grand finale is ‘Yourself’ - a funhouse of the mind, full of blinding strobes, distorting mirrors and winking figures.

The world is strange, buckle up for the ride.

All music and visual art by Ingrate ---> @iiingrate
ANY14, Anyines, 2020.

Ingrate - Hoax

Taken from SBKT033: Osheyack - Memory Hierarchy
Artwork: Adam Dupré
Release date: 24th April 2020

One of the great truths of today's reality is that it's mostly fake. Technological advancement, in a dual process of exteriorization (our memories and organs extended into manipulable artifacts) and interiorization (artificial structures installed as prostheses), has muddied our waters so that we are unable to tell truths from lies, actuality from abstraction. Musing on the contemporary culture of “deepfakes,” where interlocking algorithms meet the omnipresence of surveillance, Eli Osheyack’s Memory Hierarchy is a gesamtkunstwerk, crystallized into the memorial device of a record. When first performed live at Unsound Festival in 2019, Osheyack, together with collaborator, the late Adam Dupré, captured and live-streamed the audiences’ motions. Evidence of this event is rendered here as album artwork, transporting audiences into a doubly displaced moment in time. With its almost epical structure, punctuated by recurring howls and gasps, Liar’s Dividend feels like an omen—of, among other things, a Nietzschean last man suffering from gluttony. On the B-side, Mutual Shaping and Tertiary leave us, instead, reveling in warped time and disorientation.

Dedicated to Adam Dupré.

Artist: Osheyack
Title: Memory Hierarchy
Label: SVBKVLT
Cat No: SBKT033
Release Date: April 17th 2020
Artwork: Adam Dupré
Text: Alvin Li
Mixing: Raphael Valensi
Mastering: Robert Thomas / Ten Eight Seven Mastering
Format: Digital / 12” Vinyl
Distribution: Cargo UK

Osheyack - Mutual Shaping

SVBKVLT