Jensen Ackles and Steve Carlson's band 'Radio Company' making their debut in concert live from Analog in Nashville, Texas. 

I do not own this music, all tracks originated from this video: https://www.youtube.com/watch?v=InRZAOyrN0g

Debut Live Performance

Different Town (Cover)

A slow, atmospheric piano and vocal piece, Alcatraz drifts through themes of light and darkness, water and silence. Ethereal and introspective, the song evokes the vastness of the ocean and the fleeting nature of existence. With a haunting yet gentle melody, Alcatraz invites you into a world of reflection and mystery

Alcatraz

Rust & Shadows" is more than just an album, it's a journey through dimly lit bars, empty roads, and lost dreams. Each track carries the weight of time, echoing in the raw guitar slides, moody basslines, and soul-stirring vocals.

From whiskey-soaked regrets to midnight whispers, this collection of slow blues tells stories of love, loss, and the ghosts that never fade. Let the melodies sink in, and let the shadows speak.

Press play, close your eyes, and let the blues take over.

The River Knows My Name

Because This Moment Matters
You pulled off the road not to wait, but to witness.
This track is breath-as-sacrament. Stillness as clarity.


ID: 7d936eac-8e4c-49c6-bd85-3f1d638cf7b6

The Braid

Because This Moment Matters

✨ as you wish

Lightning In  a Jar

red road

In a music industry hellbent on algorithmic trends and hollow flexes, Lux Coven shows up like a ghost with perfect aim. His new track “The Tool That Talks” sounds like a blues preacher from the underworld stumbled into a trap house with a harmonica and a war journal. And here’s the catch: the voice you’re hearing isn’t even his.

Lux Coven is a songwriter first, and a visionary next-gen performer who uses AI vocal synthesis to bring his haunting stories to life. Not as a gimmick — but as a delivery system for songs too heavy for mainstream throats to carry. And when he does drop a full solo album using his real voice? You’ll already know the name.

🔫 Southern Sermons in a Chambered Round
“The Tool That Talks” isn’t just a clever title — it’s a philosophy. The lyrics grip like a revolver passed down through bloodlines: dusty, lawful, poetic, and dangerous. Lux doesn’t glorify violence. He interrogates it. Guns, in his hands, become characters — prophets, betrayers, relics.

“Gun ain’t evil, son / It’s a mirror made of fire”

That line could’ve been scrawled in the margins of scripture. What we’re witnessing is a songwriter reclaiming symbolism — not through cheap metaphors, but through generational memory. It’s hip-hop as oral history, country as battle cry, blues as psychic residue.

🎛️ The New Age Outlaw Sound
Produced like an old vinyl found in a forgotten armory, the track unfolds in 432 Hz with ambient gun clicks, steel guitar moans, harmonica bleed, and whispered tape hiss. The AI voice — tuned to Lux’s specifications — croons and growls like a ghost of Delta blues past merged with future tech.

This isn’t autotune. It’s artificial resurrection. A hologram of pain, powered by human scars.

“They all strapped up / So I keep mine close—
Ain’t no mercy / When the steel gets chose.”

The hook feels like it’s been echoing across southern backroads since Reconstruction. But it’s brand new — because Lux is writing the past forward.

🧠 33:64 — The Clock That Doesn’t Exist
The album art is a Haitian-style oil painting of a lawless western town. But look closer — you’ll spot a digital clock frozen at 33:64. An impossible time.

For Lux Coven fans, this is standard procedure. Nothing is literal. Every number is a cipher. Every visual a sigil. Every song a riddle wrapped in trauma, faith, and divine revenge. That time stamp is not a glitch — it’s a test. Do you see what time it really is?

🩸 AI Ain’t the Artist — It’s the Bullet
Some artists use AI as a shortcut. Lux uses it as a weapon. It’s the bullet. He’s the gun. Every line is loaded. Every vocal manipulation is intentional. And when the time comes for the real voice to step forward, the message will already be felt in the bones.

This isn’t a tech stunt. It’s a spiritual tactic.

“The devil fears the man / who’s got one bullet left / and still chooses when to pull.”

That bridge alone cements Lux as one of the most dangerous pens in music today — with or without a mic in hand.

👁 FINAL VERDICT
“The Tool That Talks” is a declaration of artistic war — not just against genre limitations, but against the cultural amnesia plaguing modern music. It’s soul. It’s survival. It’s prophecy delivered through an AI shell — until the real voice arrives to finish what’s been started.

Lux Coven isn’t playing with machines. He’s training them to speak truth.

And the industry? They’re about to find out what it means when the tool starts talking back.

THE TOOL THAT TALKS

On An Empty Downtown Street
(c) J. Murdock McInnes Vasey

[intro]

[instrumental]

On an empty downtown street
Moving slowly in the rain
The wipers swishing out a beat
The whole world is on retreat

A few more blocks and I'll be there
Why I'm going I don't care
I look up to the third floor
Do I dare, up to your door

[bridge]

I only want what I can't have
And what I have is of no use
Whatever dreams I may have had
Long ago they all went bad


[instrumental]

I don't even try to stop
And go by the parking lot
My hands shake, I grip the wheel
One more time around the block

Three times now, that's enough
Time to drive and keep on going
All I have is in this car
Up ahead they say it's snowing

[bridge]

I only want what I can't have
And what I have is of no use
Whatever dreams I may have had
Long ago they all went bad


[instrumental]

I only want what I can't have
And what I have is of no use
Whatever dreams I may have had
Long ago they all went bad

On an empty downtown street
Moving slowly in the rain
The wipers swishing out a beat
The whole world is on retreat

[instrumental]

[outro]

On an empty downtown  street (L1)

3178
 september is one of the most depressing months cause you can always see the twinges of death right around the way



days like in september

On The Shoulders Of Giants

Captain Stormalong

Wish It Was True

Thank You Guys! #SONGWRITER Lux Coven is a songwriter and creative visionary whose work blends raw storytelling, cinematic intensity, and forward-thinking innovation. Having sharpened his voice through years of writing, performing, and experimenting across genres, Lux Coven now channels his music through AI-assisted vocals — not as a replacement, but as a tool to bring his songs to life while he focuses on crafting, shaping, and selling music for a wider audience.

As an artist, Lux Coven represents growth, resilience, and reinvention. From his early days under the name Slipshred to his current evolution, he has embraced the power of technology without ever losing the authenticity of his message. His catalog reflects not only personal experience and hard-won perspective, but also a belief in music as a force that transcends boundaries.

With more than 80 tracks released and a vision that continues to expand, Lux Coven is both a songwriter for today and a voice for tomorrow — building a body of work that carries weight, meaning, and the unmistakable mark of an artist who refuses to stop growing.

THE TOOL THAT TALKS

Lux Coven

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