This mixtape is the musical embodiment of doing whatever it is you want to do, being true to yourself no matter what happens. A mixture of songs from all sorts of styles in Hip-hop. This mixtape was arranged, written, and performed by SF NOLY. Enjoy

MMM YEA

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Ghost

OOO WTF?!?

A song about finally and suddenly "Breaking through" the walls, chains, and bars of all the things that have kept you captive in life with your inner and outer enemy.

Breakthrough - Steve Harmony (Prod By Jazen Fresh)

An aggressive and energetic trap beat. Confrontational or mysterious. Ideal for intense delivery or visual storytelling with tension.

This beat would work well for showcase reels, especially high-impact or urban/street-themed visuals, freestyle videos or battle-style lyrical content, intros for gaming or edgy content creators, soundtrack for fast-paced scenes (chases, training montages, etc.).

How So?

Calalga Beats delivers "I am," a compelling synth-pop track told from the perspective of the woman in a famous pop narrative, often interpreted as a response to Michael Jackson's "Billie Jean." Driven by pulsing 80s synths, a driving beat, and emotional male vocals, the song tells the other side of the story: asserting the truth, acknowledging a shared past, and pleading for healing and responsibility for the sake of a child. A powerful musical narrative tackling denial, legacy, and the undeniable truth written in a child's eyes. #SynthPop #Electropop #AnswerSong #BillieJean #80sRevival #CalalgaBeats #NarrativePop #Truth

I am

(Verse 1 - Rich Lanski)
Still gotta mess with the pain,
Still gotta mess with the pain—Kurt Cobain.
Y’all don’t know what I been through,
When you try and make a change, they don’t wanna know your name.
But for real, it could all be so simple,
It'll never be the same.
Just want my slice of the pie, nah—end up like Kimbo,
Gotta pull out from limbo, whole lotta info.
Got a soul I can pimp though,
If you leave, you can leave me,
You can go where the wind blow.

(Pre-Chorus - Rich Lanski)
Got me high right now, really calm down now,
They really love fuckin’ with my tempo.
Rest in peace to my kinfolk, can’t say nothin’ else though,
But it’s def to the death, and it’s fuckin’ with my health though.
Let’s go...

(Chorus - Rich & Clelia)
Yaaa yyyyyaaaaaaa ayyyaaaaaa yyaaaa ayaaaaaa
(Fuckin’ with my health, and it’s def outta the def, and it’s fuckin’ with my health though.)
Yeah, I just want my slice of the pie or end up like Kimbo.

(Verse 2 - Clelia)
Deep-seat sorrow, baby,
The ones you have today—you can’t borrow tomorrow.
The force of fear and the hour so clear,
And the power of love...

(Bridge - Clelia)
Everything will be okay—can you feel it?
Oh now, I can, I can, I can, I can.
(I just want my slice of the pie or I end up like Kimbo.)
Still gotta mess with the pain, Kurt Cobain.
Oh, I do now, I do, I do, I know...
Still gotta mess with the pain, Kurt Cobain.

(Bridge - Clelia)
Real eyes realize real lies, that’s what they tell me.
Real eyes realize real lies, that’s what they tell me.
I don’t know what you want from me,
I know I’m going in circles.
I just wanted you to love me, love me for who I am...
Who I am... who I am...

(Outro - Clelia)
(Interwoven, rock the boat—don’t tip it over.)
Seize the lies, see the lies—to walk away.
Keep you satisfied and fever-like.
Is this a wake-up? When I luck you down...
If you walk away, could you have a second chance?
It’s the devil we both knew.
Grace through the will, through the journey of the shadow of loss,
Can you get me higher on the bedrock...


Rich Lanski, Jayce Janae, Clelia Sheppard, South African Producer

The Veil

Cold silence, forced distance. No Visits is a hard techno testimony shaped by absence, injustice, and inner rage. Its pounding kick, distorted textures, and relentless rhythm echo the pain of being cut off—from truth, from love, from your own blood. This is not just a track—it’s a cry in the dark rave, where sound becomes memory and beat becomes resistance.

✦ Genres: Hard Techno · Industrial Techno · Emotional Rave · Dark Electronic
✦ Moods: Angry · Isolated · Powerful · Heavy · Emotional · Confrontational · Haunting
✦ Tempo: 134 BPM
✦ Best for: emotional peaks in DJ sets · cathartic raves · post-apocalyptic visuals · warehouse moments with depth

🎚 Produced by Chris Engelbert
📍 A track born from personal injustice. For those denied presence, but never silenced.

