“After the Fall” is a post-apocalyptic empowerment anthem where Dua Lipa confidence meets Adele and Céline’s emotional burn. Dark synths, 808s, toms and strings cradle a voice rebuilding itself from ruins: “After the fall, I’m still standing tall… took the fire, turned it into gold.”

The bridge drops into vulnerable piano before modulating into a triumphant B major finale, turning devastation into a runway for rebirth. It’s tailor-made for end-credits over smoking skylines, breakup recoveries, or any story where the ruins become the foundation.

After the Fall

“Maps of Gold” is logical_miracle’s adventure-film banger: a cinematic pop-rock rush that feels like Shania Twain fronting an Indiana Jones end-credits anthem. Guitars, big drums, brass, strings, congas and a 20-voice choir drive a story about chasing treasure across mountains and ruins—only to realise the real gold is meaning, courage and the thrill of the journey.

With a charismatic, country-flecked vocal and a huge “maps of gold” hook, the track straddles radio-ready energy and soundtrack scale. It’s perfect for road-trip playlists, adventure montages, or anyone who’s run after success and discovered the treasure was who they became on the way.

Maps of Gold

“No Mercy in the Flame” is a Bond-ready spy-noir burner sung with smoky Dua Lipa poise. D minor noir harmonies, Moog bass, orchestral toms, trumpets and strings trace a heroine who’s walked through fire and come out untouchable: “There’s no mercy in the flame… you can’t kill a heart reborn again.”

The song moves from seductive verse cool into a relentless G minor and final A minor climax, fusing orchestral drama with dark synth cinema. It’s the sound of survival as identity—perfect for apocalyptic action sequences, revenge arcs and villain-origin playlists.

No Mercy in the Flame

Link to License out track: https://app.unitedmasters.com/beat-exchange/beats/bt_STT9dk4HGTEYTpWwqrbrbB

Metropolis - PinkPantheress x Cinematic Garage type beat

“Countdown Fever” is a modern funk-pop / disco revival New Year’s anthem where Dua-style lead vocals and Bruno-ish harmonies toast survival, closure and fresh confidence. Live funk kit, slap bass, horns, strings and chantable “Countdown Fever!” hooks make it feel like the exact moment the clock hits zero in a glitter-soaked room.

The lyrics lean into group catharsis — leaving the old year on the floor — making this ideal for New Year editorial, pop-dance and “Glow Up 202X” playlists. The A♭→B♭ key lift seals the euphoria.

Countdown Fever

“Midnight Believers” is logical_miracle’s glam New Year manifesto — a modern funk-pop / soul-pop / disco revival anthem where late-shift romantics and found families turn nightlife into a sanctuary. With Dua-style lead swagger, Bruno-coded harmonies, slap bass, brass hits and chantable hooks, the track bottles that exact moment when the clock hits twelve and the whole room decides to believe in itself again.

The lyric leans into community-powered optimism: we become what we dare to believe together. Tight 80s-flavoured drums, Rhodes, horns and strings create a glittering backdrop for group sing-alongs and countdown clips, while the A♭-to-B♭ lift sends the final chorus into pure euphoria. Perfect for New Year and “Glow Up” playlists, club-ready pop, and any curator looking for a confident, communal midnight anthem.

Midnight Believers

“When the Snow Falls Down” is a shimmering retro-future Christmas anthem blending Dua-style disco-pop confidence, The Weeknd’s soulful depth and Daft Punk’s synth funk. Sleigh bells, glockenspiel sparkles, saxophone and gospel swells wrap a story about slowing down, choosing grace and practicing peace instead of stumbling into it.

It sits perfectly in “Chill Disco Christmas”, “Reflective but Upbeat” and alt-R&B holiday playlists — the track you put on when you’re walking through softly lit streets trying to be kinder to yourself.

When the Snow Falls Down

“Light Up This Christmas” is a stadium-size funk / disco / soul-pop / gospel fusion where Motown spirit meets modern club bounce. Male R&B energy and a Doja-esque female voice lead a choir and horn section through a hook that turns collective warmth into a global chant: “Light up this Christmas, shine it bright / Turn up the love, set the world alight.”

With sleigh bells, tubular bells, glittering strings and a choir chanting “One world / One love”, it’s built for arena moments, TV syncs, festival specials and editorial playlists about unity and joy.

Light Up This Christmas

“Wake Me Up” is a retro funk / hip-hop soul Christmas groove about shaking off a heavy year and choosing aliveness again. Male R&B lead and a playful, agile female vocal ride clavinet riffs, slap bass, horn blasts, sleigh bells and gospel choir echoes on words like “mistletoe” and “glow”, climaxing in a huge “WRAP! ME! UP!” shout.

It reframes activation over withdrawal — joy as a decision, not a condition — making it perfect for “Funk Christmas”, “Cuffing Season”, R&B party and holiday workout playlists.

Wake Me Up

“Turn it to Midnight” is logical_miracle’s electro-pop / funk-disco / alt-R&B pivot point — the moment fear flips to fun and regret becomes release. Dua-coded lead vocals and a Weeknd-style male voice trade lines over Daft Punk-inspired arpeggiators, tight disco bass, muted funk guitars and sleigh-bell-laced percussion, driving toward an instantly sticky, Daft-style hook.

