Follow me for live streams on Twitch https://www.twitch.tv/historyofhappyhardcore

Oi Oi I’m Ryan (HDSN). Welcome to my page. 

Here’s a little bio. 

I bought my first set of turntables at the age of 14 when I was already collecting Happy Hardcore records. DJing was one of those things that just come naturally to me. My friends were always over at my house for mixing sessions. At 16 I started playing alongside my brother and friends every fortnight at a local bar for an under 18’s night playing Happy Hardcore. Two years later, out of a thousand entrants my mix tape came top five in the ‘Ministry Of Sound DJ Of The Year’. I played a live vinyl set in Topshop situated in London’s Oxford Street, on a busy Saturday afternoon. I continued entering DJ competitions and talent nights along with a mid-week slot at a local bar. At 20, I was given full weekend residency at my local nightclub Steam, playing Old-Skool, House and Trance. In the next two years I reached the final of the ‘Young DJ Of The Year’ competitions, which were run by the Staffordshire & Cheshire’s number one radio station, Signal 1. I came out as overall winner of the competition in 2002. My prize was my first ever pair of Technics 1210’s (which I still use), mixer, flight cases and the opportunity to play a live set at Café Mambo in Ibiza. The win also landed me a set at the opening night of the Stoke club, Lomax, for the ‘Youth Upfront Awards’. I then tried to further my career by signing onto the internet DJ agencies, 'Topjox' and 'Club Dreams', sending out demos to gain recognition. In the early summer of 2004 I decide to try my luck by booking a one way ticket to Ibiza for the season. It was tough at first, but by the end of July I had a residency at the brilliant Plastik Lounge in San Antonio. After a few weeks playing with some of San An’s finest house DJ’s, I was given the chance to warm up the decks in Es Paradis funky lounge. But best of all, after weeks of trying, Alex Ellenger, who with Judge Jules ran the funky room in Eden, give me the finest two hours of my DJ career by asking me to play a set. The next year I returned to Ibiza and became one of the residents in the swanky new Hush bar in San Antonio's west end. When I came back to England I started my own night in a local bar. I then became one of the Tech-House/Hard House residents for my brother's local club night ‘Euphonic Fuzion’. 

Even though I enjoy playing many styles of dance music, I've never lost my passion for Happy Hardcore. It will forever be the biggest part of me musically and that's why I created this page. To share the love for this incredible music. 

I seriously didn’t expect quite the following on here but you guys have been absolutely amazing and I genuinely appreciate all your support, whether it be messages, comments, likes & shares. Thank you so much! 

I play Happy Hardcore, Jungle/Drum & Bass, Trance, Hard House, House, Electro & Techno and have since 1994. Expect lots of vinyl classic mixes, live sets on Twitch, mix compilations and upfront sets from these genres. Enjoy!!! 

All my mixes and ones which I have permission are available for download.

For future bookings please inbox me for details or via Facebook messenger.

C.I.A a Brief history 
Established in 1996, out of a necessity for Total Science ( Q-Project & Spinback ) to have their own imprint & identity in which to not only showcase their own ever increasing catalogue of music but also for likeminded artists the dynamic duo respected & inspired. C.I.A now stands tall amongst it's peers with it's own defined yet ever-evolving sound, C.I.A & its subsidiaries are still plotting a strong & steady course for 2011 & beyond. 

Along side Total Science/Funky Technicians & Q-Project C.I.A / C.I.A LTD & C.I.A Deep Kut Artists include Marky & XRS, S.P.Y, Digital, Spirit, Calibre, Logistics, Commix, Paradox, Future Kut, Marcus Intalex & ST Files, The Invaderz, Dj Friction, Mako, Drumsound & Simon bassline Smith, D Kay, Dj Lee, Baron, Bungle, Zero T, Beta 2, Bailey, DJ Vapour, Gwange, Lenzman, State of Mind,The Upbeats, Bulletproof, J-Cut, Juju, Mathematics, Basic Operations, Gridlok, Nymfo, Wots My Code, The Kox, Hold Tight, A Sides, Stress Level & TC, Atlantic Connection, Makoto, C.A.B.L.E, Random Movement, Kubiks & Lomax, Concept & Shnek, Furney, Redeyes, Henree & Hiten, Eveson, Mutt, Judda, Krakota, Enei, 8 Bits, Kaidi Tatham, Conrad, Ayah, Riya, Jenna G, Phonte, Darien Brockington, Grand Agent, Lady Alma, Patrice Williams, Kevin King, Darrison, Steo, & probably a few more

Classic 90s Happy Hardcore/Hardcore, Bouncy Techno, Hard Trance/Trance & Hard House Vinyl Only Mixes.
If you enjoy my mixes please take a second to give them a like & repost🙏

Producer / DJ from London

Releases:

Neck & Neck EP [Close Calls]

Neffa-T & Cimm - Always There [Data Stream]

Halogenix - Cut Loose (Cimm Remix) [Gemini Gemini]

Circuit Jam EP [Sector 7 Sounds]

Neville Bartos [DeadBeats]

Deep Red [Artikal]

Coast 2 Coast EP [Close Calls]

Norman Bates Remix [Indie]

Street Kings EP [Kaizen]

The Celestials [System / Innamind Recordings]

Revival [Sentry Records]

Joint [GD4YA]

Back to B.C w/ Fixate [Exit Records]

Psalms w/ Dolenz [Exit Records]

Accendino EP [System Music]

Conman / So [Sentry Records]

Diesel Not Petrol Remix [Daku]

Silkie - Big 45 Remix [Deep Medi]

The Last Judgement [Sentry Records]

St Raphs / String Along [Indie]

Glider [Sentry Records]

Endo EP [Sentry Records]

Black Boxes w/ Strategy & Footsie [Indie]

Unknown Call LP [Sentry Records]

IP13 Remix [Wheel & Deal]

Hear That? [Sentry Records]

Head Get Spun [Vantage Audio]

Godsmack EP [Artikal]

Eagle Eye / Old Scratch [Sentry Records]

Burnt Oak [Artikal]

Split Minds / Redshift [Tempa]

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

Releasing Sound System Musik since 2006.

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(Please understand that we cannot respond individually to every demo received, but we listen!)

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