An adaptation of Pink Floyd's Astronomy Domine with a Philip Glass feel.

Published on SC 1 July 2024

Work in progress

Oberon, Miranda & Titania (Pink Floyd cover)

Dreamy Sequence

A little symphonic, not especially danceable, but hopefully charming. A duet of digital synths.

Righteous Mayhem

Here's A remix of I bring the noise by IPG1.

You can find the original track here;

https://soundcloud.com/ipg1/i-bring-the-noise



And the vocals here;

https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm



Here's A link to the cover art;

https://pixabay.com/photos/bridge-city-architecture-river-7997690/

IPG1 - I Bring The Noise (RiZLiX Remix)

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

Composition and Sampling collage by Synline.
Art Work by summerstock

Urbanicity

Better, Better

A song written by former cherished bandmates…always loved! Written by Dave Dean and Jon Kott!
Cover pic is from my former Beatles band gig in 2019 downtown Farmington, MI… called Dig A Phony… check them on SoundCloud and YouTube! I’m in a lot of videos!!😀

Subtle Disposition

Collision

ZionFlux

Sigh Of Relief (2017) Anthology CD1 Track 12

i see you

EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline with computer.
”The song that is born today can only be born today.” That's why I keep writing it down like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with computer. 
I am glad I can share it with you.