this song is dedicated to all of those who have died or lost a loved one during the fukushima nuclear disaster/tsunami in 2011. may your loved ones rest in peace and may any of you who survived live in peace. ❤️



i see a motorbike beyond the old store window
it still shines the way it did back then
i see a wrench still hugged around the old bike spindle
still hear the engine in my head
i see a motorbike beyond the old store window
it still shines the way it did back then
i see a wrench still hugged around the old bike spindle
still hear the engine in my head

look at the time go
it feels impossible to keep track of the years
look at the wind blow
i’d take a ride but i’ve no clue how to work the gears
look at the waves grow 
i think it’s time to get the hell out of here
where did our lives go
that filthy storm swept up our house and all our tears
now i’m right back here

we used to think we were untouchable back then
rides to the park just to see all of our friends
we never thought the good old days would ever end 
but my broken heart is struggling to play pretend 
they built a wall to keep the waves from sweeping through
it wasn’t tall enough to stop what would ensue
in just a blink these waves took everything we knew
i made it out but somehow we never found you…

look at the time go
it feels impossible to keep track of the years
look at the wind blow
i’d take a ride but i’ve no clue how to work the gears
look at the waves grow 
i think it’s time to get the hell out of here
where did our lives go
that filthy storm swept up our house and all our tears
now i’m right back here

fukushima

оторванные крылья +@куренн p.wayza,tokyos1ze

prod. erdo
mix https://soundcloud.com/fukushima2222 n https://soundcloud.com/9kurenn

i walk around in my skinny jeans
i think i saw u n my dreams
i think i sippin too much lean
n i need to call emergency 

walk in walk out
xan inside my cup
i got a emo bitches
up on FaceTime
When im sleepin
i see monsters s half life
i bhop in cobble stone
w my bowie knife

walk into ur bed
Im takin everything
heard u hating 
when u seen me u ain say a thing
im a real pretty boy
but im evil
I be on my own shit
Fine being lonely^~^

she said “peter how u feel”
bitch i no feel at all
bitch my brother poured a 4
n now he cant talk
only u & me
Miyashita t-shirts
let ur body down 
let my tears fall

i walk around in my skinny jeans
i think i saw u n my dreams
i think i sippin too much lean
n i need to call emergency 

walk in walk out
xan inside my cup
i got a emo bitches
up on FaceTime
When im sleepin
i see monsters s half life
i bhop in cobble stone
w my bowie knife

Half-life (erdo)

07-Fukushima

On this special anniversary episode of the Tohoku disaster, special guest William McMichael talks about the current state of Fukushima and Tohoku, 14 years on. Though challenges remain, the outlook is far from bleak, with the people of Tohoku determined to forge a future of sustainability - and hope. 

Footnotes
- Hope Tourism: https://www.hopetourism.jp/en/ - if you want to contribute to Tohoku's rebuilding, consider this special tour and hear the stories beyond the news cycle. 

Revisting Tohoku: Present and Future

Jeudi 6 février 2025, le MAM Paris accueillait Mélanie Pavy, artiste visuel et Sophie Houdart, anthropologue pour une lecture performée à tour de rôle de leurs carnets de notes qui éclairent, ajoutent, complexifient, parfois de manière ténue et par détours, ces expériences fragiles qu’elles ont traversées ensemble dans la région de Fukushima où a eu lieu la triple catastrophe de 2011.

MAM | L’Âge atomique est notre présent | Fukushima Reprises

Aftermath of the ongoing Fukushima core meltdowns with help of AI to channel in John Muir, utilizing live Radiacore 102 background radiation readings into a Mojave input 1 mic

Aftermath of the Meltdowns

Writer Thomas Bass is trying to wake us up. In his latest book, "Return to Fukushima," his is a compelling voice of opposition to the idea that atomic power will solve our energy needs. He talks with Rosemary Armao for Armao on the Brink.

