In the end, as I held my dear wife,
I lay my head down upon her chest,
so as not to miss the last breath of her precious life...
I heard the steady beat of her heart continue for 6 more beats,
as each beat sailed ever more quietly over the horizon.


Who is to say...
might we actually step into the next life
even as we leave this one?

The final mystery...

Photo by: Ashish R. Mishra
https://unsplash.com/@shotoftheday?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText

Hereafter

I was interested in music in my early youth... so I soon got my first synthesizer and set up a small home recording studio.
over the years i played keyboards in 5 bands...the direction was rock...pop...blues and soul.
in the meantime i have discovered my enthusiasm for creating my own songs.
it makes me happy when I can compose...arrange...mix...produce and create something new.
it's like a passion to experiment with different styles of music... and it gives me a lot of joy.
the only limit is your imagination...
is my motto.
and everything is possible...you just have to try.

music is pure magic...and part of the soul...
no one can escape her
let the music guide your mind...and that's the only way you'll get the freedom...you've always wanted

HUMAN PLACES Single Out Now -
https://open.spotify.com/album/3IkjAJ5etvk8jHiX4cqlq1?si=n0yFgkhNS2eoC0Ga7evUMA


Bookings/contact: worldsmuseum.mgmt@gmail.com

Impressionist instrumental music that tells stories without words. Each composition has a strong visual and sound imprint, while having a style and instrumentation specific to the atmosphere that the music depicts.

Musique instrumentale impressionniste qui raconte des histoires sans mots.  Chaque composition a une forte empreinte visuelle et sonore, tout en ayant un style et une instrumentation propre à l’atmosphère que la musique dépeint.

https://www.instagram.com/marmar0708/
https://soundcloud.com/shinsemia
https://soundcloud.com/romane5
https://pskc7878fcyms.wixsite.com/shinsemia

Hey there! Thanks for stopping by my SoundCloud page!

I'm taking a break after '21, to home'. Life is demanding a little attention from me. I'll continue to work on songs, but I'll be able to finish them much more slowly.

In the meantime, thank you for supporting me and listening to my music!

I quit my secondary job not long ago, so i guess this is my secondary job now. (?)

I'm an independent musician exploring different genres and styles that resonate with me. I play drums, guitar, bass and keyboards, and I’m always looking to grow.

These days I focus on the Lofi - Chillhop style. Not constantly, but I try to push its boundaries a bit, e.g. with unconventional time signatures (7/8, 5/4, etc.).

My philosophy in music is simple:
If we don’t lift each other up, who will? The industry won’t. So let’s support and inspire one another. If you have the power to help, use it—otherwise, what’s the point?

...oh, I've never used or will use AI for my music.

sur cette page, je vous invite à découvrir des anciennes compositions :
Steph OUNA @user-70495223
Lena @user-262019520

( REPOSTS  are  routed to Synthgrinder [REPOSTS] )
( https://soundcloud.com/user-813544615 )


++++. PROFILE NOTES ++++

Once a wannabe, not yet a has been.

It had been over a decade since I put together a song,
and for that matter basically walked away from music altogether.
Losing hope that I would ever have the time to put into music again,
I finally gave away my 3rd music studio.
I ran across SoundCloud around 2013,
and thought I might take what few songs I had recorded, 
and lay them to rest there.
And there they languished.

HOWEVER, around 2017 I went back to SoundCloud
and began listening a little more and a little more,
and actively taking a part in visiting the sites
of so many wonderful musicians and beautiful songs.
Also, more and more often I would discover that these artists
were blossoming everywhere around the world,
and most definitely worthy of high praise and compliments.

Then suddenly, these old dead soundtracks right here
began to have a bit of life breathed back into them.
From the kind words that began to come trickling in,
I thought, maybe, someday I might give this music thing a try again.

The thing that finally pushed me into action
was a particular SoundCloud artist…Sander Heerings,
AKA https://soundcloud.com/wane-of-summer
 

Not only was he encouraging,
but he began faithfully responding to a few questions,
then a barrage of them.

The final result seemed to be that after a couple of months,
the Old Grinder now has a 4th studio and, finally, a new song.
I hope there may be many more to come.

Thank you Sander, and to the multitude that have dropped in
to listen to these old songs, 
and most of all, for perking up my spirits.

Mitglieder: 
Marline Kilp (Gesang, Akkordeon, Slapstick)
Patrick Pubben (Gitarre, 2. Stimme, Trompete)
Federico Rojas (Bass)
Thiago Oliveira (Perkussion)

Kannkind ist eine unkonventionelle Band aus Trier. Sie bewegt sich durch verschiedenste Stilrichtungen, aber immer mit der Absicht, ihre Essenz zu bewahren: chamäleonhafte Musik. Wie seine Mitglieder ist auch der Musikstil von Kannkind sehr variiert. Manchmal klingt er nach Tango, manchmal nach Indie Rock, man hört Bossa, dann wieder Bop oder Pop. 

Manche würden die Klänge unter World Music einteilen, wegen der verschiedenen Rhythmen und Sprachen, die in der Musik zusammenfließen (Deutsch, Englisch, Spanisch). Aber dafür ist die Band wiederum zu sehr gehaftet in der westlichen Welt und Tradition. 

Anfangs, wegen des melodiösen Klanges der Stimme der Sängerin, in der sich viel Melancholie und „saudade“ verstecken, spielten die Bandmitglieder gerne mit der Idee, ihre Musik wäre eine Art „deutscher Fado“. Dieser etwas ironische Begriff war gedacht, um eine Musik zu beschreiben, die trotz der emotionalen Schwere auch immer mit einem Hauch Humor aufwartet.  

Kannkind hat angefangen als eine instrumentale Zwei-Mann-Band. Aber nach einem ersten vergessenswürdigen Auftritt vor einem verwirrten Publikum wurde klar, dass etwas fehlte, und zwar eine extra Dimension, um auch die Liebe fürs Geschichten Erzählen und den Wunsch, existentielle Probleme anzuschneiden, mit einzubeziehen. 

Beispiele dieser Erzählfreude finden sich in den Texten des ersten Albums „La Conjura“ aus 2019, wo es um verschiedene Themen wie die absurde Abhängigkeit von Liebe und Macht, die Hölle der Monotonie oder die virtuelle Sexualität in der modernen Welt geht, aber wo auch alltägliche Unannehmlichkeiten wie der Mundgeruchs eines Wookies nicht unbesprochen bleiben. 

Momentan arbeitet Kannkind an einem neuen Album mit mehr Beat, gefüllt mit Liedern, die bereits Teil des Live-Repertoires bilden, und mit neuen Überraschungen.

Bedroom producer since 2021. 
I try to avoid boundaries and blend all styles I like (indie rock, acoustic, prog, metal, ambiant, trip-hop, jazz, and also classical and even a bit of trad). As long as it sounds...

What I write today is ambiant / downtempo / ethnic tracks with a taste of darkness, and I'm also preparing something more energetic later... but that's a different story.

Working with Ableton and VSTs, this is mostly MIDI, only the guitar is (sometimes) real.

Please enjoy and comment what you like or not!

I'm also open to collaborations with other people, singer, instrumentalist or MAO producer like me, first being with my friend guitarist Thak Ghitar
https://soundcloud.com/thak7
Or XX roses that wrote the poetry: 
www.tiktok.com/@maux.damour