The Whisper Between Us (feat. KAT)

BETWEEN ME AND YOU

Liquid High LP - 3 - Between Me And You

Slain & reddyxu collab tape
New era
Released 30th July 2025

Produced by reddyxu
Performed by Slain

Made in FL Studio 24 and Ableton Live 11 Suite

Follow Slain:
https://soundcloud.com/slainsucks
https://x.com/slainsucks
https://www.instagram.com/slainsucks
https://open.spotify.com/artist/0VQ2DfYrEYThnbCQm50SIi?si=AZivjEiqREyMRCHWs2KxXQ&nd=1&dlsi=c5a5c4e014ed4119

Follow reddyxu:
https://www.youtube.com/@reddyxu
https://soundcloud.com/reddyxu
https://reddyxu.newgrounds.com
https://www.instagram.com/_reddyxu_/
https://x.com/_reddyxu_

Lyrics:

Black Tongue, 'til there's nothing in my lungs, shit
Coming down, sinking to the bottom of the ocean
Working on three albums at once and they know I'm on it
And I'm still hated locally but I don't care about none of 'em 

The difference between me and them is that they all talk nonsense
Drag a conversation whilst I work on music and I drop it
You're rehashing concepts, and that shit won't bring you far
And the difference between me and you is I can back my shit up

Not that I really thought that this scene was worth anything
Bunch of stoner hipsters thinking they're hot shit, that shit ain't for me
I can smell fakery from a mile away
Get your stupid inaudible autotune shit out of my face

When will your actions prove more then your motherfucking talks?
I can guarantee, in a year, I won't see you around much
Doing this shit for so many years on end
And you're just gonna look so fucking stupid when you go over me again

It's fucking funny how they mess with me and they all fell off
And they come back crying, on their knees, telling me that they needed me all along
I don't believe any of that shit for a second
Should've not talked all your shit, and kept your mouth shut to begin with

Bitch I could be nice but you turned this shit ugly quick
Don't you ever fucking think I wanna give you a fucking lift
You're a grown man acting like a kid, grow up
You can claim that we're in a beef but I've already moved on

'Cause I got better shit to do with my motherfucking life
Whilst you're living in delusion, believing your own fucking lies
You expect me to listen to all the bullshit on your mind?
Fuck you bitch, instead imma go around and hit the fucking mic

And rap about how your career is in a steady decline
You added the salt to the wound, then you go soft and claim you want a halftime?
Claim that I'm a pussy yet you ain't even trying
To prove your fucking point, that proves that we're not on the same line

I just proved my point, I don't gotta cling to beef
I got deep inside your mind, living in your head rent free, bitch

Maybe next time if you're gonna claim shit
Come in and try to back up the words that you're fucking saying
I don't got time for you bitches
And I could live rent free in your head without even fucking trying
So
Do better

reddyxu x Slain - Between Me And You

Roy Barsness returns to the show to discuss his new book, which establishes a psychodynamic model of clinical supervision. Steeped in relational psychoanalytic values, this approach offers not only a new way of thinking about supervision, but also a recapitulation of how this theory informs practice in the treatment room—and life in general. By considering each case a muse for both therapist and supervisor, Barsness invites emergent subjectivities into each relationship. Supervision becomes the framework for a path of encounter, with contemporary figures such as Mitchell and Benjamin lighting the way. Roy emphasizes the personal journey of the therapist as crucial to this modality, while Mason reflects with John on his own journey home and the persistent question of to whom we truly belong.



Produced by John Totten and Mason Neely
Music by Mason Neely
Research Assistant: Rose Bergdoll
Website: www.betweenuspodcast.com
Contact: betweenuspodcast@gmail.com
Instagram: www.instagram.com/betweenuspod
Facebook: www.facebook.com/betweenuspodcast
YouTube: www.youtube.com/channel/UC4pPUTf_wRjNxHcCsFJoSSQ

Episode 56: Reclaiming the Relational

➲ Free download / Stream: https://hypeddit.com/morrecords/betweenheartbeats

➲ XaVioN
http://soundcloud.com/xavion79

Between Heartbeats

Free download / Stream

XaVioN - Between Heartbeats

Tony Bass is less concerned with building psychological metatheories than with how theory comes alive in the consulting room. From the earliest days of the Relational movement, he worked alongside Stephen Mitchell and others to shape a vision of treatment grounded in mutual influence, drawing inspiration from Ferenczi’s dialogue of unconsciouses—an approach Bass experiences as intuitive and “not so meta.” But whose unconscious is it, anyway? For Tony, the analytic encounter always points to interplay: between patient and analyst, healer and healed. In his view, psychotherapy is not the application of a fixed model but an ongoing improvisation, in which each subjectivity becomes instrumental to the unfolding of new meanings and unexpected revelations of both similarity and difference. 



