Wonderful composition and piano performance!🌹

This is breath taking Helen ! I am passing your back story on to others to gain support for our Xmas single in support for your people , it broke my heart !

Yours is beautiful. You can feel that you play the piano not only with your hands but with your whole heart. God bless you!💫💙💛

The Upload #2

composition in midi and VST instruments, with original flute & sax :-) ... photo: subvertivo_lab, unsplash

just vibes

Title track for the new Mood Exhibit album - https://moodexhibit.bandcamp.com/album/focal

Mood Exhibit - Focal [from the album Focal]

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Mankind's Repeated Sins

(Written by Terry Reeves)
Terry Reeves: Lead Vocals
Gary Reeves: Drums, Cajon
Hans Albers: All other instruments, Arrangement & Production

This was one of those songs that was inspired by something Hans wrote,  prompting an idea of the movement of water representing the melding of musical ideas.

Whilst we were working on “Release The Ashes”, he sent me a working arrangement in an email, signing off with the words "Love from The Elbe to The Thames”.  Friends and family often say things that spark song ideas and this poetic  greeting stuck in my mind.

I looked at a map that showed The Elbe flowing into The North Sea and The Thames into the Estuary a little to the south and imagined the two bodies of water flowing toward each other, intertwining back and forth, much as the song ideas between Hans, Gary and myself are inclined to do when we’re working on something.

So I have to thank Hans on two counts, both for bringing the idea to mind and also for the arrangement he created, which to me is very special.  Hope you do too.  Many thanks for listening.
(Terry Reeves)     

The river runs from Elbe toThames
Connection between distant friends 
North Sea growing back and forth
Mixture giving and taking at source 

A watery song with dance 
Dispersing over distance
Ebb and flow with a chance 
Avoiding tide resistance

Mersey mixture in history and song
Salt water blends and tries to belong
Move East to West, North To South
Trickle of ideas by word of mouth

A watery song and dance 
Dispersing over distance
Ebb and flow with a chance 
Avoiding tide resistance

River to river to river to river to river...

Tidal transfer of words and music
Echoing sounds, a demo acoustic 
Treaty of Versailles to Parliament plaque 
Rules of agreement, musical track

A watery song and dance 
Dispersing over distance
Ebb and flow with a chance
Avoiding tide resistance

The river runs from Thames to Elbe
Passing secrets, some to be held
Musical water with mixture to last
Ferry sails sea with historical past 

A watery song and dance 
Dispersing over distance
Ebb and flow with a chance
Avoiding tide resistance

River to river
River to river
River to river to river to river….

RIVER TO RIVER - CRIPPLE CLUB & HANS ALBERS

“Jazzy-Jam” by Luke

Working on my Piano 🎹 pieces and in between creating these fun tracks .. easy listening  with catchy beats..
Thanks to all my friends and fans for the well wishes ❤️


Keys & Piano & Synthesizer & B-Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Jazzy-Jam”  by Luke

Star crossed lovers with an arson problem. A mini musical movie about lovers on the run...
Added to the album: "Curiosities Of Outsider Art" (Sept  2025)

(Act 1: Young lovers on an arson spree)
Lyrics:
She puts the gasoline in my truck
And then we drive down
And we like to burn up
Local buildings
And alleys
And trashcans

She likes to come out with me at night
And burn things down
She can't explain it
It's just how she feels
It's what see needs
Simultaneous release
While burning down the Hardee's (a USA restaurant chain)

We got black magic spells right off the shelf
I have a split personality
And I hate Ourselves
We have  a compulsion
To  blow things up
It's all fucked up
Young arsonists in love
Young Arsonists in love (3X)

We have black magic spells
Right off the shelf
The good ones are mixed in
So it makes it hard to tell
We understanding the poetry
Of burning things up
Burning shit up
All fucked up
Young arsonists in love
(End Act 1)


(Act 2 : Chase and capture)
Young arsonists in love (3X)
We're on the run
She says: let's burn down a Chevron

We have black magic spells right off the shelf
The Doctors say we seem alright
But you know that we can't be helped
The Police ask: Is this behavior carnal?
"Officer"
She said:
"Have you forgotten how to marvel?"
Forgotten how to marvel?