"They took away the visits. So I made noise they couldn’t ignore."
#HardTechno #EmotionalTechno #NoVisits #ChrisEngelbert #UndergroundRave #DarkBeat #WarehouseMusic #FamilySeparation #SoundAsProtest #134BPM #IndustrialPulse




No visits

Forget all the sappy tearjerkers. This is a fearless,genre-bending banger that amplifies the chaos and intensity of punk for a new era.

Stop Government interference

Blake Judd's home mixes of the "Blight Privilege' LP, 2024, prior to sending it to Ken Sorceron for mixing at his professional studio (with his professional skill set applied).   Blake Judd engineered the majority of 'Blight Privilege' and tracked all his guitars, bass, synths and vocals by himself, edited them and prepped the stems for proper mixing (as he's untrained in this area of recording at this stage in the game).  However, that didn't stop him  from making his own reference mixes for Ken to use as a guide of what the band wanted it to sound like in terms of where everything sat within the mix, vocal effects, etc.   

Quite remarkable what a difference some of the tracks have.   We hear this (as the band), as the more feral and honest sounding of the two versions.   No disrespect to the actual albums mix, this was a standard set by prior Nachtmystium recordings that we were expected to live up to.  However, being fans of raw black metal our entire lives more or less, we felt it necessary to put this out for fans and as a testament to the first album in 25 years that Blake Judd engineered and recorded 90% of entirely alone.   

https://nachtmystium.band to purchase a digital download ($5!) or a cassette (available soon)

Broke Privilege: The House in the Desert Mixes

Survivor's Remorse (Blake Judd mix)

Buy digital

1 - Survivors Remorse

Broke Privilege: The House in the Desert MIxes

The Arduous March (Blake Judd mix)

6 - The Arduous March

Conquistador (Blake Judd mix)

4 - Conquistador

A furious bluegrass-punk breakup rant with banjo fire and no patience for silence. Loud, fast, and delightfully petty.

Ghostin' is for Pussies

License/Purchase

Ghostin’ is for P***ies (Bluegrass/Punk)

With a melodic snarl and driving guitars, the male-led “Mercy Twice” delivers justice with hooks and heat. Equal parts alt-rock and poetic takedown, it hits hard and fast.

Mercy Twice (Male Post-Punk)

🔥 He built dynasties. He broke rules. But he ain't the ghost.
🏀 Three legends. One throne. The case is closed.

GOAT ALONE delivers a blistering final word in the greatest debate in basketball history. Set over a menacing trap/drill beat, this lyrical sledgehammer dissects the legacies of LeBron, Kobe, and Jordan — then cements the crown with six rings of cold truth. The flow is sharp, the punches personal, and the message unmistakable: this isn’t about hype, it’s about legacy.

With cinematic samples (court squeaks, buzzer echoes, record scratches) layered into hard-hitting 808s and reverse piano loops, the track feels like the soundtrack to a verbal knockout. Perfect for hoopers, hip-hop heads, and anyone tired of the noise — this is the final argument, signed, sealed, and scorched into history.

Fans of Drake, J. Cole, Joyner Lucas, and Denzel Curry will love the fusion of lyrical venom and viral momentum.

GOAT ALONE

We are communally linked in complicated ways that involve the rules and regulations of empathy, whether everyone likes it or not.

The House of Rising Charity

Just another freestyle I cooked up. This one is pretty raw I hope you like it. I had a lot of fun with this one. Non-for-profit.

March of One

Welcome to "Kiss Kiss, Bitch!" – a boundary-pushing sonic fusion. Live vocals flow through dreamy, lo-fi modulated layers. Shimmering guitars meet dubby basslines with soft rock ease, as a pulsing Detroit techno beat morphs into salsa, then flips to doom-laced black metal breaks. Expect jazzy chords, chiptune bleeps, delta blues riffage, and industrial edges clashing with gospel choirs, Afrobeat grooves, vaporwave pads, and frantic jungle turns. This all washes out into a lush future bass outro fusing pop, krautrock, and starlit yacht rock expansiveness.

Kiss Kiss Bitch!

