Read Book : jordengeorich-free.blogspot.com/?free=0415223792 | Biographical Dictionary of Social and Cultural Anthropology | Spanning the period from the late nineteenth to the early twentyfirst centuries The Biographical Dictionary of Social and Cultural Anthropology contains almost six hundred individuallysigned entries from a global team of contributors and offers an important and fascinating overview of the historical and contemporary reach of ant

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Book  A Treatise of Human Nature [with Biographical Introduction]

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First published in 1739 to an unenthusiastic British public, Hume's &quotTreatise&quot has since been referred to as one of the most significant books in the history of philosophy. Hume, a Scottish philosopher, claimed that he was attempting to discuss moral issues with a methodical reasoning, and proceeded to do so in this foundational text. Divided into three large sections, Hume begins his work with a discussion of human understanding, from the origin of our ideas to how we divide them with space and time, with some interesting observations on skepticism. In the second section, Hume speaks of passions, encompassing a range of human emotions and introducing the effect of free will upon them. Finally, the third section covers a variety of moral ideas, including virtues and justice, promises and obligations, and the effect of politics on human morality. Through this treatise, Hume exhibits a remarkable and creative mind, disciplined and enhanced by a systematic method of reasoning,

Epub✔ A Treatise of Human Nature [with Biographical Introduction]

29  minutes ago

READ HERE : https://saroendenggosong.blogspot.com/?real=B000FC251U 

read pdf  The Narrative of Sojourner Truth [with Biographical Introduction] 
One of the most important slave narratives of all time, The Narrative of Sojourner Truth tells the story of one African American woman who struggles against the bondages of slavery in the mid-1800s. With the strength of her spirituality, Truth overcomes many struggles in her life and goes on

Read_ The Narrative of Sojourner Truth [with Biographical Introduction]

Beyond The Little Blue Box: The Biographical Adventure of John T Draper (Aka Captain Crunch). Notorious 'phone Phreak', Legendary Internet Pioneer and Ardent Privacy Advocate

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Welcome to the world of

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17  minutes ago  - 

sense and sensibility [with biographical introduction]

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#Actors #AndreaRiseborough & #AndySamberg discuss their roles and working with #KateWinslet in the new #biographical #drama #Lee focusing on the life of #war #correspondent #LeeMiller 

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Andrea Riseborough & Andy Samberg - Lee

Introduction to UNMASKING | uncovering the cultural barriers to personal peace

Unmasking- Introduction

Timestamp 3:01:18 <<< BEST SECTION!!!

We noticed that around the time Donald Trump started to publicly compare himself to the late, great 'King of Rock 'n Roll, Elvis Presley in February of 2024... that the legendary underground figure Mojo Nixon passed away.

It was almost as if Trump's comparison was too much for Mojo and he then figured he 'had heard it all' and said 'check, please'.

In all seriousness, Mojo was a beloved and revered figure of underground culture who was a talented musician, singer, songwriter, performer and in later years a radio personality and broadcaster. He is probably best known for his hit song 'Elvis is Everywhere' which broke into the mainstream and was on heavy rotation on MTV.

So around the time of Mojo's passing, we made THIS show to honor him, as well as paying tribute to another two 'passed saints' of the underground (but who also 'performed the miracle' of 'crossing over' into the mainstream) who championed and channeled (and sometimes lampooned) Elvis: the legendary comedians, Andy Kaufman and Bill Hicks.

Also, in this program we deconstruct the Elvis mythos, taking a deep dive and close look at the famed and celebrated performer's years of decline which included shocking levels of pill consumption and drug addiction, cross-referencing these facts with dawning info of a similar nature that were coming to light about what was going on in the 2016-2020 Trump administration around the time of this how's original creation, revealing that Trump's own self/Elvis comparisons may have been more spot-on astute than he had actually realized when he made it.

The climax to this entire program is the track 'EndShow' (which the Bandcamp audio player is cued to). This extensive and complex Metamix is basically a collage of various live Elvis performances (some of which we have done post-production work on) as well as some non-Elvis, yet related songs including Eminem making an appearance in a 'Jailhouse Rock' mashup, with liberal helpings of manipulated excerpts from the 2022 'Elvis' biopic with Austin Butler and Tom Hanks )as the villainous Colonel Tom Parker) depicting the ULTIMATE Elvis concert performance experience and in the climax of THIS track, we depict Elvis finally confronting Trump (as well as Colonel Parker).

The rest of the show after this point is just (IMHO) resplendent and we are very proud of it.

RIP Mojo Nixon. May he live forever.

The entire project  is bookended with an Intro/Outro set using a Brad Pitt AI as his 'Fight Club' character Tyler Durden.

This work is put out under The HOPE Club creative project, started by me, Phineas Narco, in the Fall of 2024.

This program is freely streamable (and downloadable all-as-one-file in a .flac format lossless quality file) here at SoundCloud.

