===== NOTES =====
Nothing much to say about this one but I'm still adding this section here because I want to be consistent.

===== MOTIFS =====
Out of Place - https://soundcloud.com/refractale/out-of-place

[DTT: 2019] And-a-One, And-a-Two...

===== DIALOGUE =====
> Would you like to check out?
♥ Yes

===== NOTES =====
While most other tracks in the canon OST have undergone some rather drastic changes, this one only really got a mixing overhaul between its initial release and the 2023 redux of the track.

===== MOTIFS =====
All motifs here originate from this very track.

[DTT: 2019] Familiar

===== DIALOGUE =====
> Hi!
> I’m Plumey!
> Plumey the Plumeria!!!

===== NOTES =====
I don't think I really knew what I was doing with Plumey back when I tried writing it, but uhh... Young James (or rather their semi-nameless predecessor, whose only name was their codename, "Froadie") basically went "lol yeah no I'm not doing this bye felicia" and quite literally just walked away.

Can't say I know why I went with the posh-ish piano vibe for them. 2019 was weird.

Sidenotes:
Yes, technically the motifs have had different names all along! But screw that 
Can't say "NEStyle - Castle" is exactly a catchy name one can easily remember.

===== MOTIFS =====
Your Happy Friend - https://soundcloud.com/dashingtoadie/underinsert-happy-plumey

[DTT: 2019] Plumiraculous

===== DIALOGUE =====
> Oh god, are you alright?
> I’m sorry, I didn’t hurt you, right?

===== NOTES =====
In the old old script, Adult James was simply referred by as James. Despite this, the dialogue shorthand was T??? James, what the hell.

As for any particular differences between these incarnations of Adult James, uhhhh... I guess technically that version of Adult James was different in that they were... a relatively NEWLY Adult James! As this was written and released in 2019, I was still only 18.

Also dialogue I wrote at the time seems to imply that:
- The VOID, or whatever the main setting was going to be called here, was a place that Froadie already knew about
- Both Adult James and Froadie were consciously aware of their non-binary status (Adult James makes sense, at least, but I'm still unsure what age I had envisioned Froadie being)
- The two do share some kind of common knowledge, as Froadie was briefly confused as to how Adult James was able to deduce what may have lead Froadie to the point they were at before they realized, "oh right, you're me."

===== MOTIFS =====
All motifs here originate from this very track.

[DTT: 2019] Self Care

===== DIALOGUE =====
> Home sweet home.
> Hold on, I’m gonna get changed real quick.
> Make yourself at home.

===== NOTES =====
Ahhh, the origin of the "make yourself at home" joke.

Originally I had the track numbers listed, but since there's two version of DTT that had an actual planned OST list, with numbers that do not correlate with one another, I decided against it. However for some context, The Home replacement was track 6. You might be wondering: why the hell, Toadie, was the HOME replacement track 6?
Because I was actually genuinely awful at pacing back then. Literally the entirety of Part 1 was:
- Froadie arrives in Twover
- Froadie walks home, realizing it looks like their hometown
- Froadie meets Plumey, basically nopes out of that
- Froadie meets (Adult) James
- Froadie and James finish the trek home (which I was supposed to write in its entirety but guess who skipped that.)
- Froadie and James hang out at James' house.

Fun bonus trivia: The track's title is meant to be a play on The Good Place, which was -- and honestly still is -- a show that's really important to me.

Sidenote: I'm mad at myself that I didn't decide to use this as a motif for canon DTT's Home replacement.

===== MOTIFS =====
All motifs here originate from this very track.

[DTT: 2019] The Good House

===== DIALOGUE =====
> Play the piano?
♥ Yes

===== NOTES =====
So... fun fact! The original scenario for this scene WAS always the inverse of what it ended up being. Froadie's the one who plays the piano in this particular case.

Froadie's design also just so happens to basically be Toadie. So I'm like 99% sure Froadie is just. Toadie. In the Frisk Role. And That's It. Which is like. What.

Weird plotholes aside... this is a nice track.

===== MOTIFS =====
All motifs here originate from this very track. I think.
Could be "Around 2010".

[DTT: 2019] Piano

===== DIALOGUE =====
> Heh, seems things don't change.

===== NOTES =====
The dialogue was apparently for... a MUSHROOM?
WHAT MUSHROOM?
I DON'T HAVE MUSHROOMS IN MY HOUSE
WHAT DO YOU **MEAN** THINGS DON'T CHANGE THAT'S LITERALLY--
ahem

This track is still really nice sounding that's something nice I can say about it lol

===== MOTIFS =====
The Good House - https://soundcloud.com/dtt-archive/006-the-good-house

[DTT: 2019] The Bedroom

This account is dedicated to archiving older uploads pertaining to DashingToadietale, such as tracks from the most recent scrapped version, but also tracks from much much earlier, back in the day where this... wasn't much of a proper AU and more of an excuse to make self-insert tracks.

(Not like this ISN'T an excuse for that, but, y'know, uhh... shut up? /lh)

Canon DashingToadietale content can be found here: @dtt-ost

Unless stated otherwise:
* The music is created by @dashingtoadie-the-sequel
* The dialogue for 2019's version of DTT was written by @dashingtoadie-the-sequel

New tracks tagged #DashingToadietale