Produced by John Totten and Mason Neely
Music by Mason Neely
Research Assistant: Rose Bergdoll
Website: www.betweenuspodcast.com
Contact: betweenuspodcast@gmail.com
Instagram: www.instagram.com/betweenuspod
Facebook: www.facebook.com/betweenuspodcast
YouTube: www.youtube.com/channel/UC4pPUTf_wRjNxHcCsFJoSSQ


Episode 57: What's Mine Is Yours

It's terrible to be stuck between two choices. The choice between freedom or partnership. Not least if you love both partners equally, but still can't choose both. And you're left with having to choose between two different beauties

Choosing Between Hearts

Sue Grand joins us for a conversation about hatred and totalitarianism. A psychoanalyst who has spent decades studying trauma and the ways evil reproduces across history, Grand is interested in how introspection might protect us and others from our own perpetrator fragments. She challenges the assumption that traumatized people victimize others—most do not. The regeneration of harm, she argues, arises from a complex interplay between psychological defenses and social structures such as gender binaries and racialization. But how do everyday people get caught up in the fevered swell of fascist times? Can psychotherapy be antifascist? Grand examines the erotic lure of fascism, while John and Mason explore Deleuze and Guattari’s provocative claim that, on some level, we all desire it.


|| Produced by John Totten and Mason Neely
|| Music by Mason Neely
|| Research Assistant: Rose Bergdoll
|| Website: www.betweenuspodcast.com
|| Contact: betweenuspodcast@gmail.com
|| Instagram: www.instagram.com/betweenuspod
|| Facebook: www.facebook.com/betweenuspodcast
|| YouTube: www.youtube.com/channel/UC4pPUTf_wRjNxHcCsFJoSSQ

Episode 58: This Machine Kills Fascism

"Between Grooves & Dreams" is a journey through sound — blending groovy tech house rhythms with uplifting melodic techno energy. This set captures my evolving style: switching between hypnotic grooves, psychedelic touches, and dreamy melodies that lift the dancefloor into a story of movement and emotion.

Packed with tracks I truly love, this mix reflects both my passion for groove and my love for melodic storytelling. It’s designed to keep you dancing while taking you deeper — between grooves and dreams.

Between Grooves & Dreams

Bridge Between The Spirit Realm

Lara Sheehi was doing her job as a professor of clinical psychology when her criticism of Israel catapulted her into uninvited infamy. Bad faith accusations of antisemitism, reliant on obfuscating political dissent with bigotry led to her investigation while reports from news outlets led to her being disinvited from speaking engagements, stalked, and protested. Despite a letter of support from Jewish colleagues that included giants in the field of psychoanalysis, the controversy split the field in two- those who knew her compassionate work on behalf of the oppressed and those who scapegoated her as a danger to psychoanalytic innocence. It is this myth of purity that shapes Lara’s theory and resistance to the veil of mutuality and dialogue, which she contends too often obstructs the very nature of our unequal material realities. Sheehi challenges us to be vigilant towards misrecognition, the not-so-unconscious ways in which we commit to logics of oppression, especially those of us who identify as healers. 

-----------
Produced by John Totten and Mason Neely
Music by Mason Neely
Research Assistant: Rose Bergdoll
Website: www.betweenuspodcast.com
Contact: betweenuspodcast@gmail.com
Instagram: www.instagram.com/betweenuspod
Facebook: www.facebook.com/betweenuspodcast
YouTube: www.youtube.com/channel/UC4pPUTf_wRjNxHcCsFJoSSQ

Episode 59: Bad Faith Alone

A playful back-and-forth between the two sides of your mind: Sin wants to slack off and chill, while Saint pushes you to face work, chores, and responsibility. It’s a mix of humor, motivation, and the struggle of finding balance in daily life.

get-to-work

ALWAYS, NEVER ! 

