Rid Em

Heatwave Hits & Bad Weather Bangers

Track #5 from "Lassitudes" (Perso Records, 2021) : https://zzzzra.bandcamp.com/album/pr022-zzzzra-lassitudes-ep

Lassitudes

Fatigue Par Induction (Version)

Zzzzra - Fatigue Par Induction (version)

Site-██, deep snow and high-altitude mountainous conditions. “Maul Rheo” repair/destruction cycle is internalised but maintaining a safe distance was necessary to avoid triggering its violent programming.

“Maul Rheo” appears to possess an amorphous body capable of self-repair and self-modification. Discovered in the ███████ Mountains. The entity exhibits a perpetual cycle of self-inflicted violence, leading to continuous destruction and reconstruction of its form. This cycle is believed to be a result of its original programming, its behavior suggests a programmed directive, compelling Maul Rheo to engage in intuitive violent behaviors. Future research should endeavor to trace a genealogy of violence.

Body is composed of an unknown metallic alloy, showing properties of both high durability and malleability. During its self-destructive episodes, body parts can be observed to tear, split, and then reform. The process is accompanied by the expulsion of a black oil onto the white snow. This substance quickly solidifies in the ice.

Encounter with Ziyiz:

An interaction between Ziyiz was recorded on ██/██/████. Ziyiz attempted communication with “Maul Rheo” using a series of synthesized electromagnetic propagations. This interaction led to a temporary cessation of “Maul Rheo’s” violent behavior, but it’s internal directives could not be dissuaded. Further research into the effects of acoustic frequencies and speculative technologies on programming is recommended.

—————————————————————————————


REMADE004 is out digitally on 17/04/2024
Cover art by Rayan Elnayal.

Maul Rheo

Ziyiz - Slipd

A collection of lost project files; eternalised as forever demos. Made over the span of 2014 to 2017. Heavy, weighty movers with plenty of sub and proto-grime/early Night Slugs Club Constructions influenced through and through. Some with subtle yet blatant samples to the keen ear. Repeated noises have been re-sampled across all tracks. I also absolutely rinsed beeps quite alot.

Calibrated (Shellshock) is a repurposed remix of Krizzli & Jerry Riggs that was never released. The rest of the tracks are straight originals that I will never be able to change or edit. Enjoy them as they are.

Tracklist:
Purging
Calibrated (Shellshock)
TAT
CM-88B Jam
Stagger34

Artwork by Jiah Wells

G_Archive01

G_Archive01_Compiled

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Transmental
Nehza Records, 2024
𝓑𝓾𝔂 👉🏾 https://nehzarecords.bandcamp.com/album/transmental

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/rhrmusiq/
https://soundcloud.com/rhrmusiq

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/nehzarecords
https://www.instagram.com/nehzarecords/

Transmental

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#215 📢 RHR - Pulsar [Nehza Records]

Buy Eric Phresh

Skins (Ethnic) (ft. DJ SWISHA)

Buy full EP: https://localaction.lnk.to/rushing-1621

Local Action is very proud to present Rushing 1621, the first EP from a transatlantic meeting of minds and styles from two of our favourite artists: Om Unit and James Bangura. 

Based in Bristol, Om Unit is a titan of UK soundsystem music, pulling footwork, hip-hop, jungle, bass, techno, breaks and more into wild new shapes across an illustrious 15-year plus career.

DC’s James Bangura meanwhile has emerged as one of the most exciting artists on America’s east coast, releasing solo heat on labels like Incienso and !K7 and regularly touring the world as part of the Black Rave Culture collective, drawing from regional club styles across the States. 

The EP’s title Rushing 1621 is a reference to both artists’ area codes, so UK-meets-US synergy is the name of the game here (and if you know Local Action, you probably already know that this sort of thing is our catnip). Garage, house, breaks and even moments that recall early ‘00s proto-dubstep and dub-techno are all present, but really, it’s both artists’ immaculate drums and flawless production that drives this thing. Some records just feel unimpeachable, and this is one.

Tracklist:
01. Ruffneck
02. The Page
03. Sapporo Drums
04. Angles

Rushing 1621

Buy full EP

Sapporo Drums

∎ SWINE PREMIERE ∎ @sim_mtl via @delicesdumidi label

New compilation entitled "FADA ACAMP VOL.2", this time featuring a list of talented international artists with some lovely original tracks. For the occasion, a pack of snacks is available: a cassette, a T-shirt, a lighter, a compass and a flask to help you survive your next rave. 