Armao on the Brink: Risks of Nuclear Power

prod. https://soundcloud.com/fukushima2222
lyrics:
~~~~~~~~~~~~~~~~~~~~~~~~
Вижу что то странное Это слова прости
В нашем чате в телеграмм и это пишешь ты
Я уйду от всех я просто выйду из сети
Все что осталось от тебя - На сердце бинты
-=-=-=--=-=-=-=-=-=-=-=-=-=-=-
В нашем чате миллионы букв и все напрасно >~<
Теперь хочу делать все Все что не безопасно
иду по улице один Все фонари погасли
Короче кто не понял Чувствую себя ужасно
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~
Каждый день я курю много
Отключаю мозг
Прописываю god в консоль
Ем галоперидол
И я приду в твой дом
Будто не званный гость
И проведу допрос
Сыплю на рану соль

всем пок4

напрасно >_<

SWAG ENT. GOES 2 JAPAN. #VACATIONTIME #METIME #BEACHEPISODE6

日本の暗号 (JAPAN CYPHER) FT. SHADOWSWAGGER, YNWSWAGGY, BIGSWAGGERGAMMA & SWAGMANE

Je suis de mon occident.
 Je n’ai rien vu de Fukushima.
 Sinon des images, des sons, des agencements médiatiques venus habiter la sonorité \fukushima.
Pour nous, occidentaux, Fukushima n’est plus un lieu ni un événement.
 C’est une sonorité-réceptacle où se sont déposées angoisses, fantasmes et prémonitions d’une société égarée sur les voies de la mondialisation énergétique et nucléaire.
*\Fukushima* est allégorie, mythe moderne, précipité d’un inconscient collectif. Fusion et fission agrégées à catastrophe et cataclysme ont fait de *\fukushima* le signe d’une apocalypse hypermoderne : un Big Crunch symbolique, une cosmogonie inversée.
Quelque chose qui ressemble à un jeu de plateau repose sur une table.
 Il est fait main : une boîte, un plateau, deux dés noirs et magenta, quatre feuilles transparentes.
 On devine sur le contenant des images de kamishibaï, ces images qu’on fait défiler dans un théâtre ambulant de bois au Japon.
Sur le plateau, une carte sommaire du pays.
 Cinq lignes qui évoquent une portée.
 À l’arrière, ou sur un côté, projeté dans l’espace : un dessin animé saccadé.
 On y perçoit les variations de vitesse d’un personnage qui respire.
 Son inspiration et son expiration apparaissent sous forme d’idéogrammes qui surgissent et disparaissent au rythme de son souffle.
Par empathie, nous calons notre respiration sur la sienne.
 Un raccord à sa poitrine.
 Une communion.


Once Upon A Time Fukushima (game mix)_Nikolaï Krust (Clarinette)

tg/  https://t.me/pavshiyscalld

mix/   https://t.me/fukushima222
feat/  https://t.me/cdwarriorsc

sex and drugs + cdwarrior       prod.(@fukushima222)

MEMBERS:

SWAGMANE
SHADOWSWAGGER
BIGSWAGGERGAMMA
YNWSWAGGY
G7IGOTSWAGINMYSYSTEM
SWAGSIZESLIMplusTIPS

Hudson Mohawk Magazine is a local volunteer-produced news hour that provides sanctuary for the discussion of a wide range of topics, scaling from the global to the hyper-local. The show is broadcasted from The Sanctuary for Independent Media on WOOC 105.3 FM.

Thanks to listeners like you, the Sanctuary is able to use art and participatory action to promote social and environmental justice and freedom of creative expression.

Auteur, Compositeur, arrangeur. Pop rock, jazz, bossa nova, blues. Songwriter since 2009

Featuring the lives, stories and careers from the global JET Programme alumni community. And usually, our stories begin with "This one time in Japan..." - our best, our silliest and our fondest.

Share your story! Contact webmaster@jetaainternational.org

Paris Musées Établissement public Paris Musées, le réseau des 14 musées de la Ville de Paris.

ɆӾ₱ɆⱤł₥Ɇ₦₮₳Ⱡ ł₥₱ⱤØVł₴ɆĐ ₦Øł₴Ɇ

Frédéric Mathevet never wanted to chose between music and visual art. He is a composer, artist, and researcher affiliated with l’ACTH (ENSBA de Lyon), a mixed research unit of the French National Centre for Scientific Research (CNRS) and the University of Paris 1.
His artistic work is essentially polymorphous and mutable. He is always in the interstices, the gap in the clothing. He is a tinkerer, working in multiple media; in his practice, drawing, photography, video, sound and musical scores meet, mix and cross contaminate. His language is an indocile one, resisting the teaching of signs and returning to the table the arbitrariness and inequality of signs that construct the real. He is in a perpetual struggle against semiotic subjection. His works, drawing equally on experimental music, graphic novels, installation and intervention, deal most often with power’s plastic forms or society’s untimely constructed narratologies. His nomadic studio espouses the quotidian, privileges sub-products and intimate creative processes: drafts, sketches, and cross-outs questioning individual and collective memory. It makes the body the ultimate site of a poaching of the sensed. His studio, l’Atelier d’un cordonnier [the shoemaker’s workshop], is an open, welcoming space where meaning is like the odor wafting from scraps of leather.
He is founder and co-editor in chief of the online journal l’Autre Musique [the Other Music], and the lab of the same name. He is the author of two manuals on the arts, the second of which is dedicated to the particular case of music. He has participated in numerous exhibitions in Paris, Montreuil, Toulouse and London. He has also staged several multimedia performances, including “Faire la peau 2” for bodhrán frame drum (in Nice, Paris, and Noisiel), Rec-u-Aime for cello, mezzo-soprano and knitter (at La ferme du buisson), and “Mécaniques funambules” for baritone saxophone (at Petit Bain).

New tracks tagged #FUKUSHIMA