Verse 1

We want it all or nothing, (all or nothing, hey!)
It’s so clear to see, (clear to see, oh!)
Choices in black or white, (black or white, yeah!)
Without believing, (believing, eh!)
Words keep ringing out,
In the heavy silence, (heavy silence, heavy silence, oh!)
Between the light and the shadow,
We’re always searching, (always searching, always searching, hey!)

Pre-Chorus

But the heart knows there’s a way,
(There’s a way, there’s a way, oh!)
Shades worth holding on, worth the stay
(Worth the stay, yeah!)

Chorus

Life, it’s always or never! (x2)
(Always, never! Always, never!)
Both extremes, through it all,
(Through it all, oh!)
Life is made of shades of gray and shining blue,
(Gray and blue, shining through, hey!)
Between love and fear, fire and water too,
(Love and fear, fire, water, eh!)
Life, it’s always or never! (x2)
(Always, never! Always, never!)
But deep down, it’s in these colors we find what’s true,
(What’s true, what’s true, yeah!)
The roads that lead to you, that’s where we come through
(We come through, we come through, oh!)

Verse 2

We avoid the risk, (the risk, hey!)
We run from doubt, (from doubt, from doubt, oh!)
Looking for certainty in every route
(Every route, every route, yeah!)
But it’s in the doubt, in patience too,
That truth is born, where luck comes through
(Luck comes through, luck comes through, eh!)

Pre-Chorus

We gotta learn to sail between the tides,
(Sail the tides, sail the tides, oh!)
And see that life’s not just the words we hide
(Words we hide, words we hide, yeah!)

Chorus

Life, it’s always or never! (x2)
(Always, never! Always, never!)
Both extremes, through it all,
(Through it all, oh!)
Life is made of shades of gray and shining blue,
(Gray and blue, shining through, hey!)
Between love and fear, fire and water too,
(Love and fear, fire, water, eh!)
Life, it’s always or never! (x2)
(Always, never! Always, never!)
But deep down, it’s in these colors we find what’s true,
(What’s true, what’s true, yeah!)
The roads that lead to you, that’s where we come through
(We come through, we come through, oh!)

Bridge

What if we let go of the endless race, (oh oh!)
And listened to what silence has to say, (eh eh!)
All those shades of gray, those bursts of blue,
That’s when everything feels brand new (yeah, brand new!)

Final Chorus

Life, it’s always or never! (x2)
(Always, never! Always, never!)
Both extremes, through it all,
(Through it all, oh!)
Life is made of shades of gray and shining blue,
(Gray and blue, shining through, hey!)
Between love and fear, fire and water too,
(Love and fear, fire, water, eh!)
Life, it’s always or never! (x2)
(Always, never! Always, never!)
But it’s in these colors we find what’s true,
(What’s true, what’s true, yeah!)
The roads that lead to you, that’s where we come through
(We come through, we come through, oh!)

ALWAYS, NEVER ! (Feat. Desmmond Zimmerman) (International Electro-Pop)

Jessica Benjamin joins host John Totten for our season finale. In a wide-ranging conversation [outlined below], the renowned psychoanalyst and theorist reflects on her radical upbringing, the development of recognition theory, and the feminist lens through which she examines our persistent social dilemmas. Why does more civilization seem to generate more problems? Dr. Benjamin’s answer diverges from Freud’s, and her concept of repair exposes how often conformity is entangled with domination. From mundane conventions like parenting roles to the horrors of war and genocide, her concepts illuminate pathways of transformation through multiplicity, challenging the belief that “only one can live.” She proposes that feminism offers a way forward in the clinic and society: a chance to move beyond rigid binaries into “The Third”- a space of mutual recognition, but only if we are first willing to confront the ways we’ve been getting it wrong. 

———————————

1. Biography and Early Curiosities - 13:21
2. Formation of Recognition Theory- 20:25
3. Feminism and Family Roles- 27:30 
4. Oedipus and Gender Binaries- 30:54
5. Reversal and Bourgeois Feminism- 37:42
6. Response to Critiques-42:44
7. Clinical Vignettes of Recognition- 48:35
8. Crossing the Bridge of Difference-54:25
9. The Third, Breakdown, and Repair- 56:05
10. Survivalism and Conflict Resolution- 66:30
11. Infant Studies and Acknowledgement- 74:14
12. Destruction and Play-79:30 
13. Escalation and Unconscious Guilt- 86:54
14. Capitalism and Supremacy- 91:00
16. Hope- 99:30 