Young Arsonists In Love

Every Now & Then

I have decided to take you into my studio lair for a peak into the cobwebs, corners and hidden nooks; the very mad-house of my thinking, or at least as best I can recollect the moments of……"Song Creation". I will use a single song to highlight my process. My friends and fellow song creators may recognize strands of their own process here, however, it is understood, that song formation has no right way or wrong way. It is as individual and eclectic as art itself. That is what keeps it fun. I will keep the write-ups short but will pile them on in increments until you or I have had enough. You can find these write-ups at this link: https://davidhusted.com/blogs/1-sleeping-softly-in-this-bed/posts/7601774/one-song-s-journey

Thank You

Dave

Song Lyrics
Eclipse
By David Husted


I'm trapped by a devil who controls the scrolling screen  
When I come back up I can't remember my name
so filled with dread cuz I'm waitin' on that judgement day
Swipe away this lonely pain

Tik-Tok, Reels and YouTube Shorts  
I'm jacked in, I can't abort
Cut this thread or waste away

Woke up on the sand with waves erasing your name
Eclipse, burning my eyes as she takes me to a higher plane
This veil of flames, and I don't know how much time remains
As daylight dims, this might be it
This might be it, will I taste the world again?

It's been three days since I threw my phone away
All went quiet but the tears and body shakes  
And the day light bows to the moon's deep blues
And in this mystery, I still miss you
 
Tik-Tok, Reels and YouTube Shorts  
I'm jacked in, I can't abort
Cut this thread or waste away

Woke up on the sand with waves erasing your name
Eclipse,  burning my eyes as she takes me to a higher plane
This veil of flames, and I don't know how much time remains
As daylight dims, this might be it
This might be it, will I taste the world again?



Eclipse

BehindTheShades

Vocals: @Oddrun-Eikli 
Trumpet: @Arne-Hiorth
Lyrics: @user-264930040 (Peter)
Piano: Debra Buesking
This piano composition takes its cues from Beethoven's Bagatelle "Für Elise".  It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have.  Thank you to my dear friends Oddrun, Arne, and Peter, for this marvelous and joyful experience of working together.  It brings us all a bit closer together.

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

I had these two little blues pieces – in E and C – and an arrangement for When I’m 64, and they seemed to fit, and voila! The whole piece runs for 100 bars, but subtracting the repeated two blues sections the piece adds up to 64 bars. I swear this was an accident!

Credits: When I’m Sixty Four by John Lennon & Paul McCartney, 1967. (McCartney wrote the song.)


Sixty-four Bar Blues

premier essai d'une batterie afrobeat pour ce nouvel ambient

le bal des étoiles

A pop song that reflects a little on this and that. Catchy and at the same time, with a purpose. Musically, I've really let myself go, again.

In my world

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

Lost Letter

War broke our lives to BEFORE and AFTER its start... Russian aggression has no boundaries, it's Universal. Our house happened to be on the war front line so our family had to leave behind our home and escape just to save our lives. We had spent 8 days in hell being under Russian missiles and bombs...
 In my "previous" life I used to create music and still have got some unreleased works.
 All the tracks are played, recorded and mixed on Yamaha Clavinova CVP505 without using any software.
Now I have no piano, no more chance to record music. The only sense of life is to survive. If you're Russian please don't follow me. We have nothing in common anymore. We'll never forgive you this disgusting bloody war against Ukrainian children. Each of you is GUILTY. 
  Any support from musical friends would be much appreciated on www.patreon.com/syntaleta and now you can PayPal me to to_scorpiette@yahoo.com
https://www.paypal.com/donate/?hosted_button_id=GZWM6KXA6WNDG

Please follow Syntaleta on Spotify https://open.spotify.com/artist/5NGoMdnTju2t25gnnnFPoD, YT and YT Music where you can listen for free to the 3 albums in a good quality. 
"A Distant Star" 2016
https://www.youtube.com/playlist?list=OLAK5uy_nVPUPCq3T4atZr6lBZZGT3STqbih5nk_o
"In Solitude" 2017
https://www.youtube.com/playlist?list=OLAK5uy_lacFkqQrvuZBYbwsGhXZ_8LPrx9k3nbfA
"Flying in the Dream" 2020
https://www.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg&app=desktop
A huge thank you to Patreon supporters!

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Gone

Syntaleta

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