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307 Music For Videos (FREE DOWNLOAD)

Портрет места, с особой любовью и вниманием сотканный из звуковых фрагментов лета две тысячи девятнадцатого: из препарированной гитарной акустической импровизации на веранде загородного дома, из собственных и почему-то при этом англоязычных попыток в пение ртом, зафиксированных на рекордер, из усталого вокализа кондиционера, притаившегося в дальнем углу городского супермаркета, из хаотично и тоскливо гремящих вешалок для одежды в опустевшем накануне моего отъезда из дома шкафу, наконец из полевых записей последней на текущий момент моей поездки на велосипеде, с которым в доброй приключенческой юности мы вместе освоили многие километры дорог родной республики. Записано для одного местного фестиваля в качестве конкурсной работы, но в последний момент не отправлено.

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3dedm dramatic background music 🏆 FREE DOWNLOAD

3 Créations sonores réalisées par les élèves de TIe BAC Métiers de l'Accueil Commerce Vente du Lycée E Chabrier d'Yssingeaux (43)

Ukrainian war : Eddy, Zoé
Psychodélire : Logan, Maëlle
Haunted church : Louise, Magdalena

Musicienne intervenante : Laurence Bourdin
Professeur : Marc Deplat

La Peur

Pieza sonora interpretada en el Centro Cultural Inca Garcilaso del Ministerio de Relaciones Exteriores (Lima, Perú) el 06/07/23 en el marco del concierto Ruido Organizado.

Estudio Nº2 para 3 Sistemas Modulares

tracklist:
1. John Cage - Radio Music (00:00:08)
2. Detlef Funder & Bernd Sevens - Sauerstoffmangel (00:00:49)
3. V/Z - Caffe Giallo(00:06:15)
4. Eardrum - Nightblind (00:09:54)
5. Wicked Witch - Erratic Behaviour (00:12:39)
6. Tolerance - Pulse Static (Tranquilla)(00:18:04)
7. Minor Science - Dread The Evening (00:2:27)
8. Civilistjavel! (feat. Cucina Povera) - Louhivesi (00:34:15)
9. Ben Vince, Ossia, Guest -  from EP/64-64 (00:41:06)
10. Jake Meginsky - 2521 (00:59:27)
11. Leyden Jars - A Seed A Start (01:08:58)
12. Svitlana Nianio & Tom James Scott - Embers (01:13:20)
13. Natasha Barrett - Impossible Moments From Venice 2 (01:15:31)
14. Laure Boer - Soleil ébloui (01:22:52)
15. Loopsel - Poison Tree (01:28:51)
16. Die Welttraumforscher - Hinter 7 Monden (01:31:41)
17. Frederic Chanu - Prends le temps d'​é​couter(01:36:06)
18. Johanna Orellana - El Jardin III(01:37:58)
19. Christian Mirande - Introduction: Frog Pond (01:40:44)
20. Alabaster De Plume - Black Drifts (01:42:51)
21. Solo Andata - Reel (01:44:33)
22. Asma Maroof, Patrick Belaga, Tapiwa Svosve - G Major Kind Of Love (01:41:28)
23. Zesknel​ - Pitch Pipe (01:51:30)
24. Salenta & Topu - Light Coming On The Plains (01:56:11)
25. Shabaka - Memories Don't Live Like People Do (01:58:20)

130701 - A Dream Across The Border 48 - radio show on 1BTN - 12.08.23

Vocoder treatment of dishwasher recording sample.

Dishwasher #2 Drone Study

NOTE:
This piece represents two things for me: 
1. A metaphorical and literal depiction of friction as both a sonic and mental concept.
2. An aesthetic and technical experiment aiming to seamlessly blend hyper-gestural acoustic sounds with electronic ones using an amplified chamber ensemble and laptop.

The piece gets its title from the idea that despite having a gut feeling or the education to know that something might be right or wrong, internal and external forces might cause one to ruminate tirelessly and doubt their own judgment. A cycle that might result in the warping or erosion of confidence in one’s self.

The piece attempts to depict intense shifts between confusion and confidence, clarity and uncertainty, and chaotic tension and release. In an attempt to convey this both poetically and sonically, much of the individual parts of ensemble’s material comes from a smattering of transcriptions generated from improvising with, and digitally processing a number of differently inflated balloons. An object that can be blown up, stretched, and squeezed, but when too much friction is applied can also burst when its structural integrity reaches a breaking point. The pacing, orchestration, electronic sounds, and sudden bursts of sound throughout are reflections, abstractions, and distortions of these “transcriptions”. 

Finally, the piece also uses a number of digitally manipulated orchestral recordings (most of which bring me a calming sense of nostalgia and comfort in their original forms) to represent the shift between self clarity and uncertainty, give directionality to the work, and to provide the listener with some semblance of “stability”/familiarity between moments of chaos. Although, like the balloons and the rest of the ensemble, they too can be stretched and manipulated past the point of recognizability.

