ꌚꁲꀯꌅꂑꄞꂑꀯꈼ

strangers

Put together and recorded in February 2025, finally decided to open up to public to have a listen.

Improvised session with tribal drums out of the Roland TR-8S and my Befaco eurorack case.  Playing out the  jam, the begins with a percolating Rings Percussive Bassline shimmering in sparkly delay. A droney waverly pitched synth  washed in reverb soon comes in and  then it's all topped off with a bit of Plinky Granular Mangling an Acoustic Guitar Sample awash in reverb.

Slow Chuggy BPM around 104 BPM I think it was.

Next thing you know, it's over.


Modular Grid Rack:
https://modulargrid.net/e/racks/view/2693310

Tribal Eurorack Jam

The pretzel, with its distinctive twisted shape, has been a beloved snack for centuries. Its unique form, often referred to as a “pretzel braid,” has deep historical and cultural significance. While pretzels are commonly associated with Germany, their origins trace back much further, with influences from religious traditions, European monastic life, and the evolution of baking techniques.

Early Beginnings in Monastic Traditions
The earliest known origins of the pretzel date back to European monasteries around the 6th or 7th century. It is believed that monks created the twisted shape as a symbol of arms crossed in prayer. These early pretzels were simple, made of flour and water, and often given as rewards to children who memorized their prayers. The three-hole design was thought to represent the Holy Trinity, further reinforcing its religious significance.

The Spread of Pretzel Culture Across Europe
As monastic traditions spread throughout medieval Europe, so did the practice of baking pretzels. They became popular in Germany, Austria, and Switzerland, where they evolved into more elaborate forms, including the braided variety. By the 12th century, pretzels had become a staple in German bakeries, and their shape was even incorporated into the coat of arms of many bakers’ guilds. The braided pretzel, in particular, became a symbol of prosperity and good fortune.

Influence of the Renaissance and Beyond
During the Renaissance, advancements in baking techniques led to the refinement of the pretzel’s texture and flavor. The use of lye, a key ingredient in modern pretzels, was discovered to enhance the golden-brown crust and crispiness. Braided pretzels became a more common sight, often served at royal feasts and celebrations. They remained a symbol of good luck and were sometimes used in wedding ceremonies to represent unity and an unbreakable bond.

The Journey to the New World
With European migration to North America in the 18th and 19th centuries, particularly by German immigrants known as the Pennsylvania Dutch, pretzels made their way across the Atlantic. These immigrants brought their baking traditions, including the art of twisting and braiding pretzels. Over time, the snack gained immense popularity in the United States, leading to the industrial production of pretzels in the 20th century. The braided pretzel, both in soft and hard varieties, became a staple in American snack culture.

Modern-Day Significance
Today, pretzels, including their braided variations, are enjoyed worldwide. They are no longer solely associated with religious or cultural symbolism but have become a beloved snack in many regions. Artisan bakers continue to craft hand-braided pretzels, keeping the tradition alive, while commercial manufacturers produce them in mass quantities for global consumption.

Though the origins of the pretzel braid may be rooted in history, its appeal remains timeless. Whether enjoyed as a street food in Bavaria, a festival treat in Philadelphia, or a gourmet delicacy in specialty bakeries, the braided pretzel continues to be a symbol of heritage, craftsmanship, and culinary delight.



The Origins of Pretzel Braids: A Historical Perspective

Shorty Told Me

One More Shot

You Know What I Need

No Puttin Down The Zip

Another beautiful day 
In this world 
Sometimes I'm single 
But I'm always alone 
Taking life step by step  
Like Sylvester stallone
Drove some hoopties,
Rather that than a loan 
I still pulled up 
Niggas pussy, talking wetter with their tools tucked 
How vulva?
Plus I'm sonic cause I got knucks 
Wrap you up like KuKlux and bagged lunch 
Notice how I level up, but don't brag much 
Always on my grind, call me Pac son 
Always humping a bad one, I packed some
No wonder why
I smell fine and taste sweet that's others words outside of mine 
I'm all that and a bag of Amanda bynes 
Sniff 
I'm too dope and you're a dope  
And there's the difference 
The life's suite no london Tipton 
the consequences of the right decisions 
Let's try some shrooms and find a new religion

