D.A.V.E. The Drummer is a techno DJ and producer from the UK. He's been making electronic music since 1993 and has made dowzens of acid techno and hard techno recvords which are available on many well respected record labels.

He owns 3 record labels: 
Hydraulix Records, which concentrates on dark & hard techno.
Apex Recordings, for deeper techno & tech house
Mutate To Survive, for minimal, electro, weird tech beats.

Demos/Promos: label@hydraulix.co.uk
Linktree: https://linktr.ee/davethedrummer

I created this page for the posting of older Breaks DJ mixes. It is not intended to infringe anybody's copyright as an artist or owner of the mixes, just a place to share some of the best and rarest Breakbeat DJ Mixes from yesteryear.

DDR live sets  past and present and previews of up and coming COSHH and Hazchem releases.

All booking enquiries to ddr@triphazard.net

Fat Wreck Chords is an indie label co-founded in San Francisco by NOFX frontman Fat Mike (Michael Burkett) and Erin Kelly-Burkett, in 1990. The first wave of bands signed to FAT (No Use For A Name, NOFX, Propagandhi, Lagwagon, and more) shaped what became known as the Fat Wreck sound. FAT continues to be an artist-friendly label and has a unique business model of signing bands to one record deals. Going on its third decade, FAT boastfully remains a 100% independently owned and operated company.

PRODUCER / DJ / REMIXER

MANAGEMENT
info@lovingalliance.com

BOOKINGS
jennifer.hammel@caa.com

With dynamic musical taste and timing sharper than a razor, Sterling Moss is renowned for his technically explosive DJ style that never fails to electrify crowds the world over.

Having toured extensively in over 25 countries throughout North America, South America, Europe, Asia, Africa and Australia, Sterling regularly rocks dancefloors around the globe in an exotic list of locations, playing at clubs and festivals to hundreds of thousands every year alongside the world’s DJ elite.

Once resident with Dancevalley & HQ in Holland and Tribal in London, Sterling now serves a residency with Harley Davidson as tour DJ on their Bike Festivals, having played for 9 years with them at destinations all round Europe, culminating every September with the 100,000 attended European Bike Week in Austria.

Music production has remained the in-demand creative mainstay of Sterling’s abilities, including UK chart success and his own label catalogue of Raceway, Racetrax and 99.9 supporting his musical output onto more than 50 other international imprints including: Stay Up Forever, RAW, Hydraulix, Cluster, Hardasfunk, Wah Wah, Subcult, Neuroshocked, Powertools, DJAX Upbeats, Yolk, Scythe Squadron, Polymeric, Apex, Hellhouse, Nukleuz, Yin Yang, One Inch, Rotters Golf Club, Sweet Peaks, Offical, VCF, No Entry, Strata, BR-909, Carbon Audio, TMM, Keep On Techno, Corrupted, Corrosive, Teknic, Braingravy, Bordelik, Flatlife, Maximum Minimum, Aktivists, Abusive 303, Acid Corp, Bodyshock, Beetroot, London Underground United, Many Birds, Project 303, Interstate One, Celtek, Skyride, AK, Hive & Torque.

Sterling has worked alongside the mighty Stay Up Forever crew for the last few years, tirelessly stoking a 303 & 909 driven rebellion in the studio alongside Chris Liberator to create a huge body of work that has ripped dancefloors apart across the world with devastating effect. They have sold out events in countries including Australia, Japan and Brazil with their live show, their remixes of Sicknote, Tribazik, The Dice, Miss Djax & Patrick DSP and Dynamo City’s ‘One Night In Hackney’ are universally acclaimed, and their genre defining hits including: ‘Scum Like Us’, ‘Croydon Girl’, ‘Punk Attitude’, ‘I’m Bored’ and ‘Massive Line’ will be making waves for years to come.

‘E.S.C.’ is another alias Sterling has recorded under as part of ‘The Boardroom’ collective with Steve Boardman. Their work saw its way onto two highly acclaimed collaborative albums with Andrew Weatherall, which gained rave reviews universally from the music press. The collective has also played live at some of the world's most prestigious venues including London's 'Fabric' & Berlin's 'Panorama Bar'. 

The 'Sound Lab' studio is the nerve centre for Sterling’s production work, but he also worked extensively alongside Roland Synthesisers Japan as an official programmer on their MC-909 Groovebox, after they were impressed with his use of their vintage TR-909 drum machine. He has also released two sample packs with Chris Liberator through New York’s Industrial Strength Records, which contain a wide-ranging palette of sonic tools for up and coming producers to utilise.

While constantly striving to innovate with his productions and DJ'ing, Sterling Moss always looks to explore new musical territories and ideas, while relentlessly touring his compelling sound around the globe.

MonoSyn aka Ross Sadler has been producing since 2010 under several different guises.  Most notable is his Future Skyline pseudonym in which he has experimented in many different genres including Liquid Drum & Bass, Dubstep, Ambient and Chillout, and most recently Reldas, which concentrates on more trance orientated vibes.
MonoSyn's main sound is a blend of progressive house with the philosophy that it has to be deep and atmospheric. Moving away from current trends he uses deep bass lines, rolling percussion and lush pads to create deep, atmospheric, pure progressive house.


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