Your truth is ignored while they lie for attention.

Uncensored Sorcery

Condemned Albeit Innocent

High On Dynamics' self-titled debut EDM track. Breaking rules.

Stage name: High On Dynamics.

Celebrating high dynamic range in music, as an artist, producer, label owner, DJ and music lover.

This recording has more dynamic range and headroom than loudness-maximized music. Who'd have thought? Turn the volume up, enjoy. :)

https://sms2023.bandcamp.com/track/high-on-dynamics-high-on-dynamics-edm-melodic-experimental

Credits
Written, Arranged, Re-recorded, Mixed, Mastered, Produced and Copyright 2025 by sms2023 MUSIC PRODUCTIONS, Stefan Michael Savolyi, Germany. Our artwork contains edited ai-generated images. This production contains edited ai-generated samples. sms2023.bandcamp.com, sms2023.de, www.highondynamics.com Labelcode: LC 102074. All rights of the producer and the owner of the work are reserved. Unauthorized copying, hiring, lending, public performance, and broadcasting of this recording are prohibited.

High On Dynamics

Music is my passion because it releases what can't be said in conversation

up or down

Inevitable

• Key: E minor • BPM: 96

• Camelot: 9A

• Danceability: 96%

• Happiness: 61%

• Sadness: 59%

🥁  Core Musical Structure
1. Baladi Progression (“Baladi Taqasim”)
A typical Baladi progression is not verse-chorus, but an unfolding story arc:
Taqsim (Improvised instrumental solo, usually accordion or oud)
Slow Baladi (heavy, grounded rhythm enters)
Build-up section (percussion & melodic dialogue intensify)
Fast Baladi / Saidi switch-up (tempo increases)
Drum Solo / Tahtib-style ending flourish

🎵  Essence and Origin
Raqs Baladi (رَقص بلدي) literally means “dance of the country” or “folk dance.”
It is the root form of Egyptian belly dance, born from rural social dances that migrated into the cities — especially Cairo — and evolved alongside early 20th-century urban music ensembles (takht).
Baladi is to Egypt what blues is to America: a soul form — earthy, improvisational, conversational between body and instrument.

Baladi Bloom

Raw multitrack from The Butterfly Effect's 'An Ultra Violet Apology''. This recording was provided for educational purposes only, and the material has not been used for commercial purpose. Please refer to www.cambridge-mt.com for further details. 

  

This mix is my rendering of the song with a focus on dynamics,  emotion, and technical requirements. I wanted to balance rawness and beauty which you can hear in the vocals and guitar especially. I based my decisions around the song and added sonic interest with panning, echo, and reverb. If you would like me to mix for you contact me at the addresses below.

  

Contact me via Email Mattysisson@outlook.com 

Contact me on Instagram @Mattyandthemusic

An Ultra Violet Apology- The Butterfly Effect (mix by Matty)

A sardonic look at how the crew behaves when women come in — creepy, juvenile, and often hilariously misguided.

Lube Shop

OIL & HORMONES

From my new album "Weight Of The Same Sky

Cinematic

From my new album "Weight Of The Same Sky"

Akira

ENG: This is an excerpt. Due to publishing and label agreements, I cannot upload full tracks on SoundCloud. 
You can listen to the complete version for free on Bandcamp.
ITA: Questo è un estratto. A causa di accordi editoriali e discografici, non posso caricare le versioni integrali su SoundCloud. 
Puoi ascoltare gratuitamente la versione completa su Bandcamp.

ENG — Worldwide Release 2025 / Episode 3
TU CHE MI PUOI CAPIRE – AD OGNI INCONTRO (AT EVERY ENCOUNTER)**

AT EVERY ENCOUNTER was written to express the moments of a collective story: different people who, for years, came together for care, formation, and research, arriving in one state and leaving in another — always changed by the human encounter with the person guiding that path.
The piece tries to “tell” exactly this: the energy of a true human encounter, its intensity, its inner rhythm, its ability to reveal parts of ourselves we had not yet seen.
Through orchestral contrasts, movements, and suspensions, the music mirrors the transformation that every authentic encounter carries within itself.
A change that cannot really be explained with words. It is recognized, felt, carried inside. It is also a personal dedication to someone who profoundly marked my life, reminding me that every encounter is a passage — a moment of inner growth.
Part of my lifelong idea of integral composition, the entire piece was written, arranged, orchestrated, performed, mixed, and mastered by myself.