Kimpituy – meaning roughly “butterfly” in Quechua – is the creative nest where music and literature take flight. We proudly present a diverse roster of musical acts:

Groove with the German Soul and Pop sounds of Samtblüten.
Rock out with the Alternative and Indiepop vibes of Velvet Petals.
Get lost in the Club, Trip-Hop, and Electronic landscapes of Calalga Beats.
Move to the Brazil Funk and Afrobeat grooves of Téo Fortes — music born between Paraty and Spain’s Costa Blanca, blending protest, passion, and rhythm.
Dive into dark urban drift with Tyranny Drift — haunting Phonk and dystopian beats for the night.
Feel the fire of Latin EDM with Nayrix, bold, sensual, and unapologetically catchy.
Float in expansive ambient soundscapes with Lemmon A6, where stillness and motion meet.

New Signings:
Kimpituy proudly welcomes Nayrix and Lemmon A6 to the family — two unique sonic identities: one born for the dancefloor, the other for inner space.

Beyond our core bands, discover unique projects like the official soundtrack for Oliver Stahmann’s book, “Der Faulosoph”.

While our SoundCloud focuses on audio, Kimpituy also publishes books including The Philoslother, Benny the Dancing Dog, The Green Sky, and many more by writers like Oliver Stahmann, Max Stargard, Lilia Alba, or Oscar Sullivan.

Follow Kimpituy to stay updated on all our musical journeys. If you are interested in recording or covering one of the songs, please reach out.

P.S.: No interest in Cover Art or Video Art offers.

Never in the spotlight unless it’s perfect. Usually behind the lens, not in front of it.  Maybe I’m the female Burial-introverted artist from London- maybe not.   The mystery continues....My other project is "San Beulah"

The “Steve Harmony Story” is a story of Repentance, Recovery, and Redemption. Now turning from a life of immorality and sin, Harmony is now stepping into his newfound identity, which is in the Spirit of Christ. Where he can do all things.
After surviving the trials of being raised in the Inner Downtown, Toronto Canada Housing Project complex of “Regent Park” in an era that was surrounded by guns, gangs, drugs, violence and poverty, Harmony looks to bring inspiration and hope to anyone who comes across his message.
In March 2022, along with Producer, Thanos Paschalis released "Love. The Passion" a four song EP Album.   
Harmony & Thanos threw an “Online Listening Party” on the day of the release, March 20, 2022, on Steve Harmony’s Instagram Live (@steveharmony3). Showcasing live performances of all songs featured on the EP Album.
An advocate and Spiritual member of the “Mental Health” community, Steve empathizes with and relates to many chronic and silent sufferers of Mental Health, who are plagued with numerous conditions and diagnosis’ such as, Anxiety, depression, mood disorders, and traumatic ailments, encouraging them through his Music and Social Media Content that there is a way out, and they are not alone.
Steve’s music embodies a smooth vocal blend of Harmony over R&B inspired tracks, mixed with street, gritty Hip Hop inspirations. Steve Harmony is ready to make his mark in the R&B Music world.

We All Harmonize…

Della House is an AI-generated singer and guitarist, with 100% human-written song lyrics. This is a poetry project brought to life with funky, folky, rootsy guitar-driven music. Della House is conceptualized as the lead guitarist of the similarly AI-generated power trio funk rock band St. House. These songs are her solo efforts.

Like, follow, comment, share. There's more coming. Always.

See phrases.pub for lyrics, licensing, and a full, searchable catalog.

Phrases and Phases Publishing is a one-man label, archive, and reality-refraction field. Founded by J. Adam Walters - lawyer-turned lyricist, satirist, and architectural dropout from polite society - it's the home for songs that shouldn't exist, poems that go to far, and fictional universes with better paperwork than the Library of Congress. 

From folk elegies to parody rap to theocratic cartoon trauma epics, everything here is written by a human who uses AI as a collaborator and instrument rather than an outsourced brain, and finished only when it reaches a space where laughing hurts, or hurting laughs.

Immersive soundscapes that blend trap, hip-hop, electronic, and experimental genres. Fuses cultural commentary with unforgettable rhythm.

mBaileyz

Your true enemy.  The official Nachtmystium / Blake Judd Sound Cloud page.

TOUCH2SOUL
i make music that touches the soul :-)

Whilst the balladeers are pouring
out whimsical tears of heart wrenching 
emotional torment, King Julian is 
busy re-imagining the energy of 
rebellion. With his Irreverent thought
provoking lyrics set to a frenetic but 
dancable beat, he presents an 
unfiltered, unchartered but 
distinctive new London sound.

King Julian, a former member of
London Ska unit, the Skammers
has shared a stage with some
of the biggest names in the business.
He is very much part of the scene and
now set to take the spirit of punk
to a whole new level.

I make what I like and what feels right to me.

New tracks tagged #Confrontational