The Journey Home

Intro

The Wake

Countdown to Kate

Not Again

Every once in a while, I start with an idea with no clear vision of where the music should go. "The Red Forest" was definitely one of those tracks. I began with just a simple string texture and some somber double bass notes, but had zero clue where it would go or end up.

In the process of experimenting and trying out different ideas, a story started forming. It's like reading a book while writing it at the same time - that feeling of "I wonder where this will take me" as I try different things.  For me, that's what makes composing so exciting. I sometimes start somewhere, follow my instincts, and end up with something completely different from where I started.

Thanks to Zach Heyde for helping me figure out what to do with the percussion.

The Red Forest

A melancholic and slow composition for piano and strings.
As with my recent pieces, I drew inspiration from Japanese composers.

Art by :
https://www.artstation.com/nimsoc

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

A Path Through Memories

The Secrets of the Wandering Hollows

A piece of symphonic rock song featuring virtual singer, HXVOC


Redemption

A piece inspired by the atmosphere of Vinland Saga, The Elder Scrolls games, and The Lord of the Rings.

Instruments :

Flute --- VWinds Flutes

Piano --- CinePiano
Harps --- CineHarps

Horns --- Cinematic Studio Brass

Percs --- CinePerc

Choir --- Audio Imperia Chorus

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Tales from the North

A fantasy piece in which the choir plays the leading role. I was mainly inspired by film and game music.

Instruments :

Flute --- VWinds Flutes
Clarinet --- VWinds Clarinets
Bassoons --- VWinds Double Reeds

Horns --- The French Horn by Samplemodeling
Tenor & Bass Trombones --- The Trombone by Samplemodeling
Tuba --- The Tuba by Samplemodeling

Percs --- CinePerc

Harps --- CineHarps

Choir --- Audio Imperia Chorus

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

Ambient pads

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

When the Spirits Rise

A medieval piece featuring a solo soprano and violin, used to test my reverb.

Instruments :

Solo soprano --- Voxos

Violin --- Cinematic Studio Solo Strings

Ambient pads

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

A Fallen Kingdom

W czasie dyktatury wojskowej w Argentynie, trwającej od 1976 do 1983  roku, tysiące ludzi znikało bez śladu - byli porywani, torturowani i  zabijani potajemnie przez reżim. Władze nie dawały żadnych odpowiedzi, a strach paraliżował całe społeczeństwo. Wśród tych, którzy zniknęli,  byli synowie i córki - młodzi, pełni życia, czasem wystarczyło, że  należeli do związku zawodowego albo wypowiedzieli się krytycznie. W  odpowiedzi na milczenie i okrucieństwo, w kwietniu 1977 roku, garstka matek zaczęła spotykać się w ciszy na Placu Majowym w Buenos Aires.  Nosiły białe chustki - symbol macierzyństwa i niewinności ich dzieci.  Ich marsz w kółko był jak modlitwa i krzyk zarazem - nie mieli broni,  tylko miłość i determinację. Reżim próbował je uciszyć, niektóre z nich zginęły, ale ich siła poruszyła sumienia całego świata. Po latach, gdy  dyktatura upadła, nie zniknęły - nadal walczą o prawdę, o imiona, o  godność zaginionych. Od 45 lat, w każdy czwartek, nadal spotykają się na Placu Majowym.

Ta historia zainspirowała mnie do stworzenia tego utworu.

Matki z Placu de Mayo

A piece inspired by the atmosphere of various fantasy films and games, such as "The Lord of the Rings" and "God of War".

Instruments :

Flute --- VWinds Flutes
Oboe --- VWinds Oboes
Clarinet --- VWinds Clarinets
Bassoon --- VWinds Bassoons

Horns --- The French Horn by Samplemodeling
Tenor Trombones --- The Trombone by Samplemodeling
Tuba --- The Tuba by Samplemodeling

Harps --- CineHarps

Timpani & Bass Drum --- CinePerc

Choir --- Audio Imperia Chorus

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

The Bridge of the Elders

Jutro będzie spokojnie

A piece for strings, featuring lush chords and inspired by Joe Hisaishi.

Instruments :

Harp --- The Free Orchestra

Tam Tam --- Cineperc

Strings --- Cinematic Studio Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

A bad omen

A cinematic orchestral piece, and I’m very satisfied with how the orchestration turned out!

Instruments :

Piccolo & Flutes --- VWinds Flutes
Clarinets --- VWinds Double reeds
Bassoons --- VWinds Double reeds

Horns --- Samplemodeling horn

Trumpets --- Samplemodeling trumpet
Trombones --- Samplemodeling trombone
Tuba --- Samplemodeling tuba

Percs --- CinePerc

Harp --- The Free Orchestra

Strings --- Cinematic Studio Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Army of the Fallen Realm

Hi, I'm a french composer from Nantes, I compose mostly with classical instruments. I like contemporary, modern classical, videogames and films music.
I work on several games :

- Pokémon Gemme
- The Depths
- Imperial Grace
- Other games made during a GameJams

Bonjour, je suis un compositeur de Nantes. Je compose principalement avec des instruments classiques. J'aime la musique classique moderne, contemporaine, les musiques de jeux vidéos et de films.
J'ai fait plusieurs compositions pour des jeux :

-  Pokémon Gemme
- The Depths
- Imperial Grace
- Des jeux faits lors de GameJams

British composer and sound designer living in Latvia. Sveiki!

I’m a composer based in Chicago, and for as long as I can remember, storytelling has been a part of who I am. When I was a kid, I used to turn my bedroom into a spaceship set and film little sci-fi scenes with two VCRs I borrowed from my dad. I didn’t know what I was doing, but I knew how it made me feel. Even back then, I imagined the music behind everything I created.

That never went away.
If anything, it grew.

Today, I write cinematic orchestral music that’s driven by emotion and atmosphere - the kind of music that feels like it belongs to a story, even if the story only exists in your imagination. I’m inspired by composers like Bear McCreary, John Williams, Gareth Coker, Stephen Barton, Joris de Man… people whose work doesn’t just support a scene, but actually becomes part of its heartbeat.

My music tends to live in that space between quiet reflection and something much larger - moments of isolation, wonder, awe, tension, and the things we carry with us when no one else is around. I write as if I’m scoring scenes from a movie that hasn’t been filmed yet, letting the emotion lead the way.

Some of my work is big and conceptual, like Survivor, which follows a lone astronaut through fear, discovery, and the unknown. Other pieces are smaller, inspired by memories, personal moments, or just the feeling of something unresolved that needed a place to land. No matter the scale, I try to make everything honest - something that feels lived in and real.

If you’re here listening to my music, I genuinely appreciate it.
I hope it takes you somewhere meaningful…
or helps you feel something you didn’t have words for.

New tracks tagged #Cinematic studio strings