**ITA — Worldwide Release 2025 / Episodio 3
TU CHE MI PUOI CAPIRE – AD OGNI INCONTRO**

AD OGNI INCONTRO vuole esprimere i momenti di una storia collettiva: persone diverse che, per anni, si sono riunite per cura, formazione e ricerca, arrivando in un certo modo ed uscendo sempre cambiati dall’esperienza di rapporto umano con chi guidava quel percorso.
Il brano vuole “raccontare” proprio questo: l’energia di un incontro umano vero, la sua intensità, il suo ritmo interno, la sua capacità di far emergere parti di noi che non avevamo ancora visto.
Attraverso contrasti orchestrali, movimenti e sospensioni, la musica prova a rappresentare quella trasformazione che ogni incontro autentico porta con sé.
Un cambiamento che non si spiega davvero con le parole. Lo si riconosce, lo si sente, lo si porta dentro.
È anche una dedica personale a chi ha segnato profondamente la mia vita, ricordandomi che ogni incontro è un passaggio, un momento di crescita interiore.
Fa parte della mia idea di composizione integrale. Tutto è stato scritto, arrangiato, orchestrato, eseguito, mixato e masterizzato da me.

Tu Che Mi Puoi Capire

Ascolta/Acquista

AD OGNI INCONTRO  (Worldwide Release 2025) - excerpt

The Blue In Your Eyes

EN1GMA, EN1GMATHADON, SKULLY, SKULLYTHAPRODIGY. 
Bringing feeling, thought, visions to palpable, audible works of art. Raw, visceral. Holding nothing back. Pure soul. 

Jericho Records USA – The Story Behind the Sound

Welcome to Jericho Records USA.
This isn’t a traditional label — it’s the archive of a lifetime spent writing, recording, experimenting, breaking rules, and rebuilding myself through music.

The original Jericho Records was an independent label my father started in the 1950s. What you’re hearing here is something new — my continuation of that legacy, shaped by the times, the tools, and the life I’ve lived.

I grew up in a musical home. My father ran the church music ministry, my mother played piano, and I was singing before I could read. Drums at 5. Guitar at 7. Bass. Saxophone. Piano. Songwriting became the way I made sense of the world, and I’ve written close to a thousand songs — with thousands more to come. I later graduated from Full Sail University with a degree in Audio Production, blending old-school recording with modern technology.

You’ll notice the sounds here are diverse. That’s intentional.
I create under different artist names, different styles, different worlds — but the voice behind all of it is mine.

And to be fully transparent:

• Some tracks are traditional studio recordings — real drums, real guitars, real vocals, all performed by me.
• Some tracks blend live instruments, VSTs, and AI-assisted production.
• Some began as my raw guitar or vocal recording and were “covered” or re-interpreted through AI tools.
• Some are fully AI-generated compositions created from my prompts.
• But every song — no matter the method — was written by me and comes from real experiences, real chapters of my life.

AI, to me, is another instrument — another creative partner.
It doesn’t replace my voice or my story; it helps me bring more of it into the world.

Over the years I’ve worked with incredible people, including Dez Dickerson (Prince & The Revolution) and Tim Gaines (Stryper), and I’ve shared stages with bands like Drivin’ N’ Cryin, Corey Taylor, Saving Abel, Hinder, and Avenged Sevenfold. But the journey didn’t end there — it evolved.

Jericho Records USA is where all those chapters live at once:
the human hands, the digital experiments, the scars, the healing, the imagination, and the divine spark that keeps me creating.

If you’re here, I hope you find something that resonates — something that reminds you that music, in any form, is a lifeline.

— Jericho

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

Experimental Multi-genre-artist and producer from Germany.
Lover of a high Dynamic Range in music, born in Jan/1980.

Our debut EDM track: https://soundcloud.com/high-on-dynamics/high-on-dynamics
Next up: DJ / producer for Club Music, celebrating different genres, Remixes and putting on my own Dynamic Range enhanced Remasters and songs under the alias 'High On Dynamics'.
I grew up with the Commodore 64, playing the musical keyboard, had my first home studio to self-study music production as a young adult, started writing and editing synthesizer patches for a few years, then took a longer break from music due to being occupied in my jobs, still improvised on the piano for many years... re-started everything in 2023.

My 1st 'official' music release internationally came out in September of 2024.
My work so far (excerpt):
Creator & Producer of 'Pretorius P.I.G.', a (yet) fictional rapper,
Creator & Producer of 'THEMAEN', a pop music project,
Creator & Producer of 'Interpretorius', a classical music project,
Creator & Producer of 'Decanon', a Rock / AOR / Hair Metal / Melodic Metal music project,
Creator & Producer of 'High On Dynamics', stage name as producer / DJ mainly for EDM / electronic / experimental / Remixes & Remasters with high(er) dynamic range,
Label owner of sms2023 MUSIC PRODUCTIONS (LC 102074).

My name is Matty and I am based in the Fylde Coast. I want to work with musicians on their projects so they can reach their full potential. I work as a bass player, recording engineer, producer, and mixing engineer. Though I am aspiring, the passion I bring has been beneficial to many creatives 

  

Contact me via Email Mattysisson@outlook.com 

Contact me on Instagram @Mattyandthemusic

From mood-setting Leitmotifs to high-energy dance routines. Your FYP is ready for this. 🫧 🎧
🔥 "Instant playlist material. OBSESSED."

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