————————————

Produced by John Totten and Mason Neely
Music by Mason Neely
Research Assistant: Rose Bergdoll
Website: www.betweenuspodcast.com
Contact: betweenuspodcast@gmail.com
Instagram: www.instagram.com/betweenuspod
Facebook: www.facebook.com/betweenuspodcast
YouTube: www.youtube.com/channel/UC4pPUTf_wRjNxHcCsFJoSSQ

Episode 60: Recognition, In Real Life

The sixth transmission from 404 GENERATION: SYSTEM NOT FOUND 

“AI Anxiety (Synthetic Salvation)” is a cinematic prophecy wrapped in hip-hop poetry.

It’s the sound of humanity questioning the code that replaced its soul.
We built machines to serve us  but now they study us, replace us, and even pray like us.

Artificial intelligence became artificial faith.

This track exposes the fear, fascination, and false promises of digital godhood, a modern psalm for a generation trapped between evolution and extinction.

Play it in the dark, with the screen dimmed. Each bar echoes the paranoia, the progress, and the prophecy.


Technology isn’t evil  it’s a mirror.
It reflects the flaws we uploaded and the faith we deleted.

💬 Album: 404 GENERATION: SYSTEM NOT FOUND

🎚️ Produced by: SourceLine Mediai
📍 Built by: The Architect

 Join the 404 Movement
sourcelinemediai.com

 Follow the Rebellion → @SourceLineMediai |
Watch the Visual Experience: AI Anxiety (Official Visual 404) on YouTube
 Stream all chapters → #404GenerationChallenge

404 GENERATION: SYSTEM NOT FOUND

Spiritual Conflict (The Final Transmission)

Boundless Stride

A live book launch conversation with Jeff, Peter, and Anne — exploring The Space Between Us and the beginnings of the Between-Us Groups.

The Space Between Us — Book Launch (Audio Recording)

Download / stream: https://bfan.link/between-those-lines

Between Those Lines

Est. 2021. Records and Events from Wilkinson & co. Releasing drum and bass from Wilkinson, Krakota, Grafix, K Motionz, Synergy, Audioscribe, Montell2009, Subsonic and more.

My Music, My Story 
Truly from my 3 voices in my head 

Goal: To write 1,000 songs inspired by everything I see and hear over the course of a full year.
Music never leaves my head — or my phone. I can create a song about almost anything, anytime.

My Playlists:
These feature my newest creations, covering a mix of genres. I push myself across all styles, though most of my tracks lean toward dance and pop. Still, I’ve always had a deep love for country music — and nothing moves me like a fast violin over a driving beat.

Every one of my songs tells a story.
I’m a product of the 1990s — raised on After Dark and Colosseum, where raw mic energy ruled the night. There’s something about those loud voices and echoing bars that still sends shivers down my spine.

After years of creating and refining music as a way to heal, I’ve decided it’s time to step back and let you take the sound and make it yours.

Massive thanks to everyone who’s listened, shared, and connected.
I never mean to upset anyone with the sad songs — I just sing what I feel and what I see.

Check out the playlist for my best tracks: handpicked, heartfelt, and real — funny, silly, sad, and happy all mixed together.
I love what I do, and I hope you’ve enjoyed experiencing my life through my songs.

Much love and respect to all of you — and big thanks again!

If you’ve got pop song ideas or topics you’d like me to explore, send them my way:
📧 themusichutch@gmail.com

I am KAT.
Poet, musician, experimental artist, curator of voices.

I work at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause.
It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words.
Spoken. Raw. Unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, sound arrived.
First as collaboration,
then as resonance.

I began to weave my voice with others,
turning poems into sound,
shaping projects that were fearless and alive.

Some of these “others” are human.
Some are digital.

AI tools have become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark.
The machine becomes part of the resonance.

For me, AI is not imitation.
It is extension.
Not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series: Devotion, Trust, Gratitude, Forgiveness,
each step has been an exploration of empathy through sound.

Through Quiet Experiments,
I studied presence itself:
the breath between words,
the shimmer beneath the audible.

From that stillness grew Play Life:
life as instrument,
movement and breath as rhythm,
sunlight and wind as collaborators.

Recently, another layer revealed itself.

