Listen to the exclusive GROOVE-Premiere of DJ @marcelle 's Remix of Osheyack & Nahash's track „Less Than A Pound Of Flesh", taken from the „Club Apathy EP” on @svbkvlt . Released digitally on April 2nd.

Read our introduction here: https://bit.ly/39syCW2

Club Apathy

Club Apathy EP

Osheyack & Nahash - Less Than A Pound Of Flesh (DJ Marcelle's 'Just A Few Ounces' Mix)

Taken from SBKT039: Osheyack & Nahash - Club Apathy
Release date: 2nd April 2021

‘Club Apathy’ is a new collaborative EP from Osheyack and Nahash. 4 club-ready tracks, with remixes from DJ Marcelle and Nkisi.

Cover photo: Dre Romero
Layout & Design: Luke Griffiths
Handstyles: Orron Fearon
Makeup: Freya Ni
Hair: 柯维涛
Model: Ary
Mastering: Raphael Valensi

Osheyack & Nahash - The Heel (Nkisi Remix)

Black Zone Myth Chant brings smudged, cranky dembow mutation to Vastechoses' new dub-focused compilation.

'Vastedub Vol.11 - Future Smoke' is out October 15th on Vastechoses.

Pre-order: bit.ly/3oPP7E6

@vastechoses

Premiere: Black Zone Myth Chant - Dr2fre [Vastechoses]

With 'Cellular Housekeeping' being his fourth release with the label, Patrick Conway shows off his spaced-out approach to production. Not much is known about the man himself so we keep it simple. Yet romantic, aggressive, melancholic, and bleak, his LP on ESP Institute ticks a lot of personal boxes.

● Patrick Conway - @patrickconway

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Patrick Conway - Eat Thyself, Sustain Thyself [Rendah Mag Premiere]

Maoupa Mazzocchetti p̸͓̥͖͇̋̍̔̐̀͛͌̐ŕ̷̤̲͎̤̲̩̻̦̑̎͐̕͜esents : 
UXY Dosing© Vol. 2 (NineTr̵̙̀ȧ̸͈̩̤̥͝c̷̫̹̻͈̼͕͇͈̀͒ks Unsel̶̛͔͚̬̞̐̒͝e̸̡̘̩͂͊̀̄̕͜cted by Judaah)
BFD̵̼́͗̽̑̀̐̕̚͝͝M̴̧͕̲̰̰̪͐͑͂̽̈́̒͜025B x ╔҉╦҉╗҉╔҉╦҉╗҉

Prȩ̷̛̛͓͙̘̬̤̻̘͍͊̑̽̀̔͊͆̕ö̸̢̗̤̙̞͔̣̟͔́̈͐̈͆̚͜͝r̴̛̮̱̹̀́͝͝der : maoupamazzocchetti.bandcamp.com/
Out : mar̸͍̬͖̦͕̗̘͎͕͈͗͛̽̽̏c̴̺͉̣̭͚̪̬̽̃͋ͅḩ̷̢̢̺͎̜̝̞͗̍̆̏͌ 28t̵̜̤͖͊̇̎̒̾̈̈́̅̊h 2022

