RAVE TOOL 66

HDMIRROR - TOTAL

Azealia Banks Ft. Pharrell - ATM JAM
(The Oddword Remix) X Omar Souleyman - Warni Warni

For my shami girlies <3

ATM JAM AT THE SYRIAN WEDDING

version1_
might replace the file in a couple of days with a better mix <3

NICKI MINAJ - FTCU (SISSY MISFIT S3RRRT PRESCRIPTION V1)

PRINCESS NOKIA - T0MB0Y PLUSHB4BY CLUB EDIT

LILTITTIES&MYPHATBELLY

AZEALIA BANKS - MISS AMOR (SISSY MISFIT PRESCRIPTION)

Aquamarine Suta blend John 3.16 Blenttt

Peggy (fUnlistenable Remix)

a remix I made for my NYE set
DL: https://hapuk.bandcamp.com/track/side2side

Side2Side

obvious - oklou (tikkoii edit) ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

Sweat Equity is happy to present its latest release, Bell Curve’s Fucked Up If True. The debut EP from the recent New York transplant, out digitally this month, is a six-track crash course in the potentials for sculptural bass music, just in time for back to school season.

It’s been a solid year for Isabel Munson’s Bell Curve project, making the jump from Boston to New York and straight into a spot on the exceptional Sister Vol. 1 compilation (curated by FXWRK and Circe), all while readying her first batch of EP tracks. Pairing a honed sensibility for scorched earth breaks and depth-charge low end, Munson’s works as a producer pull her own tastes as a DJ through a shapeshifting, hyper-kinetic approach. Drawing on halftime jungle, grime, and dancehall, Munson’s work artfully dances around easy readings or genre classifications, instead pushing each track’s evolving grooves outside their comfort zone.

The tracks are a lesson in meditative, precise attention to detail, allowing long percussive patterns to weave and twist around each other, weaving a dense tapestry of syncopations and grooves that serve as a restless counterpoint to the swells and swirls of bass fleshing out each track. It’s a slab of patient sonic sculpting, mixing together lush synth work with razors edge rhythmic elements that take a psychedelic spin on easy genre readings or familiar signifiers. Intently focused on movement and progression, F.U.I.T. carries some a serious cognitive payload, while never losing site of each track’s potential and purpose on the dancefloor, its mind-altering capacities stemming from an almost endless series of rhythmic permutations and changes that leave you miles from where you started.

Pre-Orders are available 9/15, with the record hitting stores 9/29. 
credits
released September 29, 2017

All tracks produced by Bell Curve
Mixed by Andrew Nerviano
Album art by Studio Fluora

Fax Machine is Trying to Kill Me

Sweat Equity