Mind still open 
I keep hoping 
Love keeps flowin
My way 

Times slow motion 
I'm still blowing 
Everything's goin 
My way 

Mind still growing 
Can't be broken  
Love keeps flowin
My way 

Mode on purpose 
I'm still blowing 
Everything's goin 
My way 

It's all about the process like a lenny Larry cookie 
Never been a rookie
Shore do rock the mic like Snookie  
I do , and you still gone overlook me  
That's sick, achoo
You cannot get rid of me
Like Jordans sparks tattoo 
Noah's ark in the pussy
Imma give my twos 
Under God's supervision, we can be God's too, 
Empathys the remedy 
But lately I'm at odds too 
Been an odd dude 
And if you take that from me I'm through 
Transparent agendas
Capital and white supremacy 
Just like the pemdas
My Aunt Sally warned me bout all the settlers
White devils, liberals, and those who don't know better

Everything's Goin (my way) prod The Alchemist

From my YouTube Description:
Just a quick after work dub techno inspired jam. 

Practice Practice Practice... maybe I'll get enough skills to perform a live jam a set out in the wild again. Been a while since Phoenix Landing and Electric Highway live sets.

Setup is pretty straightforward here.
All Drums just 1 pattern on the TR-8S, a few faders nudged up/down to bring in the parts. Need to do more here with additional alt patterns and more probability to steps.

For the Synth lead, just running Braids through a Mosaic 1U filter and out to Sealegs for delay/verb. 
Braids is sequenced by TB-3PO hemisphere applet off an Ornaments & Crime (Phaserville Firmware of course). Some modulation of the VCA with Maths for that funky envelope groove and Ochd for subtle Braids Timbre / Color manipulation.

A little manual control of the TB-3P0 with the WMD 4TTEN for slight pitch and note density in the pattern.

Sounds pretty full with just these few modules and certainly could have continued evoloving the patch, but thought that this lil groove sounded cool enough as is and wanted to capture one performance.

Dub Techno - Edit

Hi! I am Eliana Smith a Snacks Industry Specialist and I have been working in this industry for the last 5 years. I am not the owner of the content which has been published here. This content is only for knowledge purposes. This content belongs to the respective owners and I do not hold any right to this content.

I like Underground Dance and Electronically Based Music, primarily. Located in Dobbs Ferry (prior, I lived NYC and Boston before that). I use a mix of Analog and Digital Hardware Devices from across the decades and of course anything I can load up inside of Ableton Live (whatever the current version is). 

Back in the 1990's I release a few track under the name Sedona (https://www.discogs.com/artist/16184-Sedona) with Dale Charles (https://soundcloud.com/compago) releasing work on Boston's OHM Recordings (https://www.discogs.com/label/36574-OHM-Recordings-2) and LA's Rampant Records (https://www.discogs.com/label/3435-Rampant).

Live DJ Sets Fridays 5-8 pm ET on twitch.tv/blancodisco

Always sincere. Mixtape in the works! 

SO/MONEY (2024)
https://youtu.be/rvu2zTkJy-w?si=SccGNq1WySzT0Zaj

CROWN X CAINE (2022)
https://youtu.be/D6BXJchmLqQ

Days In Daze (2020):
https://youtu.be/lge-fnl_k1o

Better Aborted (2016): https://death4thoughts.bandcamp.com/album/better-aborted

18:22 (2014): https://death4thoughts.bandcamp.com/album/18-22

Era of Harlequins (2013): https://www.datpiff.com/J-Fizzle-Era-Of-Harlequins-mixtape.503615.html

Peppermints and Lost Feelings (2012): https://www.datpiff.com/J-Fizzle-Peppermints-Lost-Feelings-mixtape.375931.html

Rapper || Recording Artist || Producer || 
 A1kushbro@gmail.com

New tracks tagged #BRAIDS