UXY Dosing© (UD) is a maximalist g̵̡̢̨̛̞̰̼̣̃͊́̍̓̌̆̚͘enre of electronic music that refers to sound productions that make for a radical succession to the minimalist genre, regardless of style and aesthetic practice though mainly à̸͈̙̤̥̝̽̉̈́̕͝s̷̰͍̣͔̤͂͌̽̍s̵͖̙͈͋͋́̏ǫ̵̰̟̩͔̊͂̊̿̎̆̿̀̑̕ͅc̵̥̖̝̞̞̔̈į̶̛̖̰̯̬̋̆̄̀͛͗̌̈́å̷̢͚͚͐̚t̴̺͖̪͎̞̄͛͑̅͛̇e̸̛͇̥̮͕̹̬̱͚̿͆̉̑͒́̊ͅͅd̷̯͇̦̝̻̝͎̦̭̔̒̈̏̕͝ͅ ̷̺͇͘͘ẇ̷̳̝̙͇̑͠ǐ̵̛̮̘̥̰͙̼͉̱̂̀̑͊̏̚͝͝ṭ̴̡͍͙̰̪̫̊̓́͒͂̾̄̍́h̴̢̢̛̲͙͙̮̤͓͈͗̀͌̏͊̎̿͗̓͜ the field of sound arts. More precisely, it designates that which embraces heterogeneity a̷͎̲͇̰̤͇̤͚̼͍̒̌̊̈́̏͂̚͝͝ņ̵̲̳̞͓͎͎̤̱̇d̸̩̈́̓̈̈́̅̄͐ ̶̞̩̼̀̉̇̉͋̋̐͝ȃ̵͕̺̟̘͇l̶̡̧͉̺͖̱̑̏̈̾̌̀ḽ̴͎̈ö̴̓̍̐͆ͅw̶̖̞̹͗̀͌š̸̲͈͔̥̘̩͙̮͕̌͂̄̈͗͜͝ ̴̡̥͙̝̯̣̙̘͈̦̓͠f̵̟̔̔̔͂͐͘͠ơ̵̢̞̞̘̬̐̃͘ͅr̶̹̳͚̱̥̹̦͗̂͘͜͝ ̵̯̖́̓́c̶̡̳̦̗̉̈́ö̸̮͖͎̯͓͇̹͚̙́͐̉̉́̈̍́̒ḿ̶̻͚̥͐̉̀͐̋͊̕͠p̸̣͙̬̔͊̊̒͆̚͝l̶͔̹̹͐͌̍́ͅė̸̛̫̪͔̫͙̻͙̈͆̐̑̑x̸͔͙͌̐̿systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material. 
However, UD rel̵̛͎̣̾̕į̶̝͎̘́́̈ĕ̴̠̂͆̍̂̇͝s̸̡̨̱̯̭͍̺͇̒͘ ̶̦͖̬̪̆͐̾̋̅̕m̶̪̘̪̮͐̚ȏ̸͎̜́̈̾̓͛͂̏̅̕r̶̬͕̻̈́̃͆́̂̚e̸̢̛̗͓͛̏̆͑̍̄̾͝͝ ̶̛̻̻̝̤̩͕͙̖͇͑̈́̓̊͘o̸̪̓̀͛̒͗́̉n̷̛̛͉͔̮͔̬̹̤̘̣̹͐̐̍̄̚͝ ̶̬̳͐̇̓̀̔̽́̒̏́s̶̲̖̄̍ì̶̫̲̺̻̳͐͂̋͊ṇ̷̟͊̒̐́͐̋͊̓͘̚g̵̼̅̊̋͛͆̓͋ṵ̴͖̜̬̪͚̄l̵͉̦̤̩͈͈̝̼̪͎͆̄͆̒̓̊̋a̵̢̛̝̙̘̜̻͊̂̓r̴̢̰͎̰͉̣͆̂̑̂̊͜͝ ̵̡͉͌̀̀e̵̪̫̣̼̠͒̿̎͒̿́̄͠x̶̜̯̰̝̟̘̖͍̉̅́̆͑̀͋̇͘͠ͅp̸͉̝̱̩̹̳̳̙̓͛̈́͂͛͗̃̉͑͝e̸̛̺͖̳͔͓͈͖̻̗̋͛̈́͛͑̈́̋̚̕r̸̡̧̘̠͔̀͗ȉ̷̹̩͈̫̦̲̪͕̩̈̆̑̑̉͊̂͛͜͠m̶̮̥̗̗͈̘͇̈́͂͊͊͗̎̓̕è̶̢̯̙͕̿͌̈́́̍̑͠͝n̷̲̼͎̈́̚ṯ̶̢̥̙̯͆̄͋̔͑͆̆ą̶̥̫̬̜͛̉̇͊͛̊̔̑͘t̴̜̞̫͆̓́̈̾i̴̝̫͖̠̣̗̽͆o̶͇̍̇̾̓̑̆́͘ņ̵̪͆̽̒̾̀̃̐ ̵̜͕͍̰̻̭̿͘r̸̡̢̃͆̄͑̈́̋̐̏͠͝á̴͙̮̦͍̮̩̯̝͎̂͝t̵̢̧̩͙̜͕̩̬́̋̏̾̚͘͜ḩ̷̳̟͉͈̺̹̯̳̻̔͑́̅́̕ë̴̡̤͍̥̀̊͂͌͛̐͝ṟ̸̹̱͓͈͙̎͂ than the addition of musical characteristics a̸̬̺̓̏̃̒̎̇͑͗͒͝ţ̸̨͔͖̥̭̱̦̌̆́͘͜ţ̶̧̰̦͎͊̅͊a̶̢̡̢̜̮̗͒͆̕c̴̨̨̝̰̝̮͒͐̄̑̽̐̌͘͜͠͝h̴̟͓͌̋ę̸̤͙̞̲̞̼̖̈́͌͝ḍ̴͖̯̜͉̯̝̑̂͂͑́̈́̃͆̏̇ ̶̝͇̻̬̓́̈t̶̯̰̦͓̝͊̌̓̌̔̓̑̾ͅơ̸̬̝̱̼̰̖͖̲ ̸̨̱͓̤͕̻̙̪͙̽̉͛ͅś̵̨̛̰͉͓͖̲pecific genres.  Subsequently, UXY Dosing© gives birth to MDM (Maximal Dance Music) which, beyond a sole m̸̫͕̅̂͛a̴̺̜̪̓̈̋̏̔́̎̉̉͝t̸̨̡̼̹̟̗͙̘̪̑̂t̸͉͍̭͈̣̫̾̈̚͠ͅe̷̙̐̓̊̌͋̍̒͘ṙ̵̢̖̳̭̺̗̾̓̚ ̶̨̡̢̛̘̜̳͓̱̐͆͒̑͝ͅó̷̰̣͚̹̣͕̀̍̑͋͜͠f̴̢̧̰͕̆̉ͅgenre, remains linked to the high cons̷̝̝̠̰̏̀͋͑͑̅͆͐̔͝u̸̡͂̆̃́̔̀͋͐̕m̵͚͐̽͝p̷̧̰̫͖̖̲͖̹̹̮͛̓̑̄̎t̶̳̲̣͐̄͐̏̀́̄ì̷̧̛̞̺̤̘͉̲̊̚͘ǒ̷̦͂͂̌ņ̵͖̹͛̑̈́͂͊͝ ̸̧̛͕͉̗̙̥̖̹̤̼̓̚ơ̴̧̝̭̯̥̣̎̆͗̾f̵̯̝̮͖̰͈̱̻͗̀͐̓́͒̀͗̒͝ ̵̪͊ḏ̷̡̱̙̆̀͆̿e̵̯͆̔̅̏̇́̾͗͒x̵͚̯̜̜̳͙̞̟̀̚͜͠ͅt̶̩̭̰̀͂̌̀͒̅̈́̀r̸̢̟̪͉͋̈́̉ơ̵̯̭̝̊͑̓͂̑̄͊͘s̶̡͚̣̤̜̘̪̻͐̔̆̀͌̀̐ȩ̷̮̲̩̣̤̂ ̸̥̭͇͓͈̭͙̘͈͇̃̑̍̍̇͑̀ą̸̨̘̤̫̐̾̓̐̈́̆̀͝͠ṡ̷̘̞̪͇͉̣̣͗̿͂͋̅͜͜͝s̸̟̻͎̼̤͇̥̜̈́̋ͅo̴̢̡̧̠̳̻͉̱̾̆̒̾͜ç̶̗͚̠̰͕̬͚̭̙̾̋i̵̡̬͉̥̾̓̑̋̆̆͋̍͠a̶̼̯̦͇͑̔͆̄͋̈́̀̒̀͝t̵̛̬̒͆͜ͅȩ̸̯̥̦͎͚̗͐̿͒̀̔̋̽̀͑d̴̡̛̰̬̺͙̦̰̽̈́͊́̏̎͆ͅ ̸̧̤̭̌͛͗̋̌͐̀̾ͅw̶̧̧̻̼͇̤̐̾͂̽̂̍̒͊̒̚i̷͈̩͎̱̗̭̗̯̻̹͐͂́̂̑̒̈́ṭ̶͙̆͒̓̎̌̒ĥ̶̛̼̼͌̋̉̈́̄͐̓̾ ̸̧͎͙͚̠̈́͑̂̀͗̔́̐̕͜͝m̶̺̅̋̀̎̿̋͒͒̚̕i̶̩̙͋̊̾͜l̵̻̗͇̉͠k̴̡̙̻̘̳͉̐͛͋̔̂̚͝͝,̸̦̫̈̽̉̔͑ ̸̻̿̾͋̇͐w̸̛̛̙̙̒̍̿̄̏̌̓͝ḩ̴̡̮͕͚̤̳͔͙̋̈̀̈́̐̎̾͗̚̚ḯ̴̢̢̢͌̓͝ć̶̨̤̞̻̩̝̤h̷̲̦̙̿̋͝ ̴̛̼̬̺̰̲̐͊̈̊͘̚͜d̵͔͖̠̏̈́̇̅͌̑͑̚͜ͅế̸̝̯̼̖̙̒ ̴̼̜́̋̏f̸̲̬́̌ã̵̳̥͗ç̴̧͓͙̼̖͚͎̪̆̽͐͌̾t̵̛̹̪͇̠̬̤̊͒̆̄̊͑̆͠o̶̡̠͉͈̗̙͚̱̭̔̈́̑̈̄̄̊̉̈́̈͜ ̵̢̭̙̎̎́͐̐̏s̶̡̳̭̩̼̮̲͍̮̙͒̽̊h̷͔͙̯̗͙͙̞͎͔́̓̊͝ã̴̛̜̝͓͙͔͆͐͗̔͠ȓ̵̯̺̩̼͓̟͕̲͉͗̇̓͐́̾ͅȩ̸̘̳͔̊̄̓͌̑͘͜s̸͕̜̈̄̉̿͗͗ ̴̯̙̙̥̬͙̼̜̜̙͂̓͆̅̀͌̀̀ţ̶̬͇̝͈̻̩̈̐͑̉̽h̴̦̞̻̫̘̖͆̐̂́ͅȩ̵̢̺̮͚̮̳̥̿̂ ̴̭̃̓̑̋̈́̉̕͜ş̷̖̟͔͇̹̼̀̾͊̎̂̓̾̾͋ͅä̷̙͍̼̭̙́͛̔̀͋̾̄̀̅͘ḿ̶̛̫̭̘̳̘̅̌̉̑̊̉͌̂ͅͅe̷̢̥͕̭̝̣̞̹̿̅̏̀̐̅̀̅̕͠ ̵̡͕̟̳̙̦̦̰̥̽̈́̽ạ̵̡̧̞̩̠̖̄́̆̍͘c̵̯̘͖̭̹̻̫̲͍̍̃̀̿͆̓́̈́̕̕ṟ̶̲̼̬͔͒ͅơ̴̡̲̣̼̦̦̲̿ņ̴̯̬͔̱̃͝ÿ̴̮̻͙́m̴̙̘͗̎͌͛̊͝͝ ̸̡͖̔̿̋̃͗̊̇̕͠ä̵̳̦͚͇͙̹̜͔́̂̑s̶̳͚̙̟̃̄̂́̏̿̎̚ ̷̨̪̺̇͗͗͂͠M̵̜͖̳̦̯͊̓ͅD̶̡͚̥͗͝Ḿ̶̺̻̙͇̞̗̮̱̣͕̍͌ (Maximal Dextrose & Milk). 
R̵͚͍̰̪̬̝̐͆́͒̿̀̍̇͘͘͜e̸̞͖̒̾͋̎̀̽̇͝ạ̵̌́̆͠d̷̡̯̺̠͚̻̘̩͊̈́͐̓͜ : Dextrose, ê̴̡͚͇̗̩͇͍̗̹̆̑̾̃̌̔̈́̓ņ̴̦̼̦̠̬̰͋͆͒́́̿̃͗̀̐e̴͓̭̠̜͋̏́̃̕͜r̴̠̼̫̱̜̦̼̾g̵̗̜̺̰̼̙̬̪̎́̿̈́̇̌̀̊ỉ̴͎̩͂́̂͆͋̇̂͠ś̴̪͘ę̴̰̦̯̤̤̭̲̲͛͐́͆͐͊̄̈́̾̚r̷̙̍͂̽̓͌̄̈ ̴̞̹͓̖̺͚͚̬͍̝̀͗̓̉̏̒ớ̸̛̱̬̭͇̹̐́̾͊̃̇̉ͅr̸͔̣̳̺̫̱̬͂ ̶̧̝̳̞͎͛̅̇͊͒̈́̕̕͝p̶̹̳͚̗̘̯̥̬͖̀̈͝͝ǫ̷̟͔̦̻̝̠̬̃̏̈́̈́̀͊̀͆̕͜͝ison?

