Carrer de Londres Sessions Jan 2025

Global DJ Beats Vol 20 raid train has come to a close.. Shout out to all the DJs on this lineup as well as the Housemasters crew!! In spite of the craziness that went on, it was an successful raid train.  Please check out my classic house set.  Thank you.
#globaldjbeats #twitch #Vol20 #raidtrain #openformat #classic #chicagohouse #Househeadspeakz

Global DJ Beats Vol 20 RT 3.1.25

Cleveland made, Chicago INSPIRED... SOULFUL start to finish.

Ezigbo MMuo (Good Soul) 2nd Edition :: Soulful Sunday

a lil groovy, soulful, and deep house mix to soundtrack those sunny sf afternoons

recorded on the xone and cdjs as usual 🤓

tracklist: 
st germain - deep in it  /  steffi - 24 hours  / global communication - the way (secret ingredients mix) / istitution - it's not over (master mix) / corrina joseph - wanna get down (club vocal mix) / daphne - when you love someone (groove instrumental) / theo parrish - lake shore drive / harry romero - tania / todd edwards - main vibe / scott grooves - la riddum / chaos in the cbd - sirena deep / ron trent - i feel the rhythm / chez damier - chez b untitled / enduro disco - building up / butch - same like dope but different / jestofunk - special love (soulfuric dub) / ladymonix - do you get me / donnell pitman - do you wanna (daphni edit)

baker beach paradise zen mix

Jack´s House”

New York , principios de los 80.
La ciudad todavía se estaba recuperando de la resaca post-punk y new-wave.
Lugares emblemáticos como el CBGB´S y el Max´s City Kansas pasan a mejor vida tras uso años muy locos en intensos. La escena musical estaba a punto de introducir una nueva variante que revolucionaría la escena en los años posteriores .


En el Paradise Garage, Larry Levan pinchaba durante horas discos que evocaban la era del disco music, los cuales mezclaba con funk, soul, philly sound y temas de grupos como The Clash, Van Halen o The Talking Heads.
Los gays hicieron de este club uno de sus lugares sagrados. Eran mayoría , pero los meteros más liberales y canallas disfrutaban sin complejos del ambiente de alto voltaje que allí se generaba. 
Las mujeres que lo frecuentaban parecían auténticas diosas danzando las melodías sugerentes que Larry Levan proponía con sus mezclas en intensas sesiones.

Algo diferente se palpaba en el ambiente de uno de los clubs míticos en aquellos años de la noche neoyorquina.
Si en New York se plantó la semilla, esta germinó y creció con vigor en Chicago. El Warehouse era el club de referencia de esos años. El local, que atraía a un público predominantemente gay y afroamericano, tenía las ventanas pintadas de negro y la atmósfera creada era oscura y clandestina.


Buen sexo, buenas drogas, buena música ….. era el paraíso para los mas golfos y bohemios, nada que ver con lo visto anteriormente en una ciudad tan musical como Chicago.
El sonido que allí se pinchaba se basaba en ritmos más duros que en New York. Salsoul, prelude y algo de philly sound y disco hits.


Poco a poco, Frankie Knuckles, el dj residente, iba introduciendo el ítalo-disco y los primeros éxitos del electro y del synth-pop europeo.
Gracias a él y a las maratonianos sesiones de Ron Hardy en el Music Box, inconscientemente , los allí presentes, estaban siendo testigos de una revolución en el mundo de la música del siglo XX.


Gente de Chicago, como Jamie Principle, Marshall Jefferson, Jesse Saunders, Adonis, Larry Heard o Chip E empezaron a producir los primeros tracks en sus propias casas. Esas grabaciones las llevaban en formato cassette a Ron Hardy y Frankie Knuckles para que las pincharan en sus sesiones.
La gente acuñó un nuevo término para referirse al ritmo que la incipiente música emanaba, el “jack”. Estaba presente en las vocales de varias de las canciones que se pinchaban en los clubs. Algo comparable al “duende” en el flamenco o al “groove” del funk y del soul.


Durante algo más de dos años, el house fue el sonido de Chicago, la banda sonora de muchas noches salvajes y hedonistas el ritmo que bailaron frenéticamente los adictos al “jack”.
El “Your Love”, “On & On”, “Time to Jack” y sobre todo el “Move your Body” de Marshall Jefferson fueron algunos de los hits que se bailaban en las pistas.
Muchos de los jóvenes productores, procedentes de barrios marginales, ni siquiera tenían la edad mínima para entrar en los clubs, eran los creadores de mucha de la música que allí se pinchaba.


