2nd Nature

SISYPHOS[original Mix]

but… who is julie?!

2nd ANNUAL BATTLE OF THE DECADES: PCA for Life Raid Train is in the books.  Thank you Mr. LatinHouse for putting together another great event.  This is for a good cause so please click the link to donate: https://www.spotfund.com/prostatecancerawareness

2nd Annual PCA 4 Life Charity RT 5.31.25

Dandadan 2nd Season Opening OP (sped up)

ALERT! ALERT! IT'S AN N-VASION! A TRAGIC BREACH OH MY FUCKINIGIGN GODD THEYRE DESTROYING EVERYHTHING SOMEONEO NSTOIP THEMN THE WORLD WILL END  AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH NIGGA

N-VASION

In a music industry hellbent on algorithmic trends and hollow flexes, Lux Coven shows up like a ghost with perfect aim. His new track “The Tool That Talks” sounds like a blues preacher from the underworld stumbled into a trap house with a harmonica and a war journal. And here’s the catch: the voice you’re hearing isn’t even his.

Lux Coven is a songwriter first, and a visionary next-gen performer who uses AI vocal synthesis to bring his haunting stories to life. Not as a gimmick — but as a delivery system for songs too heavy for mainstream throats to carry. And when he does drop a full solo album using his real voice? You’ll already know the name.

🔫 Southern Sermons in a Chambered Round
“The Tool That Talks” isn’t just a clever title — it’s a philosophy. The lyrics grip like a revolver passed down through bloodlines: dusty, lawful, poetic, and dangerous. Lux doesn’t glorify violence. He interrogates it. Guns, in his hands, become characters — prophets, betrayers, relics.

“Gun ain’t evil, son / It’s a mirror made of fire”

That line could’ve been scrawled in the margins of scripture. What we’re witnessing is a songwriter reclaiming symbolism — not through cheap metaphors, but through generational memory. It’s hip-hop as oral history, country as battle cry, blues as psychic residue.

🎛️ The New Age Outlaw Sound
Produced like an old vinyl found in a forgotten armory, the track unfolds in 432 Hz with ambient gun clicks, steel guitar moans, harmonica bleed, and whispered tape hiss. The AI voice — tuned to Lux’s specifications — croons and growls like a ghost of Delta blues past merged with future tech.

This isn’t autotune. It’s artificial resurrection. A hologram of pain, powered by human scars.

“They all strapped up / So I keep mine close—
Ain’t no mercy / When the steel gets chose.”

The hook feels like it’s been echoing across southern backroads since Reconstruction. But it’s brand new — because Lux is writing the past forward.

🧠 33:64 — The Clock That Doesn’t Exist
The album art is a Haitian-style oil painting of a lawless western town. But look closer — you’ll spot a digital clock frozen at 33:64. An impossible time.

For Lux Coven fans, this is standard procedure. Nothing is literal. Every number is a cipher. Every visual a sigil. Every song a riddle wrapped in trauma, faith, and divine revenge. That time stamp is not a glitch — it’s a test. Do you see what time it really is?

🩸 AI Ain’t the Artist — It’s the Bullet
Some artists use AI as a shortcut. Lux uses it as a weapon. It’s the bullet. He’s the gun. Every line is loaded. Every vocal manipulation is intentional. And when the time comes for the real voice to step forward, the message will already be felt in the bones.

This isn’t a tech stunt. It’s a spiritual tactic.

“The devil fears the man / who’s got one bullet left / and still chooses when to pull.”

That bridge alone cements Lux as one of the most dangerous pens in music today — with or without a mic in hand.

👁 FINAL VERDICT
“The Tool That Talks” is a declaration of artistic war — not just against genre limitations, but against the cultural amnesia plaguing modern music. It’s soul. It’s survival. It’s prophecy delivered through an AI shell — until the real voice arrives to finish what’s been started.

Lux Coven isn’t playing with machines. He’s training them to speak truth.