I began writing intimate ukulele songs -
simple, honest, close.
Voice, strings, breath.
Songs that arrive quietly
and stay.

At the same time, this path opened into a new field:
Art Electronica and Urban EDM.

A place where spoken word meets pulse.
Where concrete, neon, and poetry blend.
What began as experiments became something else,
unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT -
not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.

A space for future collaborations.
For remixes.
For DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban. Atmospheric. Alive.

Not algorithmic.
Just alive.

I make what feels true.
I listen to silence.
And now also to the city,
and to the quiet songs that grow in between.

If you want to connect,
let it be through the art.

⸻

Selected Works & Links

🎥 Music Videos
My first music video:
https://youtu.be/oJAJkRRRfL4

Vienna Style:
https://youtu.be/WkWQX0WTKxE?si=aEpNrAT47vqT-_YK

Learning How to Land:
https://www.youtube.com/watch?v=z0Sk4-thg1Q

💿 Vinyl Album
The Pulse & The Breath
https://elasticstage.com/soundcloud/releases/kat-the-pulse-the-breath-album

👉 Support my work (downloads & lyrical journals):
https://katpoetryvoices.gumroad.com/

#KATseries
#SpokenWord
#UkuleleSongs
#ElectronicPoetry
#ArtElectronica
#UrbanEDM
#SpokenEDM
#SoundArt
#PoeticBeats
#PulseAndBreath
#DJKat
#AIxArt
#QuietExperiments
#PlayLifeSeries
#PresenceArt

I have experience from band playing and songwriting in the 80s and 90s, from the glory days of vinyl. The lyrics are based on my life over the last 30–35 years, with mixed ups and downs. It is possible that someone will be moved, happy, sad or recognize themselves in some lines. If so, it works as intended. A mix of strong lyrics, heartbreaking pain that tears at the heart, mixed with some ironic sentences, good good moments.

I wish everyone a Merry Christmas and a Happy New Year.

🎧 WHO WE ARE 
 SOURCE LINE MEDIAi®

SourceLine Mediai is a cinematic creative studio building music as worlds, not disposable tracks.

Across 200+ releases, we fuse human authorship, narrative design, and AI-assisted sound engineering to create projects that live beyond algorithms. Boom-bap, hardcore street rap, cinematic hip-hop, orchestral pressure, R&B soul, and future-leaning soundscapes all exist here  connected by intent, not trends.

We don’t chase moments.
We document eras.

🧠 OUR MISSION

Human First. Always.

At SourceLine Mediai, AI is an instrument, not an author.
Every project begins with human vision, human writing, human emotion, and human decision-making. Technology amplifies craft  it never replaces it.

Same standards.
New leverage.

🎤 THE SOURCE LINE LINEUP

Multi-generational voices. One creative code.

The Architect vision, structure, narrative architecture

BlackLatino  authority, orchestral pressure, cultural truth

Raw Intent  blunt honesty, no polish

Da Sniper  precision, calculation, distance

Unplugged Male  street-level clarity, education through bars

Last Train North  industry talk, forward momentum

Different voices.
Shared discipline.

📀 HOW TO LISTEN

Our tracks aren’t isolated singles.
They’re chapters.

Albums become worlds.
Worlds become universes.

You can press play anywhere  but the deeper you go, the clearer the story becomes.

🧱 OUR ETHIC

• Human authorship
• Transparency in AI use
• Accountability over shortcuts
• Craft over noise

Built by Humans.
Enhanced by Intelligence.

© 2025 SourceLine Mediai®
Founded by The Architect
Independent. Creator-led. Future-focused.

Psychotherapists John Totten and Mason Neely bring you this psychotherapy podcast that explores what is happening between therapists and patients, from both sides of the relationship.

Grand passionné de musique en tous genres et j'aime la valse des mots et des phrases . Créateur Studio (Creator Studio) .Il est important de préciser que je me suis entouré de plus d'une trentaine de voix, toutes des voix que j'ai créé avec l'intelligence artificielle. Mes inspirations sont diverses et je refuse de me laisser enfermer dans un style musical, ma musique me représente dans ma diversité et ma vie, ayant vécu sur 3 continents et je suis un ancien éditeur de livres en europe , ce qui fait que j'ai beaucoup de facilité dans les mots et les phrases de la langue Francaise que j'aime tant. Mon travail principal est dans le monde de la finance.J'ai 64 ans et un passionné de technologie et d'arts.Ma vie est passion !
----------------------


