Maybe time grows around us/sounds to enrich perceptions? This is superb :)

consonantic dissonances, well thought, distinct from traditionalist treatment of dissonances in contemporary music.

Original Music By :
https://soundcloud.com/loufaitduson/sanatorium

Axel Kolb - Sanatorium (Senglar New Shoes Rmx)

Ghosts of Christmas

Beat heavy electro-techno track with a chopped up vocal hook.

RedRum

RedЯum

This is first of the four tracks of a new collaboration with my music friend Pete Swinton. I will be re-working some of his tracks from his excellent Butterfly and Ship album.

https://peteswinton.bandcamp.com/album/butterfly-and-ship
This track is a re-work of his track - 01. OSC Sine 63Hz 0dbFS.

It was mixed in the AUM app on my iPad and used  iPad apps such as Hillman Synth, Euclidian, Nembrini Delay, Grand Finale, Fluss and Bleass Chorus.

Butterfly And Ship (with Pete Swinton)  1. Sinyphasia

Im dunklen Tann

EDA BROWN_MAGICAL SOUP CURRY

A long dry spell ended recently with the storm recorded for this piece. As you can hear toward the end, no one was happier to see the rain than the frogs. I recorded the storm and frogs with a Zoom H1n, all synth on this track comes from the Korg Volca Modular with additional delay and reverb via the Korg NTS-1.

Phantom Oscillator - Drought's End

There are some beats here, just for a change. They are made with some silicone membranes whose normal use would be to cover food bowls. Soma ROAT and Aqusmatiq Dedalus Delay add a little of controlled chaos.

≸ }{ P ͣ }{ 42 °•  ⩨

Premiered by Helena Ricci (prepared harp), Peter Thornton (trombone) and Samuel Barber (trombone).

04.07.2017 - Curious
Barbican Exhibition Hall 2

'It consists in the small signs of age that accumulate on the surface of objects . . . a gradual movement away from their original pristine condition. As they come into contact with the elements and the other objects in the world, their original surface takes on a surface of its own.' - Grant McCracken, 1988

sounds which grow richer as they decay

abgrund, for ensemble (2017) 

Lucerne Festival 
KKL Luzern 23.08.2017

Lucerne Festival Alumni Ensemble:
Raoul Cho flute
Tomonori Takeda clarinet
Vitaliy Kyianytsia piano
Bill Solomon percussion
Marina Kifferstein violin
Rachel Koblyakov violin
Francesco Tosco viola
Simon Thompson cello
Juan Díaz double bass
Conducting:
Mehdi Lougraïda

abgrund, for ensemble

Музыка Для Мытья Посуды

Sylvia Lim is a composer based in the UK. Her works are intimate, exploring a small amount of material in depth. She is interested in the materiality of sound, notions of close listening, perception, rawness and instability.

sounds which grow richer as they decay

Sylvia Lim

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⭕️Ernesto Schmied⭕️

Eden Lonsdale

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