And the industry? They’re about to find out what it means when the tool starts talking back.

THE TOOL THAT TALKS

5. ENDERMAN

Lyrics by Ezekiel
Prod by SOBI
Mix&Mastering by Ezekiel

(Hook)

Counting all my plans
But she tryna Overlook 
Shit through my Pain
so I’m blaming over System 
Make Hopeless
That freaking Nasty
Sorry Love
I Broke it all 
Hurt Her Heart
Hurt Her Heart
Teleporting now

(Verse)

They kill my friend on a Boat
도망쳐야만 했어 
넌 Respawn 하면 그만일텐데
난 그게 안 되서
오랜만에 봤는데 널
눈도 못 마주쳤어
미안해 I’m going far
이러다간 죽겠어
어디야 여긴 지옥
이제 벗어나야지
어디로 가야돼
많이 먼데 집
벗어나 다시 갇히길
반복
아니다 그냥 널 위해
항복
Oh
Fucking shit
No
감추고
Frighten
Pearl
어쩌다 이런건지
다시 돌아가도
똑같아 몇번을 돌아가봤거든

(Hook)

Counting all my plans
But she tryna Overlook 
Shit through my Pain
so I’m blaming over System 
Make Hopeless
That freaking Nasty
Sorry LOVE
I Broke it all 
Hurt Her Heart
Hurt Her Heart
Teleporting now

ENDERMAN

CRANK (tell'em version)

this song is a war crime, as well as a free DL

Skrillex & ISOxo - fuze (Dehm Flip)

https://soundcloud.com/guwazny
https://soundcloud.com/guwazny
https://soundcloud.com/guwazny

desanimei

Songwriter DUMBOUT MUSIC!!!!! .  FACKIN HIT THE PACKIE, ROLL A FATTIE, CHILL IN THA CAH, FISHBOWL THAT SUCKA BUMPING THE lUX cOVEN GUY AND FACKIN ZONE OUT. https://luxcoven.bandcamp.com/

@xsintashi Certified Leaker Archiver

Archived Artists:
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@usr0
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@plaguexiii
@eagerly
@autodecapitation
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@prodsky
@gummonster
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@largemilitaryforces
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we make absolute hot garbage, but you;ll never stop listenin... Our music expresses the hard parts about life, as well as the ones with action... Enjoy our Fire

I have been in the House Music scene for nearly six decades. My journey spans from dancer to blogger and currently DJ. I run a German-based radio show called Sounds from the Chi. I have a monthly show called Calling on House Heads on my Twitch channel.  I’ve been featured on various radio shows such as Our House Is Disco on 54House.fm in Germany; UICRadio.org in Chicago; HousWerk Mixshow KAOS Radio in Austin, TX; Groove Station on Housemusicradio.ca hosted by Jackman Jones in Toronto, Canada; and QSC Radio Show at WNUR 89.3 in Chicago.  I am currently involved in various Twitch Raid Trains.

You have seen me play at gigs like House on Paseo festival in September 2018 and at the former Mid Nightclub in early January 2019. In March 2019 I opened for Sugar Shack Family Reunion at Barcelona Nightclub in Austin, TX during the South by Southwest Festival. In June 2019, October 2019, September 2021, September 2022 and, May 2023 I played at various gigs and online Radio in Toronto, Ontario, Canada. In addition, I played in my city of Chicago on 2 occasions.  Chicago Meetup in Sept 2023 and recently at Replay in Lincoln Park on Feb 2024

You can find my live-stream shows on Twitch. My social media network includes Facebook, Instagram Twitter, and YouTube. 

You can listen to my mixes and recorded shows on Soundcloud. 
“House Music has been the love of my life. My goal is to give back what this music has given me by any means necessary.”

Dj/producer based in logroño,la rioja.
techno/hrdgroov
Raw/hypnotic
Vinyli
PPLAY//ASLEEP

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