Farley Jackmaster Flash, desde su programa radiofónico en la emisora WBMX, expandió el sonido emergente más allá de la escena de los clubs, haciéndolo llegar a un público diferente y más numeroso del que acudía a los templos de baile de la noche de Chicago.


El sello Trax Records fue el primero que se especializó y apostó claramente por el nuevo sonido que lo estaba revolucionando todo. Chicago representaba lo que en su momento significó Memphis o New Orleans para el jazz y el blues. Había comenzado una nueva y apasionante era dentro de la música del siglo XX.


Más tarde cuando el sonido cruzó el Atlántico rumbo a Europa, principalmente en Reino Unido, el hose alcanzó sus mayores cotas de popularidad, creando una nueva cultura en torno al nuevo estilo musical que llegaría para permanecer en la música de los siglos XX y XXI.

Pero eso ya es otra historia.


FASE 8 "Jack´s House"

“Jack's House” 

-New York, at the beginning of the 80’s, was still recovering of the surf post-punk and new-wave era.  
Emblematic places such as CBGB'S and Max's City Kansas spent their lives in crazy and intense years. The musical scene was on the point of introducing a new variant that would revolutionise the scene in the later years. 

-In Paradise Garage, Larry Levan was mixing vinyls for hours that were evoking the age of disco music, which was mixed with funk, soul, philly sounds and groups like The Clash, Van Halen and The Talking Heads. 

The gays made the club one of their sacred places. There were a majority, but also got more liberals and scoundrels who enjoyed this scene without complications of high voltage ambience that was generated. 

The women who were frequenting these places were looking like authentic goddesses dancing to the suggestive melodies that Larry Levan was proposing with its varied and intense sessions.

Something different was felt in the ambience of one of the mythical clubs in those years in the nightlife of New York. 

-If in New York the seed stood firm, this one germinated and grew with vigour in Chicago. The Warehouse was the club of reference of these years. The place was attracting a gay and African American public, had identical blackened windows, which created a dark and clandestine atmosphere. 

Good sex, good drugs, good music - was the paradise for more scoundrels and Bohemians, and nothing seen previously in a city as musical as Chicago. 

-The sound that was mixing itself was based on rhythms harder than in New York. Salsoul, prelude and a little of philly sound and disco hits.

Little by little, Frankie Knuckles, the resident DJ, was introducing the Italo-disco and the first successes of the electro and of the European synth-pop. 

Thanks to him and to marathon runners meetings of Ron Hardy in Music Box, unconsciously, there present, were witnesses of a revolution in the world of the music of the 20th century. 

-The people of Chicago, like Jamie Principle, Marshall Jefferson, Jesse Saunders, Adonis, Larry Heard or Chip E, they began producing the first tracks in their own houses. These recordings were taking a cassette format to Ron Hardy and Frankie Knuckles so that they were pressing them in their meetings. 

The people minted a new term to refer to the rhythm that the incipient music was coming, "jack". It was present in the vowels of several of the songs that were being played in the clubs - something comparable to the “duende” in the flamenco or "groove" of funk and soul. 

-During for more than about two years, house was the sound of Chicago; the sound track of many wild and hedonistic nights - the rhythm that the addicts "jack" danced frantically to. 

"Your Love", “On and On”, “Time to Jack” and especially “Move your Body” of Marshall Jefferson were some of the hits which were widely danced to. 
Many of the young producers, originating from marginal quarters, were not even the minimal age to enter clubs, and they were the creators of a lot of the music that was being played. 

-Farley Jackmaster Flash, from its radio program in the broadcasting station WBMX, expanded the emergent sound beyond the scene of the clubs, making it come to a different and a wider public than it was coming to the temples of the nightlife of Chicago.

-The record label, Trax Records was the first one that specialized and bet clearly on the new sound that was revolutionizing everything. Chicago was representing what in its moment what jazz and blues meant for Memphis or New Orleans. A new and exciting age had begun inside the music of the 20th century. 

Later when the sound crossed the Atlantic Ocean in the direction of Europe, principally in the United Kingdom, house music reached its biggest popularity levels, creating a new culture concerning new musical styles that would come to remain in the music of the 20th and 21st centuries. 

But this is already another story.


PHASE 8 "Jack´s House"

My Release to oppening a new path to my life and project...