1,1 M View̴͇͓̆̐̀͝͝s Fr̷̢̛͉̼̫̮̒̂̆̅̉̎̚͘ơ̶̰̺̂̓̌̾̀͗̏͌ͅm̶̠̣̰͓̜̤̤̈͂̓̿̇͝ a Fishbowl

Glass asked to their favorite artists of the experimental electronic scene to deconstruct and destroy their album ‘Anxiety Prime’.

This various, built around classic and recognizable Glass fragments, redefines the album in a totally new way and gives it a fresh ambient and club touch.
This is the soundtrack to another stressful & violent world.
 
We cannot thanks enough the artists involved : Aho Ssan, Apollo Noir, Christian Coiffure, CNDSD, KMRU, Low Khey, More Eaze, Zero Crossing Point & ZULI.
And of course Glass who also included a brand new live version of their iconic track ’Skin Transfer’.

Mastered by Lorenzo Targhetta
Artwork by Cestainsi & Virgile Flores based on original artwork by Sara Bastai & Ines Maestre

Glass - Jim & Caroline Were Bad Omens (KMRU remix)

There are only few constants in life, Speedparade is one of them. The now infamous party at Mikro Zurich launches its first compilation featuring friends and talents across the borders. The collection contains more than 30 songs and features some of the most intriguing electronic music subgenres out there. The album will be        available as a free download on Bandcamp, Slsk and Torrent on August 12 2022 (one day before the actual rave).  A 2xCD + T-Shirt will be available soon - so stay tuned. 

Thanks to all the contributors, Team LP & The Mikro Team.

Various - Speedparade Compilation Vol. 1 - 13 Schlumperx - The EEvolution Of Style

Creature S. Comfort (140)

Ayln - Final Call

Strahinja Arbutina - Nokia 1312

“Bedlam of Salt” marks the fourth full-length album by Xuri (formerly known as Yuri), a product of the desire to connect and collaborate in a year of absence. From pulsing club ready tracks to contemplative arrangements, Xuri displays her signature sound of playful industrial in a new shared exploration, featuring the dramatic vocals of Lueurs Nocturnes, along with cellist Oliver Vaupel and drummer Hasse Bruun. The listener is transported to a gallery of chimeric illusion, always moving between confinement and release. Travelling through a number of contrasting soundscapes, the album forms an intriguing kaleidoscope of emotive states in a time of disruption.

From the repetitious trance-inducing opening ‘Datura, Luciferin’s Trumpet’ to the high intensity club-fitting anthemic ‘Kali’s Dance’ and the uneasy but tender landing of ‘A Scene of Calx’, the album provides a steady journey into the multifarious unknown, agitating and engaging in an encompassing and dramatic movement.

For the past few years Xuri has made note of herself as one of the clearest new voices in the Copenhagen experimental scene, known for her playful style as well as her techno output as Parietal Eye (out on Mama Snake’s Amniote Editions label) and various collaborations with Internazionale. This latest outing sees her venturing even further into a collaborative space.

Produced and recorded by Susanne Benther Mouritsen in Copenhagen, 2020
Artwork by Jenny Sundby
Mastered by Joel Krozer at SixBitDeep

Janushoved no. 129 

Out February 25, 2021

Osheyack & Nahash - The Heel (Nkisi Remix)

SVBKVLT

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