Commissioned by the Aurora Orchestra to celebrate the 10-year anniversary of its relationship with the BBC Young Composer Competition. This commission was generously supported by the RVW Trust.

Performed by members of the Aurora Orchestra on December 12, 2020 in Kings Place, Hall One. 

Trombone - Matthew Gee
Violin 1 - Alexandra Wood
Violin 2 - Jamie Campbell
Viola - Ruth Gibson
Cello - Sébastien van Kuijk

Points of Intersection (2020) - excerpt

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/

I picked the goat to piss off my friend who complained about having small space in the trunk. Now she owns me.

Sylvia Lim is a composer based in the UK. Her works are intimate, exploring a small amount of material in depth. She is interested in the materiality of sound, notions of close listening, perception, rawness and instability.


Loo(p)cy is a project by Italian multi-instrumentalist Lucia Caiazza. She began studying classical piano then she fell in love with  electric guitar, becoming a rock guitarist and singer during her teenage years and beyond.  During the  last 8 years, Loo(p)cy has released 11 albums, alone and collaborating with other musicians.  Her style has evolved into electronics, noise, post rock with oniric soundscapes.

https://loopcy.bandcamp.com/

https://youtube.com/@luciacaiazza?si=xh1sUtf36R4m7Yrt

Since I bought a second-hand synth in 1991 didn't stop connecting my thoughts and emotions with audio frequencies:
[Original] EXISTENCE is my solo project.

In the mid '90s I collaborated with italians "Cupio Dissolvi", particularly in the albums "Benomyl" and "La Cruna dell'Ego"(keyboards, guitar, sound recording; though with limited equipment).
2021-collaborated with GYPSY on this mini-lp: https://originalexistence.bandcamp.com/album/sublime-blunders-subliminal-aches
Formed an experimental rock duo with italian artist STONEMOON, "WEIRD PAKT"(also available into his socials).
We recorded 4 tracks, one being #41 into "The Black Lodge Music Compilation":
https://thechurchofnoisygoat.bandcamp.com/track/weird-pakt-l-a-m
[original] Existence has tracks #5 and #60 in the "Cut-Up" compilation, 
https://thechurchofnoisygoat.bandcamp.com/album/cut-up-a-music-compilation-in-honor-of-william-s-burroughs
...and track #74 into the "23 Enigma Compilation", https://thechurchofnoisygoat.bandcamp.com/track/original-existence-aged-23 (also by Brazilian netlabel The Church Of Noisy Goat).
My spoken word track "Endless Curse" appears into the compilation "À l'État Brut" by UK netlabel IFAR (#5):
https://ifarmusiqueconcretecompilation.bandcamp.com/track/endless-curse
As the (ceased) "side persona" project, ITRIANO ROSPS: https://itrianorosps.bandcamp.com
https://on.soundcloud.com/ZaRnb
Appears into "Combinaciones y Permutaciones" also by label IFAR, track #12:
https://ifarmusiqueconcretecompilation.bandcamp.com/track/de-pire-en-pire
...track#13 into "Concrète Poetry Two":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/claqu-nos-verres
...and again track #13 in the compilation "Ever Present"(cd available)
https://ifarmusiqueconcretecompilation.bandcamp.com/track/chance-errante
...and track #10 into "Collage Music(3)": https://ifarmusiqueconcretecompilation.bandcamp.com/track/pieve-pagnotta?fbclid=IwAR3XGGQnlCmhZG9q_ru7fX1qH3MDuDH0ITcm25qOyltyvP7gYsDOvw7n3ZM
...track #4 into "Solaris":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/florentia-turistae-megadromm
New side project: DODECAEDRO (again with Mark Stone). Our track "Sheol" stands into the IFAR compilation "Collage Music (20)", track#5
https://ifarmusiqueconcretecompilation.bandcamp.com/album/collage-music-20
...and here (#85) https://thechurchofnoisygoat.bandcamp.com/track/dodecaedro-sheol?fbclid=IwZXh0bgNhZW0CMTEAAR3Tty1HrrNERCGBgho3jNr5zbgsg7-Zjul7Zby2qAwaJ0c1NWmMtCw-TGY_aem_7MN7YUDoLSQSqDDdSgCJ_A

Beside audio, a bunch of videoclips popped up randomly:

YOUTUBE channel
banned May 2022...26 subscribers, +1.000 views...Possibly disturbing, what an honour!!
Replaced with VIMEO https://vimeo.com/originalexistence
...and INSTAGRAM https://instagram.com/original_existence

Keepin' on harassing capitalists as long as I can_

Recording project out of Australia.

https://open.spotify.com/artist/28Ic0jDdzt6mAwJ0HFZuei?si=KM99vlxRSWeqvgk7vHUAzw

Thanks for stopping by.

All music © Mount Plenty 2024

modular synthesis / serge modular
experimental composition
live performance
sound installation

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.