Lyrically it’s pure reappraisal: New Year’s intentions, sober-curious shifts, break-the-cycle vows at the stroke of twelve. Sweeping strings under the chorus, soft choir hums and tubular bells give it Christmas-anthem lift, while the groove lands squarely in modern club territory. This track is built for New Year’s Eve playlists, “Fresh Start” collections, and any editorial moment that needs a sparkling reset banger.

Turn it to Midnight

Midnight On Mistletoe Street

“Funkin’ Around the Tree” is a floor-filling funk / disco-pop / gospel-soul holiday fusion built for living rooms, office parties and kitchen-floor two-steps. Dua-meets-Weeknd vocals trade lines over slap bass, clavinet, horn riffs, sleigh bells and gospel chants of “Oh yeah!” while the hook “Funkin’ around the tree” turns into a call-and-response.

It leans into the psychology of synchrony — moving together to build belonging — making it a natural centerpiece for “Christmas Party”, “Funk Christmas”, family jam and corporate playlist placements.

Funkin' Around the Tree

“Twas the Night” is a candlelit nostalgia story retold with modern electro-funk stakes. Over Daft Punk–style arps, tight disco bass, glockenspiel, tubular bells and sweeping strings, Dua- and Weeknd-inspired vocals turn Christmas Eve into a place where tradition and present-tense desire meet.

The hook — “’Twas the night we set the world on fire / Hearts like candles, burning higher” — is an earworm built for both pop radio and editorial “Christmas Night” or “Alt Holiday Pop” playlists, with enough gospel echo to sit beside classic standards.

Twas the Night

“Christmas Eve Electric” captures the charged anticipation of a house buzzing before midnight — more thrill than anxiety. Built on Daft Punk-style arpeggiators, glassy pads, tight funk bass and 808 kicks under airy sleigh bells, the Dua/Weeknd-inspired duet leans into sensual whispers and big disco-chorus payoffs.

Reverse vocal whispers of “Christmas Eve… electric” and a euphoric final drop make it a go-to for “Christmas Night Out”, “Electro Xmas” and New Year-adjacent playlists. It’s alt-R&B meets nu-disco, but with unmistakable seasonal DNA.

Christmas Eve Electric

Under the Winter Lights” is an electro-pop / synthwave / nu-disco Christmas anthem that imagines Dua Lipa and The Weeknd slow-dancing under haloed streetlights. Juno pads, side-chained kicks, vocoder layers and shimmering bells underpin a duet about quiet romance in a glowing, cold cityscape — awe as the thing that calms and bonds.

The gospel-tinted chorus, “Under the winter lights, we’re burning higher,” lands like a festival drop while still feeling seasonal and cinematic. This is tailor-made for “Christmas in the City”, “Neon Holidays”, night-drive and alternative Christmas playlists.

Under the Winter Lights

“Sleigh My Name” is logical_miracle’s flirty, pun-drunk Christmas party weapon — a funk / disco-pop / Christmas anthem built for dance floors, TikTok clips and chaotic friend-group nights out. Male R&B swagger twines with a Selena-style female vocal over slap bass, congas, disco guitars, horn stabs, gospel call-and-response and sleigh bells woven into the hi-hats.

Lyrically it gives listeners permission to be silly, camp and confident — holidays as performance and play. A natural fit for “Christmas Party”, “Holiday Funk”, “Office Party Bangers” and New Year pre-game playlists, with an instantly chantable hook: “Sleigh my name, sleigh my name!”

Sleigh My Name

Link For Download Without Filter:
https://hypeddit.com/matteodalloccodallox/dalloxedmhitsremix

Tracklist:
-Scared to Be Lonely Dallox Afro House Remix
-Can't Club Handle me (Dallox Edit)
-Feel This Moment (Dallox Edit)
-Gettin Over You Dallox Techno Mix
-Stay The Night Dallox Techno Remix

Dallox EDM Hits Remix (Filter and Speeded up for Copyright)

Houdini-Remix

Dua Lipa -Illusion (Wick Remix)

Contact: musicbywick@gmail.com

Dj/Producer 

Bass House, Tech House, Future House 

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➽ Instagram @logical_miracle

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🌟 Welcome to your new home for Powerful Anthems & Neurodiversity Empowerment! Enjoy dynamic Pop Rock, Alternative Rock, EDM, and heartfelt acoustic sessions crafted to uplift and inspire. Advocating ADHD, Autism, Dyslexia, and Mental Health through authentic storytelling and emotional connection. Expect anthem-style songs like Paramore, Avril Lavigne, Bon Jovi & Imagine Dragons. 🌟 


Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

About iD/F/S!
Dead Faggot Society, or D.F.S. for short, is an Experimental Queer Hip-Hop outfit led by Producer, Rapper, and Filmmaker Danielle Grimm, hailing from Atlanta, Georgia, that mixes the flavors of poetry, southern rap, trip-hop, and a whole lot of faggotry.

New tracks tagged #Dualipa