✤ You can pre-order it here ☛ https://ruffkaval.bandcamp.com/album/d-lices-du-midi-fada-acamp-vol-2-ddmfada002

[ ENG ]
The Canadian prince of slow-tech strikes again, and this time with his new dancehall techno track "Snake Bite" he's going to give you goosebumps.

[ FR ]
Le prince canadien de la slow-tech frappe encore et cette fois-ci avec son nouveau track dancehall techno "Snake Bite" il va vous mettre les jetons et plus particulièrement des animaux à sang froid.

― ― ―
⬇ MASTERING : QANT
⬇ COVER : KAVAL
― ― ―

Bandcamp

[Swine Premiere] SIM - Snake Bite (Délices du Midi)

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Youthman feat. Big Red, X_J & King Whilem - Black Pool EP
Yanked Beats, 2024

@youthmancentralmassive
@yankedbeats

[Premiere] Youthman - Black Pool (out on Yanked Beats)

Mighty Clouds Of Joy 'Mighty Cloud Of Joy' (greg wilson & ché wilson rework)

124 bpm

DJ only vinyl 2024.

The Mighty Clouds Of Joy were an LA-based gospel group who’d been releasing records since the early-‘60s, initially as The Mighty, Mighty Clouds Of Joy’. In 1974 they made a departure from their more traditional style when the group went into Sigma Sound Studios in Philadelphia, the epicentre when it came to the soulful dance music that would soon explode as disco, recording their album, ‘It’s Time’, with producer/songwriter, Dave Crawford. Members of the Philadelphia International group, MFSB, already renowned for backing artists like Harold Melvin & The Bluenotes, The O’Jays and The Three Degrees, were brought aboard for the sessions, including the legendary Baker-Harris-Young rhythm section, who, apart from MFSB, fuelled The Trammps, with Earl Young celebrated for innovating the disco style of rock drumming.

I came across the group via their second single from ‘It’s Time’, ‘Mighty Cloud Of Joy’, released in late-‘74. I figure I must have picked my UK 7” out of a bargain bin when I was 14, maybe 15. There’s nowhere I would have previously heard this – it was before I started DJing, and it’s not something likely to be played on radio. I reckon I bought it on spec – I knew the label, ABC, via singles by Eddie Holman, Four Tops and Rufus, so it was a trusted source, and I would have been fascinated that the artist and title were (almost) the same.

It picked up specialist plays from some soul and funk DJs here, including Colin Curtis at the Blackpool Mecca and Les Spaine at The Timepiece in Liverpool, but largely went under the radar. It remained a personal favourite from the period, which I’d have thought would have done well in the States, but it appears to have been largely slept on there too, the track receiving DJ support, but not igniting as you’d imagine it would have. The following year, again recorded at Sigma Sound, the next Mighty Clouds album, ‘Kickin’’, included ‘Mighty High’, which would blow up big time with US DJs and top the disco chart (it wasn’t a track I can ever recall hearing in a UK club). It surprised me to learn that ‘Mighty High’ had been so big, while ‘Mighty Cloud Of Joy’ is conspicuous by its absence from both the US R&B and Disco charts – the latter sounding far more like a disco classic to my ears.

Having remixed Gabriels ‘Love And Hate In A Different Time’ with Ché, inspired by the mid-‘70s Earl Young disco groove, it brought to mind the gospel-infused ‘Mighty Cloud Of Joy’, and this rework resulted. Having played it out while we fine-tuned, despite its relative obscurity, people responded to it like they’ve known it all their lives, it’s ‘movin’ on up’ refrain infectious, which makes it all the more surprising that it wasn’t huge on release.

Pressed on limited vinyl as part of the GW Edits series, and featuring ‘The Turnaround’, an update of Vicki Sue Robinson’s ’76 disco anthem, ‘Turn The Beat Around’.

Mighty Clouds Of Joy 'Mighty Cloud Of Joy' (greg wilson & ché wilson rework)

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☗ "Swine Daily DJs" is a DJ collective consisting of Swine Daily editors (Krištof, Viktor, Sasha, Natalie & Jan + changing) ☗

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