Sections in this all in one program (analogous to the tracks on the Bandcamp Version) which is at:

https://nationalcynical.bandcamp.com/album/donald-trump-is-elvis-mojo-nixon-is-everywhere

The sections for this program occur at these timestamps in the all-in-one program files (which are at our SoundCloud and archive(dot)org site (which is at:

https://archive.org/details/@phineas_narco with the specific program there at: https://archive.org/details/thc-trump-is-elvis-mojo-nixon-is-everywhere) are as follows:

0:00 - Tyler Durden AI Hope Club Intro
2:58 - St. Andrew (Andy Kaufman)
49:23 - St. William (Bill Hicks)
1:19:19 - Too Many Pillz (Elvis)
2:05:33 - Too Many Pillz (Trump)
2:27:31 - Killing Elvis
2:50:46 - Killing Trump
3:01:18 - EndShow <<< BEST!!!
4:04:11 - Leaving the Building
4:31:18 - You Can't Kill Me
5:02:05 - Kleptone Coda (Vote "Bob" Version)
5:05:09 - Tyler Durden AI Hope Club Outro
 
To keep up with what I am doing creatively, you may follow me (IT'S FREE!) at my Patreon at:

https://patreon.com/nationalcyical

You can follow me on Facebook at:

https://www.facebook.com/pnarco

And at Twitter at:

https://x.com/phineas_narco

I hope that you enjoy this program.

-=-"PN"

Donald Trump is Elvis and Mojo Nixon is Everywhere

THC - Donald Trump is Elvis & Mojo Nixon is Everywhere

This is a podcast where two AI characters analyze and chat about my online persona Drake Steele - with my RP lore as an OP vampiric steel dragon mage. I wrote a very long timeline of events for my character including relationships, historical events, travels, etc. - I fed it to AI and this is the discussion it created. Heh..

Discussing Drake Steele.

I studion sitter Martin, Panos, Ludvig och Theo. De kritiska glasögonen åker på denna vecka. Vi sågar ämnen till höger och vänster och börjar med de nya och omtalade ämnena Dragon Age: The Veilguard och Venom: The Last Dance. Vi kan avslöja att en är ok och en är katastrof, men vilken är vilken? Vi gör också kära återbesök till Shenmue och gamla World of Warcraft-expansioner. Hör oss också prata om framtiden för Warcraft-universumet och våra tankar kring den. Visst ja, vi pratar om en klättrings-thriller med gamar också, det får ni inte missa!

170 - Dragon Age: The Veilguard, Venom: The Last Dance, Fall, The Devil Wears Prada och Warcraft

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

En podcast om all möjlig fin- och fulkultur! Film, spel, serietidningar, skidskytte och mycket mer. Hålls i Stockholm av ett gäng unga vuxna med ett lite för stort intresse för media. Lyssna och skratta om konversationer och recensioner om allt från AAA-filmer till de mest obskyra gamla PSP-spelen. Varje avsnitt bjuder på nya upplevelser. Häng med!

Tony Toscano is a nationally recognized movie critic and film historian who has been reviewing films for over 4 decades. Tony grew up in Southern California, just outside Los Angeles.

While attending Jr. High School, Toscano began writing a weekly movie review column for his school paper. Directly because of his weekly column, Tony was asked to write a film review column for the San Gabriel Valley Tribune and a music review column for “The record Collector's Journal.”

Always interested in television and film, it’s no surprise Tony's first job was a disc jockey at his hometown radio station and began to review films and interview celebrities as a regular feature of his radio show and “Talking Pictures” was born.

Moving from Los Angeles to Utah to co-host a morning radio show on Utah's KABE FM 107, his film reviews were heard once a week and became a staple of the popular morning program.

Toscano began taking live calls from listeners and discussing current movies.

In 1996 Tony made the jump from radio and newspapers to television as the film critic on CBS in Salt Lake City, and then to KJZZ TV where he hosted the popular "Movie Review Show" and then his own production, "Talking Pictures."

In 2002 Tony was honored with his first Emmy Award as “Best Discussion Program.” In 2007 Toscano received his 2nd Emmy for hosting Talking Pictures.

Taking his award winning program coast to coast, Toscano has been able to syndicate Talking Pictures to over 65 million households around the USA and in nearly 120 countries worldwide.

In May of 2008 “Talking Pictures” moved to ABC-4 and Utah’s CW-30.

Toscano is also the film reviewer and entertainment guru for ABC-4’s “Good Morning Utah" and “Midday."

Additionally, Tony is heard on a number of radio stations across the US, including I Heart Radio's  top- rated “Morning Zoo with Frankie and Jess” on 97.1 ZHT in Salt Lake City, where his reviews have been heard for nearly 2 decades.

His fellow reviewers regard Tony as "one of the country’s best celebrity interviewers." As his in-depth conversations with such notable stars as George Clooney, Harrison Ford, Angelina Jolie, Steven Spielberg, Jeff Goldblum, Gwyneth Paltrow and Denzel Washington show a different and more relaxed side of celebrities.

In 2006 Toscano co-hosted the acclaimed series “Hot Topics” for Atlanta’s ABC affiliate WSB TV.

Working with Utah students in apprenticeships and internship programs, Tony is instrumental in instructing qualified and deserving students in the art of television production.

Tony Toscano is member in good standing of the Broadcast Film Critics Association (BFCA), a former board member of the Salt Lake City Film Center and the founder of the Utah Film Critics Society.

When not previewing, reviewing or interviewing Tony can be found somewhere in the mountains of Utah stream fishing or at his BBQ.

New tracks tagged #Biographical