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Calvin Harris - I'm Not Alone (KAVARI Ambient Mix)

Part of 'Lost Cuts B-side'

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I'm Not Alone (KAVARI Ambient Mix)

I want to believe in love
& never let it end

Angel's Rest

Cover art by Clementine Keith Roach
1. solo
2. solo
3. solo
4. w/ iji
5. solo
6. w/ Iokera
7. w/ Iokera & Noveks
8. solo
9. solo
10. solo
11. solo
12. solo
13. solo
14. solo

Back to School Clips (w/ iji, Iokera, & Noveks)

Label: PAN
Cat.No.: PAN 129S2
Format: DL
Release Date: 28 September 2022
Purchase: PAN.lnk.to/Gelati

LALA &CE, LOW JACK, LE DIOUCK and RAD CARTIER share 'GELATI', the second single from the upcoming full-length album 'Baiser Mortel' out via PAN.

PAN presents the second single 'Gelati' of the upcoming album 'Baiser Mortel'. It is the original soundtrack to the acclaimed theatrical performance of the same name. Commissioned, produced and staged at the Bourse de Commerce – Pinault Collection over four days last October, the original production – collaboratively realized by composer and director Low Jack, composer and rapper Lala &ce, choreographer Cecilia Bengolea with costumes designed by Marine Serre and Oriana Bekka as creative director and co-director of the performance – merged ballet and urban folklore; sound art and soap opera. A modern-day danse macabre, Baiser Mortel (trans. “The Kiss of Death”) cast Lala &ce in the title role. Unfolding over thirteen songs, the musical narrative follows Death as she navigates the realm of the living, and the encounters – desire, romance, spiritual awakening, and adventure – which validate the human experience.“I brought in people who are close to me personally and musically in order to tell a story that speaks to humanity,” Lala &ce says. Performers Jäde, Rad Cartier, BabySolo33, and Le Diouck joined Lala &ce on stage and in the booth at La Place – Centre Culturel Hip Hop in Paris, where the official soundtrack was recorded.

Imagined as a sound fiction by electronic music producer Low Jack and rapper/composer Lala &ce, the first single 'Debout' transports us to the heart of an unhealthy relationship with Jäde on one hand, naive, sincere, and blinded by the love she feels for Lala who, for her part, takes advantage of it and plays with her admirer's weaknesses.

Gelati, the second single from the soundtrack brings us into the world of Baiser Mortel: a constant questioning of the value of relationships. Death - embodied by Lala &ce - intends to manipulate everyone who crosses her path on Earth. That day, she finds Le Diouck and Rad Cartier on her way, 2 human beings lost in their romantic relationships. Death has only one objective in mind: to drive Le Diouck and Rad Cartier into the excesses of the party, to better establish her influence.

As a theatrical production, Baiser Mortel represents a departure for both artists. A veteran of Parisian subculture, Low Jack’s collaboration with Lala &ce represents a new model of artistic mentorship based not on age but on experience, with each artist leaving a distinct signature on the work.

Composed and Written by Low Jack and Lala &ce
Vocals by Le Diouck and rad cartier
Mixed by Malo Rodolphe / Studio Rod2r
Mastered by William Duvet
Cover Art by Jim C. Nedd

Lala &ce, Low Jack ft. Le Diouck, rad cartier - Gelati (PAN 129S2)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'There's a Ghost in the Lantern
Accordion – Dis Fig
Guzheng – KIM KHAN

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.


"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.


"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

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TRANCE BAND - There’s a Ghost in the Lantern

BURNA BOY - ITS PLENTY (TARA & TRAXIID EDIT)

BURNA BOY

MI VOZ NO ALCANZARA- LOS PREDICADORES

Jul - Marre de tout

Nine Out Of Ten
Autoria: Caetano Veloso
Interpretação: Honey Bee
Outubro/2015

Música gravada no estúdio High Voltage pelo Gustavo Di Iorio.
Londrina - Pr

NINE OUT OF TEN (Caetano Veloso Cover)

https://lasergard.bandcamp.com/album/mirra

TRANCE BAND - There’s a Ghost in the Lantern

SVBKVLT