Set List:

Qubiko - Disco Connection (Lemin Glamour Mix)
KETTAMA & Interplanetary Criminal - Yosemite (Philip George Remix)
VITTO (UK) - Veins (Original Mix)
MANT ft Todd Edwards - Provenance
ZeeWAKE! - THING! (Original Mix)
Nyreau - How Your Body Feels (Original Mix)
Biscuits - Freak (Original Mix)
Fly Day China Town (STONSTERR Edit)
Romeo Louisa - Us (HZRX)
RUZE - Ain't Nobody 
Dimmish - Mr Liar (Original Mix)
Nesta - James Bande (Original Mix)
Columbo (Original Mix)
MPH - Horny (Original Mix)

Release ZeeWAKE! - Coffee and Latte SESSION (Dj Set - São Paulo - BRAZIL)

Uptown Habesha

TAXIBUGSY – Late Cab Rides #1
A cab ride after a night that changed everything.
House with soul and strength: deep, soulful, with gospel fragments and voices speaking of love, resistance, and hope.
119 → 125 BPM —not for resting, but for feeling alive.
Hints of disco, like flashes of light in the dark.
You can listen alone… but it hits deeper knowing others are feeling it too. 

TAXIBUGSY - "taxi home after the after hours" Late Cab Rides #1

For the 071 Tiger Tapes, we are honored to welcome @arianev

Ariane V is a selector on the rise. Igniting dancefloors across Europe, her reputation continues to gain prominence as her sound becomes ever-more assured. Whether dialing it up at peak-time with breaks and acid cuts, or locking in for a heads-down ride, Ariane’s selections are rooted in a deep sense of groove. Emotive house cuts give way to driving prog, punctuated by leftfield disco, glistening italo and big piano moments. It’s all laid down with a joyful appreciation of and profound connection to the music.

Speaking about her mix Ariane V says: “I went for lots of 80s inspired club tracks, plenty of acid, some jackin house, chicago house, and a couple tracks from my upcoming compilation on Nervous Records. Driving, mid tempo, where I feel the most comfortable”

Tiger Tapes 071 - Ariane V

In between snowboarding Whistler mountain this early January, I recorded a fun high energy disco house set while riding up in the Sea to Sky Gondola.  A blend of some my favourite reimagined classics, defected house bangers and soulful grooves to inspire your day.  And as always, keep the Fire Burning! 🪩🔥 

Track List: 
Jump to It - Aretha Franklin (Never Dulls Re-edit) 
Get on the Funk Train- Anané (Michael Gray Dub Mix) 
Boogie Oogie- Jay Murphy & Natalie Nova (Rob Hardt Boogie Remix 7 inch Edit) 
W#rk th@t B@dy - Funky French League (MonsieurWilly Edit) 
All Good?- Chaka Khan, De La Soul (Can7 Supermarket Remix) 
Most Precious Love- Blaze, Barbara Tucker, UDAUFL (Michael Gray Remix) 
Breathe- Blaze (Natasha Diggs Extended Remix) 
Get Another Love- Kathy Brown (Warren Clarke Club Mix) 
Get Back - Gledd 
Sickla Side Push Shuffle- Opolopo 
Good Things- Jay Vegas 
Keep the Fire Burning- Gwen McCrae (U.K. CLUB MIX) 
I want to see You Dance- AC Soul Symphony, Dave Lee 
This Place- Sean Mccabe, Glenn Underground 

RIP GWEN MCCRAE!!!

Aprés Mix: Disco & Soulful House

AndreasV - Dream Of Chicago (Original Mix)

LOVE HOUSE LIVE

0:00 — Gari Romalis – Free Yo Body (K’Car Mix)
6:05 — Gari Romalis – Masta Blasta (Original Mix)
12:18 — Gari Romalis – Muzic (Takes Me Where I Wanna Be)
18:42 — Gari Romalis – Psycho Deep (Original Mix)
24:55 — Gari Romalis – The Promise (Original Mix)
31:10 — Gari Romalis & Lello Di Franco – Metro Heat
37:32 — Harry Dennis & Ron Trent – B2 Black Magic Woman
44:08 — Karizma – Twyst This
50:21 — Luka & Anthony Nicholson – Night Glow
56:47 — G-Inc – Crown Heights Affair Dub
1:03:05 — Merlin Bobb & Franke Estevez Fuzion – A Couple…
1:09:18 — Mother Tongue – Message Is Love (Edit)
1:15:40 — Robert Hood – A.M. Track (M-Plant)
1:21:52 — Monobox – Film (M-Plant)

Groovement Inc — Underground Groove Theory From Deep House To Detroit Machines

We believe in myths, talent & humility.
We are a record label based in Hong Kong & a worldwide radio based in multiple countries, creating the link between Asia and the world.

