Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via XiiixxiQ

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Number

Disquiet Junto  | The Loneliest Number - disquiet0591

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

This is probably so much into 'What Means Solid, Traveller' and Splattercell's 'Oah', it should be illegal. As you guessed, I can't help it.
C'est tellement inspiré de "What means Solid, Travelher" et de Oah de Splattercell que ce devrait être illégal. Vous avez deviné: je n'y peux rien.

I Can't Help Running After David Torn, But The Gap Remains So Large

Miniature 2

An experimentation based on a radio stream By In Mobile (Olivier Malhomme) and The Lucid brain integrative project (Emmanuel Reveneau), performed live the 15 november 2015 at the Loop Jubilee.

A radio-based experimentation

An improvisation as a test for the Zoom H1, low-fi, radio running in the background, morning, sun outside.

Piano Solo 29 03 2018

This is a Phaser Filter and Voice version of Lawrence Ferlinghetti's "Underwear" (with permission). Created in 2009 by Max Mathews and Laurie Amat for CCRMA's April 4, 2009 Modulation v2.1 concert at The Compound, San Francisco, CA

Underwear 1

Specifics:
Small segments of all three tracks were imported into Samplewiz on my iPhone.  I recorded three performances, one for each songs.  I then mixed them together to create a bit of a mess.


Background:
This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/.

More on this 52nd Disquiet Junto project at:
http://disquiet.com/2012/12/27/disquiet0052-bumpcc/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/


a bit of a mess [disquiet0052-bumpcc]

A philosopher by training, Sylvain Poitras explores circularity and self-reference in the fields of video, comics and electroacoustic music: that he uses images, words or sounds, he primarily seeks to blur the boundaries between the object and its designation. Software designer and trombonist, it was only natural that he invented the "meta-trombone", a sophisticated processing system which curiously leads him to the origins of free jazz.