Escucha Improvisación después de una larga meditación de Quique T. Rivera • Experimental y Música en #SoundCloud https://soundcloud.app.goo.gl/vv2eu

These background swells really add deepness.

Knobs can provide suggestions and emotions, under right 'operators'

Stochastic synthesis is a microsound synthesis technique invented by Iannis Xenakis that uses stochastic processes to create and vary waveforms. I composed all the sounds in this piece using my own extensions to Xenakis's stochastic synthesis algorithms that I have been developing for the last 20 years in the programming languages SuperCollider and C. No samples were used.

It Is Happening Again for computer-generated sound

From the new album by Chinese-Australian guzheng artist Mindy Meng Wang (and collaborators), 'Phoenix Rising'. Available for purchase here: https://mindymengwang.bandcamp.com/album/phoenix-rising

Mindy Meng Wang & Fia Fiell - Undercurrent 暗涌

Good morning, good afternoon and good evening. Whatever part of the world you're in...

It's difficult to talk about sound. When we close our eyes and listen, there are no boundaries and as such, what we feel can often not be described with the words we know. Our feelings are unique & different.
There is no word or genre that unites the artists of the label. Putting a word on a style, in order to classify, takes part of the magic away. Instead, what unites us is our passion for sound, dancing with friends and growing together.

Hoping to see you soon and wishing you much love, music_is

Releases December 25, 2021, Digital & Tape (100 copies)
Pre-order: https://music-is.bandcamp.com/album/a-day-of-music
Mastered by Amandra
Art direction and design: Maison Sagan
Photo Credit: Alex Rodríguez Santibáñez

@music_is1 
@yolabmi

Premiere: Yolabmi - Alone [music_is]

Live performance for EMS Synthi 100, magnetic tape and computer setup. Performed and recorded at Electronic Studio-Radio Belgrade in 2021.

VIDEO: https://youtu.be/x-j0nUvlogQ
More info: https://www.svetlanamaras.com/radioconcerts.html

Svetlana Maraš©SOKOJ
All rights reserved

Radio Concert No.2

from KR103:  an moku I stefan schmidt:: zwischenraum
imited edition tape / download out on may 13th 2022

zwischenraum

AN MOKU I STEFAN SCHMIDT:: yama

from Martina Bertoni's forthcoming album "Hypnagogia", out on 20th january 2023 as LP / tape / DL

Hypnagogia

MARTINA BERTONI - Inversion

Noir Age special session focusing on Wire—one of the most prolific, challenging, and inventive bands to arise from the post-punk era. The emphasis for this mix is Wire offshoots, side projects, friends, and family.

Noir Age Wire Special 05/02/22

long-form audio installation
artistic research
booklet in English – containing aural photography, theoretical discourse on the culture of listening, and more...

sound, text, images: Manja Ristić
editor: Sonja Leboš
sound mastering: La Plant Studio, Belgrade
design: Nevena Vasiljević
proofreading: Mark Vernon
production, publishing, distribution: ELL Studio 2023
artistic research in collaboration with the Association for Interdisciplinary and Intercultural Research, Zagreb

water memory is supported by the Ministry of Culture and Media of the Republic of Croatia

read more about the project >>> 
https://manjaristic.bandcamp.com/album/water-memory-mnemosonic-topographies-of-the-adriatic

water memory

Bandcamp

water memory – mnemosonic topographies of the Adriatic

Part of the piece - 2 Kinetic studies, made during the residency at the Spatial Sound Institute in Budapest in 2016: https://soundcloud.com/svetlanamaras/sets/2-kinetic-studies

Study no.1 is guided by the principle of symmetry. The central spot of the composition is in the middle of the room - half the way on both horizontal X- and Z-axis. Each object always moves through both halves of at least one of the X- or Z-planes. The element which is being doubled, is followed by the same-pace movement of the element on the opposite side of the axis, but the movement is being reversed: element no.6 positioned on Z-4 goes from X-5 to X+5 while at the same time in the same speed element no.7 at Z+4 goes from X+5 to X-5. 
There are three elements which are the musical nucleus of the composition (1, 2, 3). These sounds are airy (noisy) but they have a recognisable pitch and form a minor triad. All other elements are tuned to these three elements which define the tonal center of the piece. This kind of interpretation of the harmonic aspect of the composition, parallels the interpretation of ‘symmetrical’ in spatial domain. 

This is a stereo mixdown of the piece.

VIDEO: https://vimeo.com/210260544

Study No.1

Recording of the live performance from the Ear we are festival in Biel Switzerland, February 3, 2017

https://svetlanamaras.bandcamp.com/album/ear-i-am

All music by Svetlana Maraš
Published by CHINCH - Initiative for Contemporary Music 
All rights protected by SOKOJ
2020

Order

Ear I Am

Souvenirs cachés / Innermost

Souvenirs cachés

Composer and sound artist. Professor of Creative Music Technology and Co-head of Electronic Studio - Basel. Ex Head of Radio Belgrade's Electronic Studio
www.svetlanamaras.com
marasoffice@gmail.com
*********************************
Maraš has presented her work internationally, at venues, festivals and events such as  Ruhr Triennial, CTM (Berlin), Ars Electronica (Linz), House of Electronic Arts (Basel), Ruhr Triennial, Espace Multimedia Gantner (Bourogne), Musikprotokoll (Graz), Heroines of Sound (Berlin), Onassis Cultural Centre (Athens), Museum of Contemporary Art (Belgrade), Ausland (Berlin), Izlog Suvremenog Zvuka (Zagreb), ICMC (New York), International Rostrum of Composers (Wroclaw), ISEA (Dubai), International Music Institute (Darmstadt), Orpheus Institute (Ghent) and many other places. Her music was used in theatre plays, experimental and documentary films, presented at places like MOMA (New York), Aubagne International Film Festival and Bitef theatre (Belgrade).
​
Svetlana Maraš was SHAPE artist for 2020, and co-curator of 4fakultät concert series in Hamburg.

Radio Concert No.2

Svetlana Maraš

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