Loran is an Austrian - Uruguayan DJ and guitarist born in Geneva, Switzerland and currently residing in Barcelona

He grew up listening to bands such as Pearl Jam, Soda Stereo, Pink Floyd, Radiohead, Dave Matthews Band, ACDC, Michael Jackson, Iron Maiden, Joy Division/ New Order, Led Zepellin, Jimi Hendrix to name a few. During the late 90s he started playing the guitar and exploring the club scene in Washington DC which paved the way for his passion for electronic music. He would become heavily influenced by the underground electronic scene during the early 2000s in Montevideo, Uruguay where his appetite for EDM was further cultivated thanks to the diverse selection of DJs and artists who performed at the renowned club Milenio. That passion would continue to grow as he continued to explore the underground club scene and electronic music festivals while living in Ottawa, Canada up until the late 2000s where upon moving to Buenos Aires, Argentina a whole new world opened up which allowed him to hone his taste for electronic music into Deep House, Progressive House and Melodic House. Since then he has participated in a wide range of electronic festivals throughout Argentina, Europe, North America and Uruguay and has performed live sets at private events. 

In 2018 he partnered with the highly acclaimed Uruguayan DJ Oscar Valdez who helped him cultivate a deeper understanding of DJing allowing him to post a wide variety of sets containing tracks produced by artists he supports today. During 2020 he has continued to expand his grip on electronic music and controllers by learning from the highly acclaimed Uruguayan DJ Alana Ley. 

He has been heavily influenced by DJs such as Sasha, Deep Dish, Steve Lawler, Paul van Dyk, Cid, Inc, Dmitry Molosh, Guy J, Hernan Cattaneo, Guy Gerber, Nick Warren, Fernando Ferreyra, Mark Alow, Lauren Lo Sung, Acid Paulie, Sartori and Berni Turletti.

After a few years of playing "dance music" at Clevelands best clubs I finally found my sound and its thick with classics... ive always been a purist as well as an originalist in anything Ive done so when i started digging through 90's & early 2000's house tracks I settled right in and havent looked back.  My love for late 80's hip hop married perfectly with my love for classic house so it feels good to really have a sound that expresses who I am versus just slinging tracks.  I play the type of music I truly love and I also work with 3 people that share my love and enthusiasm for real house music at Groovehaus where we feature the best in underground house music djs at our monthly party.  Ive had the honor of opening for legends and icons alike through Groovehaus including Derrick Carter, Mark Farina, Dj Dan, Gene Hunt, Gene Farris, Heather and Collette and other huge acts like Golf Clap and Chuck Daniels! 

** Voted Scene Magazine's BEST OF CLEVELAND 2013 "BEST HOUSE DJ" **

Residencies:

Groovehaus monthly's

I have been in the House Music scene for nearly six decades. My journey spans from dancer to blogger and currently DJ. I run a German-based radio show called Sounds from the Chi. I have a monthly show called Calling on House Heads on my Twitch channel.  I’ve been featured on various radio shows such as Our House Is Disco on 54House.fm in Germany; UICRadio.org in Chicago; HousWerk Mixshow KAOS Radio in Austin, TX; Groove Station on Housemusicradio.ca hosted by Jackman Jones in Toronto, Canada; and QSC Radio Show at WNUR 89.3 in Chicago.  I am currently involved in various Twitch Raid Trains.

You have seen me play at gigs like House on Paseo festival in September 2018 and at the former Mid Nightclub in early January 2019. In March 2019 I opened for Sugar Shack Family Reunion at Barcelona Nightclub in Austin, TX during the South by Southwest Festival. In June 2019, October 2019, September 2021, September 2022 and, May 2023 I played at various gigs and online Radio in Toronto, Ontario, Canada. In addition, I played in my city of Chicago on 2 occasions.  Chicago Meetup in Sept 2023 and recently at Replay in Lincoln Park on Feb 2024

You can find my live-stream shows on Twitch. My social media network includes Facebook, Instagram Twitter, and YouTube. 

You can listen to my mixes and recorded shows on Soundcloud. 
“House Music has been the love of my life. My goal is to give back what this music has given me by any means necessary.”

SOÜST explores advanced techno through an introspective lens: blending experimental electronic atmospheres with dark indie textures to create soundscapes that oscillate between the industrial and the emotional.

