"Black & White give us a sense of duality like Yin and Yang, the good and the evil..
Two opposites to each other...
References and part of the search of balance in everithing...
Harmony like the keys of piano or the dance of serveral dancers...
Character like a filter of image or video...
Only Black & White? No shades!...
Unique, relevant, essential...
The starting point of everything...
A return of the essence of  forms and lines".

A modern Piano - New Age composition.

VIDEO ON YOUTUBE: 
 https://www.youtube.com/watch?v=wWcyU-M30z4

Black & White (Instrumental Version)

Another fun collaboration with the Eclectic Collective 🫶

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 

Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

.

Trading Mics For Fish Pages-Eclectic Collective with Sunnybeck

Relax! 
Picture: File:Wandering Albatross flying over the South Atlantic (5656441856).jpg - Wikimedia Commons
This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

Albatross

Esto es un encargo de un conocido que quiere utilizarlo de fondo en sesiones públicas que él hace.
DAW: CUBASE 15 PRO
PLUGINS: TODOS SON LIBRERIAS DE KONTAKT.
MASTERING: Magneto para dar algo de armónicos e Izotope Ozone 11 standard para masterización final.

Karim c15 (manu317)

Composition and Sampling collage by Synline.
Photo by Paul Campbel

Bushi Warriors

Vocals: 2nick8
https://www.looperman.com/acapellas/detail/19830/once-in-a-lifetime-90bpm-rock-acapella
Second Vocal: Leslie dancing in the Moonlight
E Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Arrangement and Mix

Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)

Another great song by and with Jim Barrett, who also sings the tune. Keyboards, drums, backing vocals and production by Roger, bass by Noel, and saxophones arranged & played by me. The pic show the Rhine and is just for its pretty look. And there's a video:https://www.youtube.com/watch?v=wAuKT2yE3fs&list=RDwAuKT2yE3fs&start_radio=1

Widow Bites

Original by Tom Petty and The Heartbreakers 1991

Learning To Fly

Was in the Winter

C Fragments

C — the Roman numeral for 100.
A complete measure.
A fixed frame.

C Fragments exists within this order as a sequence of fragments.
Not as a narrative, not as development,
but as a state.

The Roman reference does not stand for power or grandeur,
but for measure, structure, and timelessness.
The fragments remain contained within a closed whole
whose meaning is left open.

Sonically, the piece combines a restrained grand piano
with deep strings, sustained orchestral layers,
subtle percussive elements,
textural sound layers,
and distant choral surfaces.

A very subtly blended female vocal texture from ACE Studio
was added as an additional sonic element —
not as a lead voice and not as a replacement for a real singer,
but purely as a tonal presence within the overall structure.

Instruments & Used VSTs

🎹 Piano
Native Instruments – The Maverick

🎻 Strings
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Percussion / Drums
EastWest – Hollywood Fantasy Percussion

🎶 Choir & Voices
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – female vocal texture (very subtle)

🎼 Textures & Sound Layers
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Mood: dignified · restrained · timeless · contemplative

C Fragments

C — die römische Zahl für 100.
Ein vollständiges Maß.
Ein festgelegter Rahmen.

C Fragments bewegt sich innerhalb dieser Ordnung in Bruchstücken.
Nicht als Erzählung, nicht als Entwicklung,
sondern als Zustand.

Das Römische steht hier nicht für Macht oder Pathos,
sondern für Maß, Struktur und Zeitlosigkeit.
Die Fragmente existieren innerhalb eines geschlossenen Ganzen,
dessen Bedeutung offen bleibt.

Klanglich vereint das Stück ein zurückgenommenes Grand Piano
mit tiefen Streichern, orchestralen Sustains, texturalen Schichten,
dezenten perkussiven Elementen
und weit entfernten Chorflächen.

Eine sehr dezent eingesetzte weibliche Stimmtextur aus ACE Studio
wurde ergänzend hinzugefügt – nicht als Gesang,
sondern als subtile klangliche Präsenz innerhalb der Gesamtstruktur.

Instrumente & verwendete VSTs

🎹 Klavier
Native Instruments – The Maverick

🎻 Streicher
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Perkussion / Drums
EastWest – Hollywood Fantasy Percussion
(subtile, tief platzierte Drums)

🎶 Chor & Stimmen
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – weibliche Stimmtextur (sehr dezent)

🎼 Texturen & Klangflächen
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Stimmung: würdevoll · reduziert · zeitlos · kontemplativ

💿 Credits
Music, composition, arrangement, mix & master: DestKorn (Matthias K.)
Artwork: DestKorn

℗ 2025 DestKorn
© 2025 DestKorn
All rights reserved.

C Fragments

Buy on bandcamp

Flow Di - Inspired (Short play)

EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline with computer.
”The song that is born today can only be born today.” That's why I keep writing it down like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with computer. 
I am glad I can share it with you.