“Middle of Nowhere” is a descent into a shifting desert of fractured timelines — a hypnotic, ultra-fast Quantumbreak ritual where groove survives against impossible odds. Built entirely on instinct, dual controllers and sheer entropy, this track blends tribal pulses, psychedelic textures, and high-dimensional rhythms that shouldn’t logically coexist… yet somehow do.

A drifting mirage, a spiral, a storm — and a reminder that even in the absolute void, the beat finds a way.

Enter at your own risk.

Middle Of Nowhere

⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾⍾

Artificial Rapture II [EXTRATONE]

Illusion

“Overload” pushes Quantumbreak into its most extreme territory yet — a neural storm of hyperspeed drum pressure, collapsing polyrhythms and hallucinatory harmonic bursts sculpted through Dia-Zé-Pam’s dual Erae 2 setup.
This is not just fast. This is structural compression of time.

From the opening seconds, Overload detonates like a reactor pushed past its safety limits:
relentless micro-percussion, elastic kick clusters, fractured ghost-melodies and glitch-saturated textures swirling into a vortex dense enough to bend perception. Every layer is alive, mutating, folding back on itself, expanding outward like a digital supernova.

The track shifts between chaotic propulsion and twisted groove, creating a strange, impossible balance—simultaneously destructive and hypnotic, like a rave inside a particle accelerator.

Built in pure instinct mode, played like an instrument possessed, and driven by the raw physicality of the Erae surfaces, Overload embodies the next step of the Quantumbreak sound:
faster, denser, more psychedelic, and aggressively alive.

If you enjoy music that vibrates the edges of consciousness, steps outside BPM logic, and treats rhythm as a multidimensional organism…
welcome to Overload.

This is the signal.
Brace your neurons.

Overload

Reminiscences of the tone

No release attached/ Unreleased

Release/download link: https://archive.org/details/no-remembers-me
YT:  https://www.youtube.com/watch?v=gwdSGhazV3g

_ NO REMEMBERS ME

ANGEL

EWP 001 PODCAST (9999999999999999BPM)

L8VELY

Song title: クリスマス・スロップ (takehirotei "omnigenre" remix) 
Song title (romanized): Christmas Slop (takehirotei "omnigenre" remix) 
Song artist: Altermis & takehirotei & Violet Delta
Vocal: Natsuki Karin
Lyrics: takehirotei
Remix: takehirotei
BPM: 250
Genre: orchestra, uptempo, melodic hardcore, lofi, botanica, disco, trap, breakcore, trance, artcore, hardstyle, dubstep, metal, speedcore, extratone, garage

YouTube: https://youtu.be/y53U-qo8T7U
SoundCloud: https://soundcloud.com/takehirotei/christmas-slop-takehirotei-remix

Altermis
https://x.com/Kai_Altermis
https://soundcloud.com/altermisdesu

takehirotei
https://x.com/takehirotei
https://soundcloud.com/takehirotei

Violet Delta
https://x.com/violet_delta
https://soundcloud.com/violetdelta

bg art from Blue Archive game
_________________________________________________________________________________________________
Lyrics [JP]
みんな外ではしゃぐ
なのに俺はサークルクリック

今夜はただ　画面と向き合う
この譜面を　フルコン狙う

気づいたんだ　このマップただのスロップ

クリスマス・スロップ 

雪は静かに速く降り注ぐ
まるでコンボが落ちるみたいに
灯りは揺れて　やがて消えていく
まるで精度が消えてく

ジャンプでまたミスる
リトライ叩く　ただppのために

Lyrics [EN]
Everyone is having fun outside
yet I'm here clicking circles

Tonight its just me and the screen
Trying to full combo this map

Then I realized, the map is slop

kurisumasu sloppu

The snow falls fast
My combo is falling fast
The light flickers and fades
And my accuracy fades away

Missed the jump again
Hitting retry just for the pp

クリスマス・スロップ (takehirotei ''omnigenre'' remix)

add klucz_yk on discord for collabs and shit

kurwa

Extreme electronic music Produced/ Artist from Latvia
speedcorediversity - my lovely addiction

Speedcore Splittercore Extratone Noise 
Contact: darkjaglmusic@gmail.com

Dia-Zé-Pam-100MG is not an artist. He is a rupture in the timeline of electronic music — a gravitational anomaly disguised as a producer, bending rhythm, tempo, and causality with a precision that borders on the impossible.

He is the mind behind Extrabreak, a genre born from one question:
“What happens when velocity becomes architecture?”

Extrabreak was the spark.
Quantumbreak is the detonation.
A realm where breakbeats surpass 1000 BPM while remaining shockingly groovy, articulate, melodic — alive.
Where rhythm no longer measures time, but fractures it into shimmering shards of sound.

His setup is his ritual arsenal:

Ableton Live 12 as the command center,

Push 2 as the pulse engine,

Embodme Erae 2 as the hypersurface where new dimensions are sculpted in real time,

Kontrol S61 Mk3 as the melodic forge.

Together, they form a machine capable of erasing the boundary between human intention and cosmic-scale chaos.

His inspirations orbit him like rogue satellites — Patton, Buckethead, Igorrr, Aphex Twin, Venetian Snares — but none define him.
He does not imitate their madness.
He expands it.
He weaponizes it.
He drags breakbeat into territories even they would hesitate to chart.

Every track is a carefully engineered paradox:
hand-played 1/16 percussions at human speed, accelerated into supernatural velocity — not through shortcuts or illusions, but through pure structural alchemy.
What emerges is authentic hyperspeed:
a living, breathing cyclone where geometry, mythology, harmony, and destruction coexist in impossible balance.

Dia-Zé-Pam-100MG does not seek evolution.
He seeks rupture.
He tunnels beneath the foundations of electronic music, detonates a new universe, and climbs out through the debris with melodies that should not exist and grooves that defy physics.

And now, as the Quantumbreak era ignites, one truth becomes clear:

He is no longer shaping sound.
He is reshaping reality —
at BPMs where reality stops keeping up.

Melodic Extratone
Nihilistic Extratone
Hard Extratone

I don't care, but EXTRATONE.

aka https://soundcloud.com/finitelimit and https://soundcloud.com/imaginaryrea1ity

Hi, I make variety musics and remixes


started my journey at 24/11/2019
song featured in: Orzmic, Phigros, OMT, OTMT, GTS, ChainBeeT, vivid/stasis, Project Prism, and many to come

New tracks tagged #Extratone