TAXIBUGSY emerges as its rhythmic counterpart: a new project dedicated to contemporary underground house, inspired by the legacy of New York and Chicago. Here, the essence of Black music is woven with precision—no obvious vocals, no embellishments—into deep basslines, organic percussion, and a functional groove that trusts the intelligence of the dancefloor.

Both stem from Jordi (Barcelona), a DJ with over twenty years behind the decks. For more than twelve of those years, he worked exclusively with vinyl, shaping his ear, his collection, and an approach to mixing where music always comes before gesture. His journey has taken him from underground clubs in Spain to recent sets in Costa Rica (as SOÜST).

Today, as always, he seeks the same thing: for music to happen without posturing, without vanity—only body and soul in a shared rhythm.

SOÜST explora el techno avanzado desde una mirada introspectiva: combina atmósferas electrónicas experimentales con texturas indie oscuras, construyendo paisajes sonoros que oscilan entre lo industrial y lo emocional.

TAXIBUGSY surge como su contrapunto rítmico: un nuevo proyecto dedicado al house underground contemporáneo, inspirado en la herencia de Nueva York y Chicago. Aquí, la esencia de la música negra se integra con precisión —sin voces evidentes, sin adornos—, tejida en bajos profundos, percusiones orgánicas y un groove funcional que confía en la inteligencia de la pista.

Ambos nacen de Jordi (Barcelona), DJ con más de veinte años tras los platos. Durante más de doce de ellos, trabajó exclusivamente con vinilos, lo que forjó su oído, su colección y una forma de mezclar en la que prima la música sobre el gesto. Su recorrido lo ha llevado desde los clubs underground de España hasta sets recientes en Costa Rica (como SOÜST).

Hoy, como siempre, busca lo mismo: que la música suceda sin postureos, sin vanidades — solo cuerpo y alma en un ritmo compartido.

SOÜST 以內省的視角探索先鋒 techno：將實驗性電子氛圍與暗黑獨立音色交融，構築出遊走於工業感與情感之間的聲景。

TAXIBUGSY 則是其節奏上的對照：一個全新項目，致力於當代地下 house，靈感源自紐約與芝加哥的音樂傳承。在這裡，黑人音樂的精髓被精準地編織進深沉的低音、有機的打擊節奏與功能性律動之中——無明顯人聲，無多餘裝飾，只信賴舞池的智慧。

兩個項目皆出自 Jordi（巴塞羅那），一位擁有二十多年打碟經驗的 DJ。其中十二年，他 exclusively 使用黑膠，這塑造了他的聽覺、他的收藏，以及一種「音樂重於姿態」的混音哲學。他的軌跡從西班牙地下俱樂部延伸至近期在哥斯達黎加的演出（以 SOÜST 名義）。

如今，一如往昔，他所追求的始終如一：讓音樂在無姿態、無虛榮中自然發生——唯有身心，共赴同一律動。

With 15 plus years behind the decks Premo has forged himself into a polished professional who is truly an unrecognized talent. 
His sessions can range for the dynamic to the eclectic but most especially and uniquely his signature style is funky grooves and dirty basslines. 
Premo currently is doing guest spots in all the major house music venues in NYC(Pacha NYC 10 YEAR Residency), Miami ,San Francisco & Worldwide! 
He has been blessed to share the decks with his friends and the likes of Erick Morillo, Harry ”Choo Choo” Romero, Steve Angello, Axwell , Roger Sanchez, Laidback Luke, Riva Starr,  Junior Sanchez, Robbie Rivera, Todd Gardner, Alexander Technique (dj's are not rockstars), Jorge Jamarillo (Who Da Funk) , Carl Kennedy, Oliver Twistz, Swanky Tunes, Bingo Players and Sarah Main (pacha ibiza). 
Currently he's in the studio cooking up his first major highly anticipated release...

Radio Documental "100 años de conexiones"
Radio Documentary "100 years of connections"
Investigador musical/ Escritor
Music Researcher/ Writer
Instagram @clickandcutproductions

Email to booking, remix, ep's request:
enzomullerbooking@gmail.com

Email to Promos:
enzomullerplaybpm@gmail.com

soulful introspection & jazzy progressions

💿Musician 💿Songwriter 💿Arranger 💿DJ

/ D I S C O   B O O G I E  
/ S O U L F U L  H O U S E 
/ N E O S O U L

New tracks tagged ##chicagohouse