Willkommen in der bedrückenden Welt von Scenes of Evergreen – einem düsteren Sci-Fi-Hörspiel über Menschen, die ihre Heimat aufgaben, um etwas zu finden, wofür es sich zu kämpfen lohnt.

Eine Gruppe von augmentierten Marines steigt aus ihren Stasekapseln, um den Menschen des Generationenschiffs Ark One den Weg in ihre neue Heimat zu bereiten.
Doch schon in den ersten Augenblicken des Erwachens spürt Anathena Hartley, dass etwas nicht stimmt. Dass da etwas ist, das nach ihr ruft und sie in Besitz nehmen will.

🎧 Komplett produziert mit Originalmusik, Sounddesign und Sprecherteam.
🎤 Teil des Deep Silence Project – unabhängiges Kreativkollektiv aus der Eifel.
🛰 Unterstütze uns über Patreon oder GoFundMe – Links in der Bio.

Triggerwarnung (optional, aber empfehlenswert bei ernsten Themen):
Enthält Szenen mit psychischer Belastung, Gewalt und dystopischer Thematik.

SoE 2

SoE 4

SoE 6

SoE 7

A song about connections that never really happen. Using electricity as a metaphor, this track explores emotional disconnection and the feeling of being isolated in a hyperconnected world.

it's a quiet scream a spark that wants to burn everything down just to start over.

Distorted vocals, heavy atmosphere, and lyrics filled with inner tension. For anyone who's ever felt out of place in a world that doesn't listen. 

Disconnected song

Xυβερνήτης the origin of cybernetics, the art/science of government, the study of complex systems and their management. The Steersman guides the system via a set of feedback control loops.


Cybernetics which we form from the Greek χυβερνήτης or steers-man.

https://ayermusic.band

Xυβερνήτης(Instrumental)

Motifs of control, mechanization, and loss of identity are characteristic of industrial-themed content.

Human After Ruin

Skaper - Override

Digital disorientation, static, techno-metaphors.

Skaper – Fade Into Noise

wanted to make a cyberpunk track that sounded like some MC comin outta watson with his ripper

NeckTech (cyberpunk)

I Really Want to Stay at Your House(Remix)

Descripcion (ESP)
"Global Destruction" es un viaje sonoro de alto voltaje donde lo mecánico y lo orgánico se entrelazan en un paisaje postapocalíptico. Con bajos contundentes, texturas futuristas y una narrativa intensa, este track fusiona la energía del bass music con la estética cyberpunk, llevando al oyente a un clímax de caos y belleza digital.

Description (EN)
"Global Destruction" is a high-voltage sonic journey where the mechanical and the organic intertwine within a post-apocalyptic landscape. With powerful basslines, futuristic textures, and an intense narrative, this track fuses the energy of bass music with a cyberpunk aesthetic, driving the listener into a climax of chaos and digital beauty.

AntiMateryX - Global Destruction - Feat. Zonestep (Original Mix)(148 Bpm)

Synth LMJO - Mars Dancer (on Spotify)

Synth LMJO - Implante (on Spotify)

Cyberpunk'd Tester

An industrial trap glitch: poisoned paradise, chants echo with cries, flowers of sound blooming in corrupted soil.

Three Bullet Theory

Malware in the Garden (interlude)

This track, "Fate", was recorded way back in 2006, and was an attempt at a dramatic sounding mid-tempo opening / closing theme. It was done with a trusty Yamaha QY70, with a little live tinkering added, but it was linked to the powerful Yamaha FS1r that I had at the time (and wish I still did). The drums are the main thing you hear from the QY in the track ... and I may have overdone those more than a little bit. 😅 The early to mid 00's was my first time using a PC to record. It had always tapes before.

The photo is one I took of some clouds when I was out West, with an added Sepia effect to make them look a bit more threatening. 

#SoundCloud ☁️

Fate

Fate 𓍯 (Yamaha QY70 Sequencer + Yamaha FS1r Midi Module, Recorded in 2006)

BL4CKCOD3

Wake the fuck up samurai its time to goon

Cyberpunk ahh beat

This is my first track!!
Hope you guys like this!!
track ID:
I really want to stay at your house - Rosa Walton
P.R.O.G - DubVision

Rosa Walton&DubVision - I Really Want To Stay At Your House X P.R.O.G(Mars & Loop mashup)

I create music for video games, but I also dive into different kinds of music like EDM or even lofi...always trying out new stuff, and I enjoy it!

Open for projects :)

Been making music just over a year.
Read the journey on my substack.

Tinkerer of many sounds, mostly just for fun. Player of many things, but a master of none.

Wacky Minds Team

Zonestep es el alter ego musical de Jorge Luis García, productor mexicano que explora las fronteras del psytrance, el glitch y el bass, construyendo un universo donde lo orgánico y lo cibernético conviven en perfecta tensión. Su sonido, inspirado por el twilight y el full-on night, combina líneas de bajo hipnóticas, percusiones incisivas y texturas alienígenas que emergen como señales de otro mundo.

Su misión es clara: llevar al oyente a un estado de euforia, confianza, unidad y amor, como si cada track fuera una dosis de energía pura capaz de sincronizar cuerpos y mentes en una misma frecuencia. Entre 142 y 150 BPM (y hasta 180 en su proyecto alterno, AntiMateryX), Zonestep crea experiencias que son tanto un viaje interno como un ritual colectivo.

Zonestep no es solo música: es un mensaje codificado desde otra dimensión, una invitación a romper la realidad y sumergirse en una danza infinita.
El viaje apenas comienza… bienvenido a la Zona.




Extended Bio (EN)
Zonestep is the musical alter ego of Jorge Luis García, a Mexican producer exploring the edges of psytrance, glitch, and bass, crafting a universe where the organic and the cybernetic coexist in perfect tension. His sound, inspired by twilight and full-on night psytrance, blends hypnotic basslines, sharp percussion, and alien textures that emerge like signals from another world.

His mission is clear: to take listeners to a state of euphoria, trust, unity, and love, as if each track were a pure dose of energy capable of synchronizing bodies and minds to the same frequency. Operating between 142 and 150 BPM (and up to 180 in his alternate project, AntiMateryX), Zonestep creates experiences that are both an inner journey and a collective ritual.

Zonestep is not just music: it’s an encrypted transmission from another dimension, an invitation to break reality and immerse yourself in infinite dance.
The journey has just begun… welcome to the Zone.

Other projects:
- AntiMateryX´ (the dark side of zonestep) - Twilight/Full on Night Dj Set & Dj Live Set - 148bpm-180bpm
- [No ID Artists] - Minimal Deep Tech / Dark Techno / Tech house Dj Set & dj Live Set - 125-135bpm

My DJ sets are on my MIXCLOUD
Here I post my own productions and WIPs.

¡Saiko y fuera!

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

Born in 1994 and enjoying music since childhood.   Always trying and experimenting new generes.  Hope you enjoy my music, cheers🍻!!

https://youtube.com/@mecoredas511?si=QCBzcWP2VEu7gY0-

AIGHT, everything I do is just fluid train of thought, just doin my thing, I’ll probably learn how to edit and mix at some point

New tracks tagged ##cyberpunk