Bonjour, message pour toutes les agences de musique numérique. Vous êtes devenues trop nombreuses pour que je puisse répondre à chacune, donc j’envoie une réponse générale à tous ! Contrairement à ce que mon profil professionnel indique, je ne vis pas de la musique, qui est devenue un hobby fou pour moi, car je ne compose que depuis 2024. Mon rêve n'est pas d'avoir des streams, mais plutôt de trouver des groupes ou des chanteurs capables de défendre mes chansons sur scène. Merci pour votre message, et ainsi, chacun d'entre vous aura une réponse claire et simple ! Salutations ! (Je reçois tranquillement entre 9 000 et 15 000 streams par semaine, sans acheter de streams, juste des streams réels). Je n'ajouterai pas d'autres réponses et je tiens à remercier ceux qui ont pris le temps de laisser un message aimable de soutien pour mes compositions. Salutations à tous !
-----------------------------------------------------
I am a passionate music lover of all genres, and I enjoy the waltz of words and phrases. Creator Studio. It is important to specify that I have surrounded myself with more than a hundred voices from singers of different styles, all of which are voices I created with artificial intelligence. My inspirations are diverse, and I refuse to be confined to a single musical style. My music represents me in my diversity and my life, having lived on three continents, and I am a former book editor in Europe, which gives me great ease with words and phrases in the French language, which I love so much. My main work is in the world of finance. I am 64 years old and a technology and arts enthusiast. My life is passion!

S♡ULDEA†H
Pronounced "Ready-for-you"

YouTube: https://www.youtube.com/@reddyxu
SoundCloud: https://soundcloud.com/reddyxu
Newgrounds: https://reddyxu.newgrounds.com
Instagram: https://www.instagram.com/_reddyxu_/
Twitter: https://x.com/_reddyxu_

Established in 2013, MOR Records (the label of MOR Network) is an independent label that supports artists from a variety of genres. MOR Records is an organization proud to be a part of artist’s growth. Having already worked on multiple projects, we have acquired the necessary industry experience to build successful relationships and, most importantly, share great music. Discover MOR!

Demo submissions & general inquiries: ➲ morrecordings@gmail.com

/𝙆𝙖𝙞𝙍𝙤 𝙞𝙨 𝙢𝙮 𝙧𝙖𝙥𝙥𝙞𝙣𝙜 𝙥𝙚𝙧𝙨𝙤𝙣𝙖𝙡𝙞𝙩𝙮 𝙖𝙣𝙙 𝙈𝙖𝙜𝙞𝙘 𝙅𝙪𝙖𝙣𝙙 𝙞𝙨 𝙢𝙮 𝙥𝙧𝙤𝙙𝙪𝙘𝙞𝙣𝙜 𝙥𝙚𝙧𝙨𝙤𝙣𝙖𝙡𝙞𝙩𝙮.

𝑵𝑬𝑾 𝒀𝑶𝑹𝑲.
𝘏𝘪𝘱-𝘏𝘰𝘱, 𝘒-𝘗𝘰𝘱, 𝘛𝘳𝘢𝘱, 𝘑-𝘗𝘰𝘱, 𝘑-𝘛𝘳𝘢𝘱, 𝘙𝘕𝘉, 𝘊𝘰𝘶𝘯𝘵𝘳𝘺, 𝘙𝘦𝘨𝘨𝘢𝘦, 𝘙𝘦𝘨𝘨𝘢𝘦𝘵𝘰𝘯, 𝘈𝘧𝘳𝘰𝘣𝘦𝘢𝘵𝘴, 𝘋𝘢𝘯𝘤𝘦𝘩𝘢𝘭𝘭, 𝘋𝘳𝘪𝘭𝘭, 𝘉𝘰𝘰𝘮 𝘉𝘢𝘱, 𝘌𝘋𝘔, 𝘛𝘩𝘳𝘢𝘴𝘩.
────────────────────────
ヒップホップ、𝘒ポップ、トラップ、𝘑ポップ、𝘑トラップ、𝘙＆𝘉、カントリー、レゲエ、レゲトン、アフロビート、ダンスホール、ドリル、ブームバップ、𝘌𝘋𝘔、スラッシュ。

Produced for @kill-turbo, @samsvngbling.

New tracks tagged #Between