Performed and recorded on 10/20/23 at Galvin Recital Hall at Binen School of Music

Conductor - Jason Gluck 
Cinematography - Dan Nichols and Aphorism Studios 

Ensemble - Northwestern Contemporary Music Ensemble - Fall 2023
Violin - Shijie Li
Cello - Noam Ginsparg
Double Bass - Lance Gaupp
Alto Flute - Mara Goree
Oboe - Ezekiel-Alain Navarro
Bass Clarinet - Elynn Chang
Horn - Isaac Sepulveda
Trombone - Tim George
Percussion - Cameron Marquez and Christian Santos 

Special Thanks to: Ben Bolter, Bill Milgram, Austin Williams, Rachel Frazier, and Henry Stewart 
Mastering and Additional Mixing: Douglas McCausland

I think my legs might be broken (2023, amplified chamber ensemble and electronics)

Pièce électroacoustique composée en 2024 avec le Kobol Expander, le Jupiter 6, le Korg MS2000 et diverses prises de sons.


L'Onirisme D'Ut : 
"Je suis parti d'un accord de Do Majeur et je l'ai laissé rêver. On dit de lui qu'il est parfait mais dans ses rêves il se perd. Il cherche sa place dans l'espace, il se déstructure, ou se restructure. Il cherche ses harmonies, il caresse l'idée d'atteindre une autre forme de perfection en s'associant au rythme et à l'inconnu. Lorsqu'il reprend ses esprits, il est imparfait mais il se sent bien mieux."

Marin Costes

L'Onirisme D'Ut

Coming and Going

They come and they go, shapes brushing past, real until they aren't, banks of mist within your grasp. A gulf you find between you, into whose yielding gullet you readily slide, out, out alone, out to the other side.

Featuring:
Ron Veprik (double bass)
Noémie Pestre (cello)

"Coming and Going" is a wavefield synthesis composition for double bass, cello, and electronics that explores the gradual transformation of sound. The piece is anchored around the low D note of the double bass, whose harmonic spectrum slowly unravels, revealing a progression from rich tonalities to pure noise. Through FFT-based processing, the recordings undergo spectral manipulation, sculpting the sonic textures in real-time. The performers navigate graphical musical notation, employing a variety of timbral techniques and expressive gestures, freely associating between them to create a fluid, evolving soundscape. The composition premiered at the 2024 WFS Festival at Amare, Den Haag (NL).

Coming And Going (WFS -> Stereo Downmix)

Electroacoustic track made with public files from the National Library from Argentina

Radio Difusión

A piece made of 100 partials of a piano note

Etude IV

The Cie Grain de Son was founded in 2006 by Laurence Bourdin for the development and the promotion of electroacoustic hurdy gurdy, through research and contemporary writing for this instrument. 

Music Composer. #Latin #electronic #electroacustic  #soundart  #sounddesign

Compositeur - Interprète 
Musique de film

-  Elliott Lupp is a composer, improvisor, visual artist, and sound designer whose work often invokes images of the distorted, chaotic, visceral, and absurd. This aesthetic approach as it relates to both acoustic and electroacoustic composition has led to a body of work that, at the root of its construction, focuses on the manipulation of noise, extreme gesture, shifting timbre, and performer/computer improvisation as core elements. 

- Elliott has received a number of awards and honors for his work, including a 2019 SEAMUS/ASCAP Commission, the 2019 Franklin G. Fisk Composition Award for Chamber Music, and Departmental and All-University awards in Graduate Research and Creative Scholarship. His music has been performed at a variety of electroacoustic festivals including N_SEME, CHIMEfest, Electronic Music Midwest, MOXsonic, Fulcrumpoint New Music Project, SEAMUS, and Electroacoustic Barn Dance, and by such ensembles as the Dutch/American trio Sonic Hedgehog (flute, clarinet, and electric guitar), the Atar Piano Trio, Found Sound New Music Ensemble, various members of MOCREP, The Chicago Composer's Orchestra, Fonema Consort, and Ensemble Dal Niente. 

PhD - Northwestern University (currently pursuing) - Alex Mincek, Jay Alan Yim

MM - Western Michigan University - Christopher Biggs, Lisa R. Coons

BM - Columbia College Chicago - Eliza Brown, Kenn Kumpf

FatCat Records is a British independent record label founded in 1997.

Compositora | Composer  
Licenciada en Música | Bachelor of Music
Estudiante de Máster en Composición
Parte de RETAMA Colectivo de compositoras
Interesada en la música de cámara, la música experimental, la música vocal y la ópera. Su obra busca explorar las formas, texturas y timbres para generar distintas atmósferas.

📨 pia.alvaradoarr@gmail.com

New tracks tagged #Electoacoustic